Mary Georgina Wade Wilson (1856-1939) British. A Pathed

Mary Georgina Wade Wilson- Impressionist oil painting of the lagoon in Venice. Signed lower left corner. Mary Georgina Wade Wilson was active/lived in United Kingdom. She is known for painting. 30" W

John Wilson Hepple (British, 1886-1939), "Joining the Hunt", oil on canvas, signed lower left, an old "Melvin Picture Frame Co./New York, NY" label en verso frame, a London supplier stamp en verso can

§ Scottie Wilson (British 1891-1972) Birds and Tree signed 'SCOTTIE' (lower right), coloured inks and crayons on paper laid on board (61cm x 86.5cm (24in x 34in), unframed)

Attributed to John Wilson (British, 1774-1855) Rough Seas. Oil on canvas, unsigned 28" x 36" Frame: 34" x 42"

FREUD, SIGMUND. 1856-1939. Autograph Letter Signed ("Freud") to Dr. Max Levy-Suhl commenting on the growing interest in psychoanalyses 1 p. (223 x 142 mm) in German, on "Wien, IX, Bergstrasse 10" lett

* FREUD, Sigmund (1856-1939). Autograph note on postcard signed ("Freud"), in German, to Dr. [Ulrich] Grüninger. Vienna, 3 January 1922. 1 page, 8vo (90 x 140 mm), some slight toning. Freud thanks hi

Berlin (K.P.M.) Porcelain Plaque of a Woman, "Echo"late 19th centuryafter the painting by Edouard Bisson (French, 1856-1939), impressed "K.P.M." with scepter mark, artist signed "Wagner"10 1/2 x 8 1/2

Attributed to John James Wilson (British, 1818-1875). Oil on canvas, signed "J.J. Wilson" lr, 34 x 43 1/2 in., framed.

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

egg tempera on canvas in original silver leaf art frame, signed and dated(61cm (24in), 46cm (18in))Provenance: Sotheby's, London, 9th February 1994, lot 413.

John Wilson Carmichael (British, 1800-1868) Harbor Under a Looming Storm oil on canvas unsigned 23 1/2 x 35 1/2 inches. Property from a Private Collection, Palm Beach, Florida

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1845, signed and dated at lower right, presented in a later gilt frame with linen liner. Stretcher size 16 x 23 in.; F

John Wilson Carmichael (British, 1800-1868), Maritime Sceneoil on canvas (lined), 1850, signed and dated at lower left, framed. Stretcher size 18 x 30 3/4 in.; Frame dimensions 30 x 42 1/2 in. From th

Attributed to John Wilson Carmichael (British, 1800–1868) On the Thames Bears signature 'J.W. Carmichael' on bottom stretcher verso; also titled on bottom stretcher verso, oil on canvas 10 1/4 x 14

Reverend Wilson Williams British, 19th Century Rose: A Portrait of a Dog Signed Rd. Wilson Williams, dated Dec. 27, 1852 and inscribed Rose/The Property of Mr. Collett/Menai Bridge on the reverse Oil

Julian Barrow (British 1939 - 2013) "Bond Street Flower Seller, London" Oil on canvas Signed lower right Julian Barrow 11" x 14" Provenance: The Gould Estate, Sutton Place, New York W.M. Brady & Co.,

Judy Chicago (born 1939) Mary Queen of Scots, 1973 Lithograph in colors, on wove paper, signed in pencil, titled, dated, and numbered 9/40, with the blindstamp of the publisher, Cirrus Editions, Los A

Louis Bosworth Hurt (British, 1856-1929) Glen Dochart, Perthshire signed and dated 'Louis B. Hurt/1897' (lower right) oil on canvas 92 x 153cm (36 1/4 x 60 1/4in). Footnotes: Provenance</

Two (2) Ursula Mary Fookes (British, 1906-1991) linocuts. 1st item: "Pastoral Scene," depicting a walled city rising above a landscape, signed "UMFookes" lower left and numbered 4/50. Sight: 9 3/8" H

Charles Haigh-Wood (British, 1856-1927) A favourite pet signed 'C.HAIGH-WOOD' (lower right) oil on canvas 53.5 x 78.5cm (21 1/16 x 30 7/8in). Footnotes: Provenance Private collect

ARTIST: James Wilson Carmichael (British, 1800 - 1868) NAME: Seascape with Sail Ship MEDIUM: oil on canvas CONDITION: One tear 2 1/2" long. Some craquelure. Some small scattered inpaintings/touch ups.

WENDY RAMSHAW (BRITISH 1939-2018), TEN 18K GOLD AND AMETHYST STACKED RINGS10 gold and amethyst stacking rings by Wendy Ramshaw, each marked 750 gold standard, London, 1987, accompanied by the original

Attributed to Abraham Parsell (circa, 1792-1856) "Mary Jane" Circa 1830. Oil on canvas, laid on masonite. 42 x 30 in. Descended in the family of the original owners.

WILLIAM E. HARRIS (British 1856-1929) A PAINTING, "A View of the Bridge on a Sunny Day," oil on canvas, signed L/R. 16 1/2" x 24"