S & T Fuller “Nixon–Fuller, Metastasis, Transformation

Manuel Orazi Theatre de Loie Fuller poster 1900offset lithograph in colors sight: 78.125 h × 25.125 w in (198 × 64 cm) Provenance: Galerie Documents, Paris | Priva

François-Raoul Larche (French, 1860–1912) “Loie Fuller, the Dancer” circa 1900. gilt bronze table lamp, modeled after Loie Fuller’s famous Serpentine Dance. signed 'Raoul Larche'. Foundry mar

Francois-Raoul Larche (after), 'Loie Fuller' lamp, 20th c., gilt cast bronze, modeled as a dancing woman within a swirl of scarves, wired for two candelabra sockets, signature and foundry seal to base

Francois-Raoul Larche Gilt Bronze Loïe Fuller Table Lamp, circa 1900. The lamp depicts Loie Fuller, American actress and pioneer of modern dance, in a flowing draped gown and a billowing scarf. Mar

ATTRIBUTED TO LUCIA FAIRCHILD FULLER (US, 1872-1924) WATERCOLOR, SIGHT: H 5 3/4", W 4 1/4", "GIRL DRYING HER FEET":Unsigned; framed. Attribution information on verso of framing along with the followin

Abbott Fuller Graves (American/Massachusetts, 1859-1936), "Jamaica", oil on canvas, signed lower right, pencil-inscribed "#32610" on stretcher, titled on "Vose Galleries of Boston" label on backing bo

R. Buckminster Fuller (American 1895-1983)- "Jitterbug Atom"- aluminum collapsible sculpture, 1976, signed, edition of 150, very good condition. 8 1/2"h

ABBOTT FULLER GRAVESMassachusetts/Maine, 1859-1936Mending the dress. Signed and dated lower left "Abbot Graves 95".Oil on canvas, 32" x 46". Framed 37" x 51".

BAGUE PENDENTIF ÉMERAUDE À TRANSFORMATION Elle est ornée d'une émeraude hexagonale dans un entourage jupe de diamants taille brillant et baguettes calibrées. Monture en platin

Lot 47 BILL NASOGALUAK (1953-) TUKTOYAKTUK Crying Shaman Transformation, 1998 stone with inset glass, 10.75 x 8.25 x 6.25 in (27.3 x 21 x 15.9 cm) signed and dated, "B. NASOGALUAK 1998". Provenance Wa

ABBOTT FULLER GRAVESMassachusetts/Maine, 1859-1936A woman scrubbing a brass basin. Inscribed and signed upper right "To my friend Harland, Abbott Graves".Oil on canvas, 24" x 18".

“Cartes Fantastiques” Transformation Playing Cards. French, [date unknown]. 52. Transformation cards on thin stock. Pink backs. Very good. Field #55, pg. 142 (“[A] mystery pack. All we know abou

Charles Louchet (French, 19th/20thc.) Louie Fuller, depicting the partially clad dancer manipulating her flowing silk fabric around her body, signed Ch.Louchet with foundry mark for Vincennes, Editeur

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Woman Looking into Mirror MEDIUM: oil on canvas. Canvas applied to board CONDITION: Very minor craquelure. Minor flaking. Minor d

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Woman Playing Piano MEDIUM: oil on canvas. Canvas applied to board CONDITION: Some craquelure. Some flaking. One small inpainting

Rare Pre-Columbian Chavin stone transformation mask from the North Coast of Peru, ca. 900-500 BC. Large mask carved from a molten brown color stone of a human in transformation to a jaguar. Very large

A four-card hand drawn, hand-written panels on laid paper,, of four figures and their changing states. Each panel is 6 1/4 x 3 7/8. Fits into a marbleized slip case.

FULLER, CAPTAIN WILLIAM; JEFFERYS, THOMAS; and DE BRAHM, WILLIAM GERARD Plan of Amelia Island in East Florida [and] A Chart of the Entrance into St. Mary's River...[and] A Chart of the Mouth of Nassau

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Lady at Mirror MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Some scratches mostly along upper left and lower left c

ARTIST: Abbott Fuller Graves (Massachusetts, Maine, 1859 - 1936) NAME: Woman Playing Piano MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Some damages to canvas along upper edge (see pictu

ABBOTT FULLER GRAVES (American, 1859-1936)St. Cloud on the Seine, Franceoil on boardsigned Abbott Graves lower right9 x 6 in., frame: 12 3/8 x 9 3/4 in.

Sue Fuller American (1914-2006) String Composition #333, 1965 nylon thread embedded in lucite signed and dated lower right. Numbered lower left. Provenance: From a private collector, Indianapolis. Fro

American, 1859-1936Roses on a TabletopSigned Abbott F Graves (ll)Oil on canvas20 x 30 inches Provenance:R. H. Love Galleries, Chicago (Framed 27 1/2 x 3

VERY RARE Samuel Hart Transformation Playing Cards. New York and Philadelphia: Samuel Hart & Co., ca. 1860. 52. This deck is copied from one published by Braun & Schneider (Munich) ten years earlier,