Branson Stevenson Plate Block Etching This is a Br

VINTAGE VINCENT PRICE COLLECTION WOOD BLOCK ETCHING ARTWORK FROM SEARS, ROEBUCK AND CO. SIGNED IN THE PLATE , WE BELIEVE THIS WAS USED TO MAKE THE ETCHINGS . IMAGE 6" X 2" FRAMED 10" X 9" IN HOUSE SHI

Some foxing and matt burn showing, otherwise good sight condition. Not examined out of frame. Matted and sealed under glass. Plate block border measures approx. 11 3/4" x 10 1/4".

Featured in this lot is this Sacajawea artist proof from Montana artist Branson Stevenson born 1901 and died 1989. The pencil signed drypoint etching of Sacajawea at the Great Falls of the Missouri. T

Dated 1964, and pencil signed lower right. As well monogram in plate. Excellent sight condition. Framed, matted and sealed under glass. Not examined out of frame. Plate block impression size approx. 7

PAUL CADMUSConnecticut, 1904-1999Artist with palette. Signed in the plate block lower left. An early work for the artist.Etching on paper. Framed.

David Hockney Am. b. 1937 Black Cat Leaping (plate 25 from Illustrations for Six Fairy Tales from the Brothers Grimm Signed and numbered "David Hockney" b.r. and numbered 37/180 b.r. Etching and aquat

Pablo Picasso (1881-1973), drypoint etching, "Le Bain", 1905, printed after steel-facing, Block 12, plate size 13 3/8" x 11 1/4", framed 24 1/2" x 21 3/4". Provenance: From a Melrose, Massachusetts es

Pour Roby etching from L'Age De Soleil by Pablo Picasso, 1950. Signed in plate on reverse. Block 680. 17" H x 15" W. Image: 8" H x 10" W.

Max Klinger (Ger. 1857-1920) Bär und Elfe (Bear and Elf) Etching with aquatint, framed under glass Signed in plate l.l., editioned "I" in plate l.r. 16 3/8" x 9 5/8" sight, 29

Fine sepia etching of "A Sheer Hulk" moored at low tide carrying a mast with three other ships in the background by George Stevenson. Signature, title and date engraved in plate on lower right

Marguerite Kirmse (Br./AM 1885-1954). Champion Travola the First (wire fox terrier); Signed in plate and in pencil. Matting: 15 1/2" high, 17 3/4" wide; sheet: 12 7/8" high, 16 3/4" wide. Foxing, toni

Etching & Aquatint. Includes plate 38 "Brabisimo" and plate 48" "Soplones" from Los Caprichos. 7th edition, circa 1903. 8"h x 5.75"w block and 16"h x 12.5"w framed

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Hand Colored Wood Block/Etching Entitled "Veue Du College Des Quatre Nations Prospectus Collegii Quatuor Nationum" Measures 25.5" tall x 28.5" wide. You are bidding at a live sale, please read the ter

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Claude Monet (1840 - 1926). Paysage a Antibes (Landscape in Antibes). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauze

Claude Monet (1840 - 1926). Mueles a Giverny (Haystacks in Giverny). Hand Pulled Copper plate etching and drypoint, printed in Sepia ink, on cream laid paper after the original by Auguste Marie Lauzet

"Following Abraham Lincoln 1809-1865", 85 Volumes, copyright 1931, Bernhardt Wall, etched, printed and bound in Lime Rock, Conn., 535 copper plate etchings, each signed by Wall in pencil, This very ra

Tony Fitzpatrick Trinity Flower; Passage Flowers; Star Lillies; Star Trillium (four works from the Flowers of Circumstance series) 1997-99copper plate etching with hand-coloring 9.75 h x 7.875 w in (

Pierre Auguste Renoir (1841 - 1919). La Femme a l'evantail (Woman with a Fan). Hand Pulled Copper plate etching , printed in black ink, on cream laid paper after the original by Auguste Marie Lauzet (

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

Each a multi plate etching, image 20 x 24 inches, pencil signed, titled, dated 1987 and numbered from an edition of 100. Published by Kathy Caraccio.