JAN ARNTZENIUS - Nude

two nudes, Jan. 17, 1969, 15"X18.5"

Mixed media on canvas. Impressionistic depiction of two female nudes in 3/4 length full-profile poses with raised arms. Signed bottom left "Gallione". Signed again on verso. [Art: 70 1/2" x 60"; Frame

JAN SAUDEK (B. 1935) Untitled, Cuffed Nudes Photo-litho 8 1/2" x 5 1/2"

1) Jan B. Balet (Germany, Switzerland 1913 - 2009) signed etching. Signed 'Jan Balet' in pencil lower right. Number and title '2/100 Winter' in pencil lower left. Measures 9.125-in. x 6.625-in. image

Jan D'Esopo's contemporary plaster round wall bas relief art sculpture captures an intriguing allegory to the Garden of Eden and the Tree of Knowledge. The sculpture portrays multiple nudes gracefully

Sully's Truck and Car Stop Jan and Feb 1958. Measures 19.5 in. x 12 in. Provenance: Montana private collection. If lot is absent of a condition report one may be requested via email. Condition report

Francesca Seulitrinic (American mid 20th century) drypoint. Signed and dated 'Francesca Seulitrinic Jan. 28. 1927' in ink lower right. 'Drypoint - Ed. II - No. 1' in ink lower left. Measures 8-in. x 1

Nudes. Signed lower right. S.R. Guggenheim 628.61 typed label on the reverse. According to the consignor, both Mullers were purchased directly from the artist's wife, Dody (Dolores) Muller after her h

Deutsche Beschreibung:Porzellan-Stielbecher "Drei rote Fische", China, Qing-Dynastie, H 16 cm, hervorragender Zustand. Schweizer Privatsammlung.English Description:A Chinese "Three Red Fishes" Porcela

Deutsche Beschreibung:Chinesischer seltener Tischschirm mit runder tragbarer Porzellanplatte, verziert mit V”geln und Blumen, Kalligraphie, Wang Bu ( 1896 - 1948 - 8 Freunde von Zhushan ), sign. K

Deutsche Beschreibung:"Chinesischer kleiner gelb/blauer Porzellanbecher, Qing-Dynastie, Chenghua-Marke, aber sp?ter, D 8,8 cm, ausgezeichneter Zustand.Schweizer Privatsammlung."English Description:A C

(Flemish, 1599-1663) Capriccio of a Busy Mediterranean Port, with figural groups possibly representing the Seven Deadly Sins, unsigned, oil on canvas, 42-7/8 x 80-3/8 in.; gilt wood frame, 50-3/8 x 87

Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen signed and dated 'P.VANDER OUDERAA/Antwerpen 1892' (lower right) oil on canvas 138 x 203.5cm (54 5/16 x 80 1/8in).

Jan Gossaert Mabuse (Netherlands, France, 1478 - 1532) Portrait of a young man, traditionally identified as John Colet, Dean of Saint Paul's (1467-1519), half-length, in a brown coat. Colet was a huma

Jan Tarasin, (Polish, 1929-2009), Counting Things, 1981-1983, oil on canvas, signed and dated lower left; signed, titled and dated on verso, 25.5" x 36.5" Provenance: Gallery Vienna, Chicago, Illinois

Oil on canvas. Military Scene. Signed lower left. From a New Rochelle, NY collection. - Dimensions: 20.75" high x 32.5" wide

olio su rame, W. 28 - H. 20 Cm

Obserwater, (Observer), oil on canvas, 24 x 30 in (60.9 x 76.2 cm), signed verso, dated 1971-1972, PROVENANCE: Property of a private collector, New York, obtained directly from the artist after being

olio su rame, W. 28 - H. 20 Cm

The Touch of Lovers, "Ulotny Dotyk Kochankow", oil on canvas, 39 1/4 x 27 3/4 in (99.7 x 70.5 cm), signed , titled and dated verso , PROVENANCE: Private collection, Philadelphia, PA

Jan Exnar (Czech, b. 1951) Fluktus #10, 2015 Cast glass 35 x 31 x 11 inches (88.9 x 78.7 x 27.9 cm) Signed by the artist A large, deep blue unique example of Exnar's work. PROVENANCE: Commissioned dir

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

Jan Frans Verhas (Belgian, 1834-1896) On the dunes signed and dated 'Jan Verhas 88' (lower right) oil on canvas 75 x 54cm (29 1/2 x 21 1/4in). This lot is subject to the following lot symbols: *

Born in the Zeeland village of Middelharnis, Jan van Os was first apprenticed to the decorative painter Aert Schouman in The Hague. His early specialisation was in seascapes, but after turning to the