Harold Frank Wallace (1881-1962) British. “The Slopes

SALISBURY, Frank Owen, (British, 1874-1962): Portrait of a distinguished gentleman in suit, Oil/Canvas, signed lower right, 44.5" x 34.25", framed 53.5" x 43.5". Condition: Craquelure throughout, wax

(British/American, 1917-1995). Oil on canvas with mixed media, verso: Vanguard Studios label adhered, signed "H. Frank" ll, 40 x 40 in., framed.

William Ralph Watson (British 1881 - 1968) Oil on canvas, Pastoral Sheep Scene. Signed and dated 1891. On the Gorse-Strewn Slope London. canvas size 13-1/2 x 19-1/4 inches. overall framed size 23-1/2

Harold Parker (British-born Australian, 1873-1962), bronze bust, signed and dated 1912, 21 1/4"h/ x 20"w. x 12"d.

Natalia Sergeevna Goncharova (1881 - 1962). Russian. Goauche. Measure 32"in H x 24"in W and 37"in H x 29 1/2"in W with frame. Born in Nagaevo, Russia, Natalia Goncharova (Gontcharova) moved to Moscow

Harold Frank (1917-1995) Mixed Media Painting. Signed lower right. In good condition with no visible repairs. Approx. 13.5 in. H x 21.5 in. W (visible). 14.5 in. H x 22.5 in. W x 2 in. D (frame) Weigh

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Natalia Goncharova (1881-1962), untitled set of four pochoir stencils, signed, sight 12.75 x 16.25", frame: 19.75 x 23.25" Purchased by Mr. Tobin from Knoedler Gallery (London, UK) in 1982. We happily

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Jules Emile Elisee Maclet (French 1881-1962). An original oil painting on canvas. Titled, "Le Bateau Lavoir" ("The Washhouse"). A Paris city landscape painted in the artist's Impressionist style, depi

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Jules Emile Elisee Maclet (French 1881-1962). An original oil painting on canvas. A still life work painted in the artist's Impressionist style, with colorful flora displayed in a blue and white Chine

19th century bronze sculpture of Napoleon and his horse in winter on carrara marble base, signed Angiolo Vannetti Firenze (Italian,1881-1962), very good condition, W: 18 inches, H: 18 inches, D:8.5 in

Natalia Goncharova (1881-1962), "La Vierge" (The Virgin), pencil on paper, measures 20 x 13" We happily provide seamless shipping services on everything we sell. Please email us at shipping@vogtauctio

Natalia Sergeevna Goncharova (Russian, 1881-1962) watercolor painting on paper depicting forest trees, 1916. Signed with initials and dated lower left. Framed. Additionally signed on the back. Gonchar