Schmidt-Rottluff, Karl Christus unter den Frauen.

SCHMIDT-ROTTLUFF, KARL1884 Rottluff - 1976 BerlinTitle: Waldschneise im Taunus. Date: 1963. Technique: Tusche auf Velin. Measurement: 50 x 70cm. Notation: Signiert in

Karl Schmidt-Rottluff (1884-1976) German Expressionism. Rare woodcut in colors, printed in black and shades of blue. Titled Dünen und Mole (translated Dunes and Pier) created 1917. Signed in black cr

The piece is 30 inches high and 30inches wide. KARL SCHMIDT-ROTTLUFF OIL ON CANVAS V$44,000/SIGNED BY: Karl Schmidt Rottluff.

KARL SCHMIDT-ROTTLUFF Frauenkopf. Woodcut, 1916. 256x182 mm; 10¼x7⅛ inches, full margins. Signed and inscribed "166" in pencil, lower margin. A very good impression of this scarce woodcut.

Possibly Karl Schmidt-Rottluff,German Expressionist School "Komposition". Signes S. Rottluff Lower right. Measures 16" x 20", frame measures 18-3/4" x 22-34". Condition: Good condition. Estimate: $50.

Attr. Karl Schmidt-Rottluff (1884 - 1976) Watercolor. Image size: 13 x 15.5 inches. Initialed "SR" and dated "'22" LR. Ex-collection of art historian Dr. Hans Tietze (1880-1954) and Erica Tietze-Conra

Schmidt-Rottluff und Alfred Brust -Das Spiel Christa. Vom Schmerz der Schonheit des WeibesVerlag die Aktion, Berlin-Wilmersdorf, 1918.Published under the series "der Rote Hahn" (The Red Rooster). Incl

Karl Schmidt-Rottluff (German, 1884-1976), Cats, woodcut, artist identified on matting, overall (with frame): 15.5"h x 12"w

Untitled, watercolor and gouache on paper laid on board, 11 7/16 x 9 1/8 in (28.2 x 23.2 cm), signed lower right

Karl Schmidt-Rottluff. 'Two yellow Houses' artist's postcard, 1911. Watercolour over ink on stamped postcard, addressed and dedicated to Dr. Elsa Hopf, Hamburg. Post stamp Dangast 3.6.1911. 9.2 x 14.3

Karl Schmidt-Rottluff. 'Two Poppy flowers' artist's postcard, 1910. Crayon on stamped postcard, addressed and dedicated to Dr. Elsa Hopf, Hamburg with change-of-address-order. Stamped at Dangast 10.6.

Karl Schmidt-Rottluff. Landscape with chestnut-lined-avenue', 1919. Woodcut (pine) on chamoix vellum. 39.0 x 49.0 cm (depiction), 55.7 x 70.0 cm (sheet). Signed: S Rottluff, work no. 1915 (pencil). Pr

Karl Schmidt-Rottluff. 'Tall Trees', 1920. Drypoint, grey, on vellum. 39.5 x 33.0 cm (depiction), 46.5 x 36.0 cm (sheet). Signed: S Rottluff, work no. 2029 St. Printed at Fritz Voigt, Berlin.

Karl Schmidt-Rottluff. 'Love Kiss', 1918. Woodcut (pine, handmade) on chamoix vellum. 50.0 x 38.5 cm (depiction), 70.5 x 53.0 cm (sheet). Signed: S Rottluff (pencil). Plate dated: 1918, work no. 184 (

Karl Schmidt-Rottluff. 'Title page for the portfolio of woodcuts at Kurt Wolff publishers', 1918. Woodcut (pine) on chamoix vellum. 50.0 x 40.0 cm (depiction), 71.0 x 53.0 cm (sheet). Signed: S Rottlu

Karl Schmidt-Rottluff. 'Page of a book. Poem by E. v. Sydow', 1919. Woodcut (pine) on chamoix vellum. 36.0 x 29.8 cm (depiction), 58.0 x 42.5 cm (sheet). Signed: S Rottluff, work no. 192 (pencil). Pri

Karl Schmidt-Rottluff (German,1884-1976) woodcut depicting a head of a woman. Measures 13" (33cm) x 9 1/2" (24cm).

Coffee table Art book based on the works of Karl Schmidt- Rottluff, written by Magdalena M. Moeller. Colorful illustrations of his paintings, titles and year. Book is written in German language, Horne

Vintage German Expressionism Exhibition Guggenheim Advertisement, Inscriptions in English describing the events of the exhibition, woodcut of an abstracted woman by Karl Schmidt Rottluff, measures 29

Die schwarz lackierte Leica IIIf zählt zu den großen Klassikern unter den Sammlerstücken im Bereich der Leica Schraubgewindekameras. Die in lediglich 100 Exemplaren speziell für da

Attisch, 530–520 v. Chr. Schwarzfigurig. Zwischen grossen, schwarzen Augenpaaren mit roter Iris jeweils die Göttin Athene. Unter den Henkeln je ein Satyr. H 8,7, D 28,5 cm. - Restauriert. Zu

(1952 Berlin - Ansässig ebenda) Unter den Linden in Berlin Mit flottem Malduktus in satter, pastos aufgetragener Ölfarbe gemalte Stadtlandschaft vor dunkelblauem Himmel. Von ein

Ägypten, Spätzeit, 650–332 v. Chr. Bronze und Holz. Sehr elegant gearbeiteter Ibis, der wohl als Aufsatz auf einem Ibissarg diente, dies aufgrund von zwei Zapfen unter den Füssen. Der

18th century veduta painter, view of Berlin State Opera Unter den Linden with staffage figures and guard house, oil on canvas, unsigned, craquelé, bumped, 54 x 63 cm, framed 62 x 72 cm