John Marin: View of Venice from Murano

Watercolor and pastel painting on paper by John Marin, 1870 to 1953, an early American Modernist artist known for his landscapes. The artwork depicts a panoramic view of Venice, Italy. Titled Grand Ca

John Marin etching of a view of a Venetian Canal, faintly signed lower left in pencil. Provenance: From the Jeffrey M. Kaplan Art Collection. [Art: 5 1/4" H x 4" W; Frame: 15 1/2" H x 12 1/2" W].

John Marin 1870-1953 Venezia- Murano pastel on paper signed lower left, titled and dated 1918 to hand-written paper label on backing Sight: 6 x 9 3/4 in. (15.2 x 24.8 cm.), Frame: 12 1/4 x 15 3/4 in.

JOHN MARIN Ponte Ghetto, Venice. Etching on Japan paper, 1907. 239x189 mm; 9x7½ inches, full margins. Edition of approximately only 30. Signed in pencil, lower right. A superb, richly-inked impre

John Marin (American, 1870-1953), "Ponte Paradiso, Venice," 1907, etching, pencil signed lower right, plate signed and dated lower left, titled lower right, edition 2/30, image: 7"h x 5"w, sight: 7.5"

JOHN MARIN Porta San Marco, Venice. Etching on Japan paper, 1907. 228x169 mm; 9x6 inches, full margins. Signed and numbered 29/30 in pencil, lower margin. A superb, richly-inked impression of this ear

John Marin (attrib.), painting, 1932, Attributed to John Marin (American, 1870-1953), East River View, watercolor on paper, signed and dated "Marin 32", lower right, loose and unframed, 17"h x 24"w (i

Palazzo Darius, Venice 8" x 5 1/2" (image) etching signed in the border lower right Albert Roullier Gallery label verso

Set 3 JOHN MARIN Offset Lithographs, inscriptions read ‘Marin 29’, ‘Marin 26’, ‘Marin 23’, subject a ship in water, an view of Broadway, and and a view of a city, all measure 12 x 16 inche

8 inch dial with weight driven chiming movement. presented in a natural maple wood case. (2) Part door with reverse transfer applied lower tablet "View of Venice" 29 x 16 1/2 x 4 1/4 inches

Camillo Bortoluzzi (1868-1933), A view of the Venice lagoon with gondolas and sailing boats, watercolour, signed, 9" x 16.75".

Murano Glass Venice Quartz Bangle Watch Gold tone works great!!!! Please view all photos as they are part of the description and condition of this Item, Feel free to contact me with questions or pictu

An Italian Murano glass chandelierCirca 1960s; Venice, ItalyWith a foil label to the metal: Murano / Made in ItalyPossibly designed by Venini for Camer, the five-light chandelier with clear glass ribb

Luigi Benzoni (b. 1956)A "Beatus Vir" Murano block glass sculpture for Berengo, 2003; Venice, ItalyEtched date and illegible signature to bottom right; stamped to underside: Berengo / Murano

A pair of Mazzega Murano glass wall sconcesCirca 1960s-1970s; Venice, ItalyEach appears unmarkedEach two-light sconce with six amber and clear glass panels, bolted together, and a metal panel with two

Four Venini inciso glass decanters1995-1999; Venice, ItalyEach acid-etched to underside for Venini, preceding date marks ranging between 95-99Each Murano glass decanter with conforming stopper, 4 piec

Sergio Costantini (b. 1956)A Murano art glass vase for Artigianato Muranese from the "Picasso" collection, late 20th/early 21st century; Venice, ItalyAcid etched to underside: Costantini S;

A Venini fasce orizzantale glass bottle1990; Venice, ItalyAcid etched to underside: Venini 90The Murano glass bottle with horizontal blue and red bands surmounted by a conforming round stopper17.75&qu

After Carlo Scarpa (1906-1978)A bi-color battuto vase for Venini, 2003; Venice, ItalyAcid etched to underside: Venini / Carlo Scarpa / 2003/8The Murano glass vase in red and green4.25" H x 5.325&

Fulvio Bianconi (1915-1996)A "Donna" vase for Venini, 2003; Venice, ItalyAcid etched to underside: Venini / 2003 / Fulvio Bianconi; sticker to side: Venini Murano / Made in ItalyThe clear ir

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

"Marin Island No. I, Small Point, Maine", 1926, watercolor on Arches paper laid to board, signed lower right, label verso from the Portland Museum exhibition "Maine Moderns: Art in Seguinland, 1900-19

JOHN MARIN Woolworth Building (Swaying). Pencil on heavy cream wove paper, circa 1913-15. 370x298 mm; 14¾x11¾ inches. Signed in pencil, lower right recto. Strathmore paper blind stamp lower

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu