att. John Hoppner (English, 1758-1810), Portrait of a

Circle of John Hoppner (English, 1758-1810), "Portrait of a Young Lady", oil on canvas, apparently unsigned, with graphite inscription to verso (later (Hoppner), with additional inscription to verso "

Attributed to John Hoppner (English, 1758-1810)Portrait of a gentlemanoil on canvas24 x 20in (61 x 51cm)

After John Hoppner (English, 1758-1810) Pair of Portraits: Sarah Franklin Bache (1743-1808) and Richard Bache (1737-1811) Watercolor and gouache on paper, matted and framed. (9 1/4 in. x 7 in. (sight)

Follower of John Hoppner (English, 1758-1810) oil on canvas three-quarter length portrait of a a middle-aged man with white hair, dressed in a white cravat and a high-collared black coat against a dar

John Hoppner (1758-1810), a British portrait painter, trained at Royal Academy, and in 1789 he was appointed portrait painter to the Prince of Wales (later George IV) and after the death of Reynolds,

In the manner of John Hoppner (British, 1758-1810)Portrait of Master Robin Vaneckeoil on canvas54 1/2 x 36in (138 x 91.5cm)

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

John Hoppner R.A. (London 1758-1810) Portrait of a young girl, said to be a Stanley of the Derby family, seated three-quarter-length, with a basket of strawberries oil on canvas 76.6 x 62.8cm (30 3/16

Magnificent oil painting on canvas attr. John Hoppner 1758-1810 showing the portrait of Jane Elizabeth Harley, countess of Oxford circa 1797. Not signed, showing on the back old label. Canvas measures

John Hoppner, R. A. (British, 1758-1810)Portrait of Mrs. Charles Dunscomewatercolor and pencil on paper9 x 7in (23 x 28 cm) Provenance:The collection of Mrs. Leverton Harris.With A

Large oil on canvas portrait of a seated lady with roses attributed to John Hoppner (England 1758-1810). Site 50" x 39"

19th C. oil on canvas - portrait of woman attrib. to John Hoppner dated 1810. (1758- 1870). 37 1/4" x 31 1/2".

After John Hoppner (British, 1758-1810) William Jennens Peareth   oil on canvas 30 1/4 x 25 1/8 inches. This lot is located in Chicago. Property from the Pamela K. Hull Trust, Chicago, Illinois Prove

John Hoppner, United Kingdom (1758-1810) "Clearing In a Grove Trees" Gray Wash Applied on Wet Paper. Provenance En Verso. Good condition. Measures 6-1/2" H x 8-3/4" W, frame measures 13-1/4" H x 15-1/

"Portrait of Mary Langhorn, Lady Delamere". Oil on canvas. Unsigned, inscribed on verso canvas "Mary, wife to Henry, Earl of Warrington" and inscribed on stretcher "by M. Beale". Attribution to Mary C

School of John Hoppner&nbsp;Portrait of Miss Harriet Bladen, Countess of Essex<

English School 18th / 19th century, After John Taylor (English, 1580-1653) Small Portrait of William Shakespeare (1564-1616) after the Chandos Portrait Oil on board, framed, verso retaining label, "Ar

oil on canvas (lined), unsigned, the portrait of Rebecca Lawrence Fuller Campbell is likely a posthumous depiction, with remnants of old hand-written labels affixed to the versos, both presented in an

John Cornish English, active 1751-1765 Portrait of a Gentleman Wearing a Powdered Wig Signed J. Cornish pinx and dated 1759 (lr) Oil on canvas 29 1/4 x 24 1/4 inches (74.3 x 61.6 cm) C

Henry John HudsonEnglish, 1881-1910Portrait of Mary Doris ReedOil on canvasSigned and dated upper right; with artist's monogram &quot;HJH&quot; and 191050&quot; H x 40&quot; W

Following the Hounds watercolor on paper h. 6 w. 8-3/4 in., sight overall: 15-1/4 x 17-1/4 in., framed attributed to John Collins (English, c. 1725-1758/9), Royal Academy, an autumn hunt scene showing

Beautiful John Emes, London (English, 1762-1810) antique Georgian Regency triple ink well. Featuring cut boarder of foliage around raised platform running length of the stand, three circular stands on