Wolvens H.V., a view on (Bruges), oil on paper on

Henri Manguin (French, 1874-1949), St. Tropez view, oil on panel, signed “Manguin” lower right, 7 1/4" h x 10 1/4” w (view), 12” h x 15” w (frame).Provenance: From a California estate.

Jules ROTSAERT (1910-1968) a view of Bruges, oil on panel. (59 x 45 cm)

C. de. Gent, 1st half of the 20th century, view of Bruges, oil on Lwd., U. li. indistinctly sign., 80 x 120 cm, ger. 91 x 132 cm

Joseph Brooks (American, 19th/20th century), Bay View, oil on paper, signed verso, overall (with frame): 9"h x 11"w

Const. VAN DE VELDE (XIX) 'View in Bruges' a painting, oil on canvas. (W:70 x H:61 cm)

Alfred VAN NESTE (1874-1969) 'A view of Bruges' a painting, oil on panel. (50 x 70 cm)

View of Notre Dame in blue, under cloudy skies, in oil on paper, possibly signed lower left under frame. [Art: 9 1/2" H x 11" W; Frame: 14" H x 16" W].

Cynthia Weiss (American 20th Century). View of Quechee VI Oil on paper. Maple frame. Dimensions: 18 x 25.5 Framed: 27 x 34 (MTHM521)(EL)

VIEW OF MONTMARTRE, oil painting on paper, signed lower right, sight 17 ½ x 23 ½”, frame 33 ½ x 39” with Plexiglas.

Albert Bierstadt (American, 1830-1902) "A View of the High Sierras" Oil on paper, laid on panel. Signed 'A Bierstadt'(lower right). Catalogue Note: We would like to thank Melissa Webster Speidel, Pres

Victoria Ryan (American, 20th century) The View from Here, 1997 oil pastel on paper signed and dated (lower right) 29 x 40 1/2 inches.

'View of the Beguinage in Bruges' a painting, oil on canvas. Illegibly signed. (W:63 x H:63 cm)

Tempera and oil on paper, study entitled, "View of trees in the countryside." Signed and attr. Camille Pissarro (Danish-French, 1830-1903, Charlotte Amalie, St. Thomas, U.S. Virgin Islands, based in P

ARBIT BLATAS (LITHUANIAN 1908-1999)View of Paris from the Seine oil on paper laid down on canvas 45.7 x 108 cm (18 x 42 1/2 in.), framed dimensions: 51 x 113 cm (20 1/8 x 44 1/2 in.) signed lower righ

Célos J., view of a wintery town (Bruges or Ghent), oil on canvas, 100 x 100 cm

View from Blueberry Hill Rd on a clear day overlooking the Mountains and plateaus of Taos NM. Dated 2004. Title: Taos N M (view from Blueberry Hill RD). Medium: Oil on Paper. Size (in.): 8 X 10. Signa

Edward Roper English/Canadian, 1857-1891 The American Fall from Goat Island, View Number Three, circa 1890 Signed with conjoined initials ERoper (ll) Oil paper laid to canvas 7 3/8 x 10 3/8 inches Pro

American (Rhode Island), early 20th Century. Oil on paper, matted and framed. View of a beach with figures, and cottages in the background. Signed on lower left. 9"h. 12"w. (sight). Frame, 15"h. 18.5"

Untitled (street view) Oil on panel Size: 8 x 10 in.Paper label affixed verso that attesting that the painting is a sketch by Ernest Roth as a study for a larger painting signed by Rawson W. Haddon, C

Oil on paper on board, unsigned. View of a lake with sailing ships from over a rocy outcropping. 8"h x 11"w and 12"h x 15"w framed

Chinese School, 19th Century oil on paper mounted on canvas The Bund of Shanghai depicting a detailed view of the Western Companies British and American Consulate, The Customs House, Holy Trinity Chur

Early miniature landscape view of Pleasant Hill, KY, by Thomas Worthington Whittredge (New Jersey/New York/Ohio, 1820-1910). The oil on paper laid on board painting, titled "Shaker Ferry- View on Kent

Attribute to Albert Bierstadt, Native Americans spearing salmon, oil on paper mounted canvas, unsigned; 6 1/4" h x 7 1/2" w (view), 9 1/4" h x 10 3/8" w (frame).

JEAN-LOUIS PAGUENAUD, OIL ON PAPER, H 14", L 20", OFF THE COAST OF BIARRITZ:Jean-Louis Paguenaud [French, 1876-1952]. A view from the ocean to a castle on the coast. Framed under glass. For a high res