Witchcraft.- Glanvill (Joseph) - Saducismus

Witchcraft.- Glanvill (Joseph) A Blow at Modern Sadducism In some Philosophical Considerations about Witchcraft, fourth edition, G2 holed with slight loss of text, advertisement leaf at end, a few ink

[WITCHCRAFT]. GLANVIL, Joseph (1636-1680). Saducismus Triumphatus: or, Full and Plain Evidence Concerning Witches and Apparitions. In Two Parts… London: Thomas Newcomb for S. Lownds, 1682. Two 8

Occult.- Glanvill (Joseph) Sadducismus Triumphatus: or, a full and plain Evidence, concerning Witches and Apparitions, 2 parts in 1 vol., engraved frontispiece, title in red and black, 2 engraved plat

Glanvill, Joseph. SCEPSIS SCIENTIFICA: OR CONFEST IGNORANCE, THE WAY TO SCIENCE… [issued with] SCIREI TUUM NIHIL EST: OR THE AUTHOR'S DEFENCE OF THE VANITY OF DOGMATIZING. London: by Cotes, for Henr

Group of Eight Native American Books. Including: Masked Gods, Navaho and Pueblo Ceremonialism and Navaho Witchcraft. Provenance: Estate of Joseph Epes Brown, III and Elenita R. Brown, Florence, Montan

Group of Nine Native American Books. Including: Hail Chant and Water Chant and Navaho Witchcraft. Provenance: Estate of Joseph Epes Brown, III and Elenita R. Brown, Florence, Montana. We ship most ite

Size 92x144 good pile

Victorian Ornate Slate top Rosewood inlaid pool Table Great Condition9FT

Beautiful and in excellent condition, signed and numbered partial paper Label

Lee Friedlander, Pittsburgh, from Factory Valleys, 1979, printed 1983. vintage gelatin silver print, 20 x 24 inches. Signed and with the artists stamp on the print verso. Condition is excellent Railwa

Size 41 x 36

With watch chainPlease see photos for size, weight and condition.Missing crystal, hour hand is bent tip broken. You can see it running but hands don’t move.

Helmet Head, 1974. Color lithograph on TH Saunders paper, England, signed and numbered PL2 50/50 in pencil, Published and printed by Gerald Kramer, Geneva, Switzerland. The image size is 12.50x14.75 i

Beautiful number159773 signed Patek,Philippe & C Geneve the watch is keeping time

Oliva Parker, Roses, 1980. vintage toned gelatin silver contact print, 8 x 10 inches on an 11 x 14 inch sheet. Signed, titled, and dated on the print recto and with #10 inscribed. Condition is excelle

Edward Steichen, The Flatiron, New York, 1905. photogravure, printed in 1981 by master printmaker, Jon Goodman. Print measures 12 3/4 x 10 1/8 inches on a 20 x 16 1/4 inch sheet, housed in a folio mes

Henri Cartier-Bresson, Pierre Bonnard, 1944. gelatin silver print, 9 1/2 x 14 inches on a 11 1/2 x 15 9/16 sheet. Signed on the print recto, photographer's credit stamp on the print verso. Condition:

Paul Caponigro, Scottish Thistle, Rochester, New York, 1958. gelatin silver print, 13 1/4 x 10 1/2 inches, mounted 22 x 18 inches. Signed on the mount recto. Matted, 24 x 20 inches. Condition is excel

The chain is on a clasp I don’t believe it’s gold what I can read it says CH & co the watch is 33.1 gramsit runs when you touch the gear after 20 minutes it stops again till you touch it

Size 129x98

Size 91x78

Marche aux Fleurs, 1930. Color etching and aquatint on B.F.K Rives paper, signed in pencil by the artist. The image size is 14x10,75 inches. Framed in a wooden black and silver frame.

Edward Steichen, Heavy Roses, Voulangis, France, 1914. photogravure, printed in 1981 by master printmaker, Jon Goodman. Print measures 8 x 10 inches on a 20 x 16 1/4 inch sheet, housed in a folio mesu

Two Lady with Dog, circa 1930. Color etching, signed and numbered 21 in pencil. The plate mark is 24.25x18.5 inches. Framed.