O/C - BARTOLOME ESTEBAN MURILLO

An oil on copper figural painting after Bartolome Esteban Murillo's 'Children Eating Grapes and a Melon' depicting two children on the street eating fruit. Unsigned. Presented in hand carved giltwood

BARTOLOME ESTEBAN MURILLO (1618-1682) OIL ON PANEL Bartolomé Esteban Murillo (Spanish, Seville 1618-1682), oil on oak panel, "Coronación de la Inmaculada" (Coronation of the Immaculate), depicting t

* After Bartolome Esteban Murillo (19th Century) Mother and Child Seated Before a Wall oil on canvas 66 x 42 1/2 inches. Estimate $6,000-8,000 Property from the Estate of Marge Ewers, Nashville, Tenne

After Bartolome Esteban Murillo (Spanish, 1617-1682) 19th Century The Holy Family with a Bird (Sagrada Familia del pajarito) oil on canvas 44 1/2 x 59 1/2 inches. Property from the Collection of Don a

after BARTOLOME ESTEBAN MURILLO (Spanish 1617-1682) A PORCELAIN KPM PLAQUE, "Little Fruit Seller," "KPM," sword mark, and "H" impressed verso, late 19th/early 20th century. 13 1/2" x 11 1/2"

Framed oil on canvas painting, The Virgin and Child, after Bartolome Esteban Murillo (Spanish, 1617-1682), relined, sight: approx 63 1/8"h, 42"w, overall: approx 68.5"h, 47&qu

(Italian, 1880-1920) Madonna and Child, signed verso "Guilio Bertoncelli Copie" and inscribed, museum stamp from the Palazzo Pitti, Palatine Gallery where the painting was copied and another stamp and

A Berlin (K.P.M.) Porcelain Plaque Depicting Three Boys Playing Dice After Bartolome Esteban Murillo 19th Century stamped with impressed K.P.M. and scepter mark to the lower center of verso. Plaque: 1

Framed oil on canvas painting, The Virgin and Child, after Bartolome Esteban Murillo (Spanish, 1617-1682), relined, sight: approx 63 1/8"h, 42"w, overall: approx 68.5"h, 47"w, 33lbs

Sevillian school. Circle of BARTOLOME ESTEBAN MURILLO (Seville, 1617 - 1682), 17th century. "The Virgin handing the rosary to Saint Dominic". Oil on canvas. Relined. Frame of the 19th century, with da

Andalusian school; follower of BARTOLOME ESTEBAN MURILLO (Seville, 1617 - 1682); 18th century. "Virgin of the girdle". Oil on canvas. It presents important repainting and restorations. It has damages

Framed oil on canvas painting, The Virgin and Child, after Bartolome Esteban Murillo (Spanish, 1617-1682), relined, sight: approx 29.25"h, 21.25"w, overall: approx 38"h, 30"w,

after BARTOLOME ESTEBAN MURILLO (Spanish 1617-1682) A PAINTING, "The Infant John the Baptist with the Lamb," oil on canvas. 29" x 22"

Oil on canvas. St. John the Baptist. Oil on Canvas. 1959. Signed and dated lower left. From a Connecticut collection . - Dimensions: 50" high x 41" wide

Old Master painting After Bartolome Esteban Murillo 1618-1682. Oil on canvas. Measures: 33 in x 41 in .

After Bartolome Esteban Murillo (Spanish, 1618-1682) The Immaculate Conception oil on canvas 30 x 20 inches.

After Bartolome Esteban Murillo, oil on canvas "The immaculate Conception of El Escorial" depicting Mary with hands clasped in prayer ascending on a crescent moon and surrounded by cherubs. After the

Antique 'The Little Fruit-Seller' Oil on Canvas Painting. A master copy of the work by Spanish artist Bartolome Esteban Murillo; late 18th or early 19th century. Two girls in the landscape holding a b

Old Master painting After Bartolome Esteban Murillo 1618-1682. Oil on canvas. Measures: 33 in x 41 in .

Oil on Tin Portrait by Bartolome Esteban Murillo. The painting depicts 3 children & a dog. Signed on the lower right. The frame measures 15" tall x 13 3/4" wide. The painting measures 9" tall x 8" wid

Oil on Tin. Children Playing Dice. From a Wilton, CT collection. - Dimensions: 10.25" high x 8.5" wide

AFTER BARTOLOME ESTEBAN MURILLO (Spanish, 1618-1682) The Infant Christ and St. John the Baptist with a Shell Oil on canvas Signed P. Pont and dated 1922 lower right H 32¾ x W 47¾ inches Provenance:

After Bartolome Esteban Murillo (1618-1682) Spanish. St Joseph with the Infant Jesus, Oil on Canvas, 32.5" x 24.25".

After Bartolome Esteban Murillo (Spanish, 1617-1682) 'Virgen de la Leche' Oil on Canvas 20th century unsigned copy of the 17th century original, having an eroded wax seal to canvas verso at lower left