1856 Historic Letter WILLIAM WALKER in Nicaragua

This framed piece includes a letter to the right and a print of William Thackery to the left. The letter is hand written, signed, and set within the preservation board. It reads: 36 Ouslow Sq., "Dear

This is an interesting look at the Filibuster War in Nicaragua from an insider who was known as one of William Walkers most dependable soldiers. He received numerous wounds during the war. The book wa

This is an interesting lot featuring an Articles of War by Which the Army of Nicaragua Shall Be Governed, contains news clippings of death notices for Lieutenant Ben O'Neil (O'Neal) and his br

Rare, Historic Theater: Signed Photos, Letters, Autographs: Laurence Olivier, Paul Robeson, Gypsy Rose Lee Contract, William Gillette, + 35 More. A collection of 40 late 19th Century early 20th Centur

William Cullen Bryant (1794-1878), American poet and journalist. Two handwritten letters, one dated July 2, 1861 with signature / autograph and the other dated June 11, 1856 with signature cut out. Al

Historic 19th c. Signed Tennessee Debt Claims Letter to Captain Simpson from John Dickson (1780/5-1855), brother of William Dickson of the Dickson-Williams Mansion in Greeneville, Greene County, TN. S

Property from the Estate of William H. Rasch Description: Sully, Thomas (1783-872) 2 Autograph Letters and a Signature, comprising an autograph letter signed, one page, April 2, 1856, concerning d

“If our dear father (as well as brothers) are to be sacrificed to the God of Slavery, we shall not believe they have died in vain.” - Ruth Thompson, daughter of John Brown Historic, unpu

§ WILLIAM WALKER TELFER (SCOTTISH 1907-1989) STILL LIFE, ROSES Signed lower left, oil on canvas (53.5cm x 44.5cm (22in x 17.5in))

William Walker (American, 1927-2011) Oil painting on canvas, depicting Abraham Lincoln centered around various dramatic elements of crisis. Titled "Emancipation Proclamation". Artist signature bottom

Fascinating 4pp. letter written in Salt Lake City, Utah on July 15th, 1859. The author, 33 year-old schoolteacher Charles E. Bowers, traveled to Utah from Michigan and shares his candid opinions on th

Black History c. 1840 Ship AMISTAD SLAVE REVOLT Historic Letter c. 1840, Autograph Letter Signed, by "Erasmus D. Drury," of Newburgh, NY, mentioning the Rebellion of Enslaved Africans aboard the Ship

Pair of Amber Glazed Terra Cotta Dragon Head Form Roof Tiles Corbels, in an Imperial glaze, roughly 8" x 8" x 10 1/2". Minor losses. Provenance: Collections of William Walker & descendants and the Wal

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.

William Aiken Walker (1838-1921) The Cotton Pickers signed with conjoined initials 'WAWalker.' (lower left) oil on board 6 1/8 x 12 1/4 in. (15.6 x 31.1 cm.) Footnotes: Provenance Gerald C. Paget (190

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

(South Carolina/Maryland, 1838-1921 Oil on board of Southern homestead with African American figures depicting farm life of the era. Very nicely rendered and detailed piece housed in period style gilt

GOOD CROP, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 11 x 17 x 1 ½”. Provenance: Christie’s New York, December 2nd, 1988, lot 92; Based off examinat

(American/South Carolina, 1838-1921) Pair of Cotton Picker paintings, both signed lower left "WAWalker", oil on board, 8 x 4 in.; gilt wood frames, 12-1/2 x 8-1/4 in. Provenance: Maxwell Galleries, 55