PIETER JANSZ. QUAST (DUTCH, 1606 - 1647) PRINT

PIETER JANSZ. QUAST (DUTCH, 1606 - 1647) PRINT, etching on laid paper, depicting an elderly woman with fur hat in bust-length profile, marked with artist monogram lower left. Unframed. 17th century. 2

DESCRIPTION: Antique engraving by Pieter Jansz. Quast (Dutch, 1606 -1647) entitled "Keef Knol", from the series "T. Leven Der Boeren". "9" at bottom right. On lined paper back by heavy paper attached

2 Pieter Jansz. Quast Engravings (Dutch 1606-1647) mounted on paper, both depicting peasants in fields, signed with initial lower right; used condition, wear/worn, tears to outer paper, foxing, stampe

Adriaen Jansz van Ostade, Dutch, 1610-1685, two prints, including: "The Smoker", ca. 1640, etching, initialed in plate at upper left; "A Painter at Work in His Studio" ca. 1647, etching, signed in pla

After: Rembrandt, Dutch (1606 - 1669) Print "Portrait of Abraham Francen" Unmarked. Sight measures 5-1/2" H x 7-1/2" W, frame measures 22-3/4" H x 24-3/4" W. Condition: Good condition Estimate: $100.0

Rembrandt van Rijn Dutch (1606-1669), PRINT. Signed lower right. Gallery label on back. George Busse, 12 West 28th street. N.Y. Measures. 18 H x 12 wide + 3 1/2 inch frame. Shipping third party.

ANTHONY JANSZ VAN DER CROOS (Dutch, 1606-1663), The Rest, oil on panel, (approximate dimensions - board: 15 3/8 x 19 3/16 inches); "8V" written on panel verso, with German catalog clippings in envelop

Engraving After Adriaen van Ostade (Dutch 1610-1685) Couple Dancing in a Tavern, copper engraving by Jonas Suyderhoef (Dutch 1613-1686), published by Pieter Goos, (Dutch 1616-1675) the print c. 1633-8

After Rembrandt Van Rijn (Dutch, 1606-1669), "Self Portrait," offset print, bears signature in plate upper right, later printing, overall (with frame): 21"h x 17.5"w

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox

[Prints] Rijn, Rembrandt van (Dutch, 1606-1669). Bust of a Man Wearing a High Fur Hat [the Artist’s Father?]. 1630. Etching and drypoint on cream laid paper. Signed and dated in u.r. Sheet: 3 1

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669), "The Third Oriental Head." Signed and dated 1635 in u.l. Sheet: 5 1/4" x 6 1/4". Condition Good. Dampstain to margins of sheet. Hinged to matting.

[Prints] After Rembrandt van Rijn. (Dutch, 1606-1669). "The Triumph of Mordechai." c.1900. Marked with monogram of the Reichsdruckerei Berlin on verso. Sheet: 8 1/2" x 7". Condition Good. Toned. Foxin

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

After Rembrandt van Rijn, Dutch, 1606 to 1669 Amsterdam, etching, engraving and drypoint on paper titled The Flight into Egypt: Crossing a Brook. Signed in the plate and dated 1654. With the inscripti

Rembrandt van Rijn (Dutch, 1606-1669), Jews in the Synagogue, 1648, etching and drypoint, a Basan edition state iii/iii, overall (sheet/unframed): 3.25"h x 5.5"w. Provenance: Barclay Simpson Fine Arts

Attrib. to Rembrandt van Rijn, print, Attrib. to Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Cornelis Claesz Anslo, etching, 7.5"h x 6.25"w (sheet), unframed

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

After Rembrandt Van Rijn (Dutch, 1606-1669), "Raising of Lazarus," etching, reprint 20th century, overall (with frame): 29"h x 24.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Christ Disputing with the Doctors: a Sketch," etching, plate signed lower left, sheet: 5"h x 8.25"w, overall (with frame): 13"h x 17"w. Reference: Barts