Peter Adams (b. 1950) Californian

Peter Adams (American, b. 1950)California riverscape at sunsetoil on canvas24 x 18in (61 x 46cm)

Peter Adams (American, b. 1950)The Potola Palace (Northern View), Lhasa, Tibet, 1987pastel on papersigned in pencil lower right Peter Adams, with handwritten dedication, title and date to the reverse

"Monument Creek, Grand Canyon" Pastel on paper under glass Signed in pencil lower right: Peter Adams PSA, titled on the artist's typed label affixed to the paper backing Sight size: 17" H x 12" W Note

UNTITLED BLUE, 1979, oil painting on canvas, signed and dated on verso, 60 x 48”.

PATH ALONG THE BEACH, 1991, oil painting on canvas, signed lower right, 24 x 36â€, framed, in good studio condition.

CAT, 3-D wood and acrylic and resin construction, signed lower right and numbered 28/175 in gold ink, overall 24 ½ x 43 x 5”, in good studio condition.

SKATEBOARD, 2012, cut and wood stained laminated wood skateboard, signed and dated on verso, 42 x 9 ¾”, in good studio condition.

CALIFORNIA, 1988, color monoprint, signed and dated lower right, titled lower left, 30 x 41 ½”, with seashell blind stamp lower left, framed.

Victoria Adams (b.1950 Washington) ''Shore'' 2006 Oil on Linen 42''x60''. Exceptional far reaching landscape composition. Signed and titled on verso. Winston Wachter Fine Art, Seattle label on verso.

Shelby Lee Adams (b. 1950, Kentucky). The Home Funeral, Leatherwood, KY. 1990. Signed, titled, dated, and numbered #12/25 in pencil verso. Silver gelatin print is 16"h x 20" w; archival frame is 26"h

Shelby Lee Adams. (b. 1950, Kentucky & Massachusetts) Leddie and Children, Sloan Mountain, Kentucky. 1990. Signed, titled, dated and numbered # 23/25 in pencil verso. Silver gelatin print is 20"w x 16

Encaustic on wood, Victoria Adams (American, b. 1950) attributed, "Sites for Reflection #3" c. 1996; as-is condition- General marks and age wear, scratches, rubbing, flaws, and losses. Not examined un

DESCRIPTION: Peter Vanderlaan abstract spherical paperweight, each decorated with a collage of iridescent patterns and designs. piece is signed on underside, dated, and footed. CIRCA: 20th Century ORI

Paint on styrene panels. Paint loss on panel edges and around mounting holes in corners. Scuffs and scratches to paint surface. Bottom right panel has repair. Approx. 47.75 in. H x 96 in. W.

Peter Vanderlaan (American, born 1950). Modern studio art glass centerpiece sculpture. Purple glass study in an abstract form. Signed, dated, and numbered to side VANDERLAAN 7/91 #304. SHIPPINGHill Au

Peter Vanderlaan (American, born 1950). Modern studio art glass centerpiece sculpture. Light blue glass study in an abstract form. Signed, dated, and numbered to side VANDERLAAN 6/89 #288. SHIPPINGHil

EASTER ISLAND STATUE, 2001-2003, fabricated metal sculpture, signed and dated on verso, 42 ½ x 8 x 8”. One of only 6 commissioned in total.

Peter Mackie, Venezuelan (b. 1950) Extremely Large Oil on Canvas "Passage loll" Signed En Verso and Titled. Good Condition. Measures 60 Inches by 108 Inches. We will not ship this item due to its size

GARDENA, 1989, color lithograph, signed in pencil, from the numbered edition 75, sheet 22 x 30”, published by Ediciones Poligrafa, framed, a few soft handling creases, otherwise in apparently good c

TEA CAKE, 1984, color lithograph, signed and dated and titled in pencil, numbered 2/30, printed and published by Cirrus Editions, image 19 x 21”, sheet 27 ½ x 29 ½”.

ALELUYA II, 1989, color lithograph, signed in pencil, from the numbered edition 5 hors commerce, aside from the numbered edition 50, sheet 22 x 30”, published by Ediciones Poligrafa, framed, a few s

CAT, 1999, lithograph, signed and dated in pencil and inscribed artist’s proof aside from a numbered addition of probably 100, sheet 22 ¼ x 30”, with shell blindstamp lower left, framed, in appar

Property De-Accessioned from The Telfair Museums, Savannah, GA Description: Peter Briggs (British, b. 1950), Forme & Infini, 1985, Copper, unsigned, the S-form top attached to a tripod base. <

RESTING CAT, 1999, lithograph, signed and dated in pencil, numbered 47/100, sheet 22 ¼ x 30”, with seashell blind stamp lower left corner, a few soft handling creases and a few dimples, otherwise i