The Agony in the Garden by Rembrandt Harmenszoon Van

The Agony in the Garden by Rembrandt Harmenszoon Van Rijn (Dutch 1606-1669), Original Etching and Dry Point in Black Ink on Woven Paper, Signed & Dated 1657, Lower Right, Framed 18 1/2"x17", Unframed

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

The Agony in the Garden," etching on paper, depicting an angel attending to a seated figure. Image: 4.25" H X 3.25" W; frame: 16" X 15.Provenance: Swann Auction Galleries, available upon request.

"THE AGONY IN THE GARDEN", C.1657Etching and drypoint on paper, signed in the plate lower right.Dimension:( Frame) H17.25" x W16", ( Image) H4.25" x W3.25"Condition: Water stains and brown spots to th

Rembrandt Harmenszoon Van Rijn (Netherlands, 1606 - 1669) After: Self Portrait. Oil on canvas, unframed, sticker with numbers verso. Rembrandt is revered not only as a painter, but also as a supreme m

* Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ Driving the Money Changers from the Temple, 1635 etching 5 1/4 x 6 1/2 inches. Estimate $7,000-9,000 Property from the Estate of Richardson a

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria etching and drypoint 4 3/4 x 6 inches. Literature: Hind 294 Provenance: Merrill Chase Galleries

After Rembrandt Harmenszoon van Rijn1606-1669 (Dutch)Belshazzar's feastoil on copper38x50 cmOther Notes: The picture, painted c. 1635, is an example of Rembrandt's attempt to establish himself as a pa

This lot consists of hand painted oil on canvas dated to the 18-20th century. The lot depicts a women portrait illustration done in the style of Rembrandt Harmenszoon van Rijn one the most important a

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Joseph and Potiphar's wife etching 3 3/4 x 4 1/2 inches. Property from the Collection of Dr. Kianoosh Jafari

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DIE GROSSE KREUZABNAHME Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 54 x 41,5 cm, DM 52,5 x 41 cm (R.

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Man Shading His Eyes with his Hand, 1639 etching 2 1/4 x 2 1/2 inches. Property from the Madison Museum of Contemporary Art Literature: Hind 169;

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Beggar Woman with Gourd, 1629 etching 4 x 2 inches. Property from a Private Collection, Chicago, Illinois

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

We copy these great paintings.Hand painting, No Frame, usually its size is 60*90cm, you can also order any other size.

We copy these great paintings.Hand painting, No Frame, usually its size is 60*90cm, you can also order any other size.

Rembrandt Harmenszoon van Rijn (1606-1669) was a Dutch painter and etcher, widely regarded as one of the greatest artists in European art history. He is known for his mastery of light and shadow, his

BAPTISM OF THE EUNUCH (B.98; HO.98; H.182), 1641, etching on thin unmarked wove paper, signed in the plate, sheet 7 3/8 x 8 3/4” with thin margins, frame 16 ¼ x 17 ¼” with Pl

We copy these great paintings.Hand painting, No Frame, usually its size is 60*90cm, you can also order any other size.

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

Rembrandt etching from original plate, similar from series, recently appraised on Pawn Stars, for $1800-$2500, this of A CIRCUMCISON, , from a Palm Beach collector. measures 6 x4 plus frame, shipping

Rembrandt Harmenszoon Van Rijn (1606 - 1669) Netherlands Print Title: The Omval Measure 13 1/4"in H x 14 1/2"in W Known for: Allegorical, mystical landscapes and portrait painting, etchings, drawings

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

THE CARD PLAYER, etching, signed in the plate, from the millennium edition, image 3 ½ x 3 ¼”, full margins, frame 26 ¼ x 25 ½”.