Charles James Lauder - Richmond Bridge with moored

Charles James Lauder (1840-1920 British) ''Fishing Boats in Venice'' Oil on Panel 10''x13'' Image. A colorful oil of Venetian fishing boats signed l.r. corner with R.S.W. (Royal Scottish Watercolour S

Second quarter 19th century. Light blue "Napoleon's Battles, New Stone China, CJM & Co. (Charles James Mason & Co.) Reticulated bowl, "The Revolt of Cairo" and tray, "The Bridge of Arcole". Tray has h

Together with "Triumphant Democracy" Published by Charles Scribner's Sons1886 signed Andrew Carnegie with an annotation by Bridge and a letter from the publisher.

Together with "Triumphant Democracy" Published by Charles Scribner's Sons1886 signed Andrew Carnegie with an annotation by Bridge and a letter from the publisher.

"James H. Bridge Esq. with kindest regards Andrew Carnegie". Published in 1883 Charles Scribner's New York.

Jerry Garcia guested, visited, and played with the Grateful Dead on the Chelsea Hotel's roof garden on numerous occasions. Jerry Weinstein, the former front desk manager at the Chelsea, remembers Jerr

Oil on canvas Signed and inscribed with title, to artist's label affixed verso 26 x 31.1cm (10 1/4 x 12 1/4 in.) Provenance: with The Cider House Galleries Ltd., Surrey

JOHN OPIE (BRITISH, 1761–1807) OIL ON CANVAS, H 49.5" W 39.5" PORTRAIT OF CHARLES JAMES FOX BY RAEBURN Depicting the Portrait of the Rt. Hon. Charles James Fox, in a dark coat and white vest, re

William lV Silver Tray, London, 1835, James Charles Edington, makerdiameter: 19 in.; 95 ozt.

A James Charles Edington Silver Armada Jug, 1854 Marks: (lion passant), (leopard's head), T, (duty mark), JCE, (patent mark), F935 13-1/4 x 6-1/2 x 6-1/2 inches (33.7 x 16.5 x 16.5 cm) 34 troy ounces

c. 1862. Sixth plate hand-tinted & gilt ambrotype. Half leatherette case. Charles Rees. Richmond, Virginia. Impressive portrait of a Confederate infantryman who displays a large Bowie knife and musket

MORRIS, James Charles, (English, 1851-1888): Scottish Highland Landscape with Shepherd, his Dog, Wife, and Flock of Sheep with Loch in the Background, Oil/Canvas, 36" x 60", signed lower left, framed,

James Howard Bridge's photographs and personal copy. Tipped in photographic composite of membership, 1922 letter accepting Bridge's resignation, dinner menus, and small collection of ephemera regardin

James Rizzi (American B. 1950) Signed lower left. 1976. Numbered 11/99. Dimensions: 15.25 x 9.5 Framed: 24 x 18 Property from the Milbank Collection (MTHM6529)(MM)

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON GARDEN URN ON PEDESTAL, the bolted urn with foliate ornamentation and detachable handles, resting on a square, plinth-like pedestal with ornate, open-work p

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON PAIR OF BENCHES / SETTEES, fern pattern, cast in four sections, each double-back form with rolled arms, above a scroll-pierced seat, raised on saber-like le

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON GARDEN URN ON PEDESTAL, the bolted urn with foliate ornamentation, resting on a square, plinth-like pedestal with ornate, open-work panels to each side. Emb

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON PAIR OF BENCHES / SETTEES, fern pattern, cast in four sections, each double-back form with rolled arms, above a scroll-pierced seat, raised on saber-like le

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON PAIR OF GARDEN ARMCHAIRS, fern pattern, cast in four sections, each arched back transitioning to rolled arms, above a scroll-pierced seat, raised on saber-l

JAMES W. CARR, RICHMOND, VIRGINIA CAST-IRON GARDEN ARMCHAIRS / SEATS, SET OF FOUR, fern pattern, cast in four sections, each arched back transitioning to rolled arms, above a scroll-pierced seat, rais

Two sixth plate ambrotypes of Confederate officers attributed to Charles Rees of Richmond, Virginia. Delicately hand-colored, both images are housed in a mint thermoplastic case. Charles Richard&

CHARLES BEVAN (ATTRIBUTED) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT SIDE CABINET, CIRCA 1870 ebonised wood and amboyna, gilt highlights, brass fittings and inlaid stringing, stamped LAMB MANCHEST

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

James Rizzi (American, 1950-2011) "The Brooklyn Bridge", A/P Dated 1982 Mounted under glass in shadow-box metal frame. 10 3/4" x 8 1/2" (sight) 16 1/2" x 14" (framed) Signed far left "James Rizzi" Pro