School of John Martin (British, 1789-1854)

Two mezzotints by John MARTIN (British, 1789-1854): "Paradise Lost: two small plate mezzotint proofs". Includes the famous "Bridge Over Chaos" (book 10, line 312-347), and "Satan on the Burning Lake"

Four mezzotints by John MARTIN (British, 1789-1854): "Paradise Lost: four large plate mezzotint proofs". Proof mezzotints on laid paper, 1824-1827. Proof impressions, before the plates? edition in boo

John Martin (British, 1789-1854), "Satan in Council," circa 1824, mezzotint and engraving, image: 18.5"h x 27.5"w, overall (with frame): 25.5"h x 32.5w. Reference: Campbell-Wees, 87

John Martin (British 1789-1854)- ''Joshua Commanding the Sun to Stand Still''; ''Fall of Babylon''; ''The Tower of Babel''- 3 mezzotints. 7 1/2 x 11 3/8''; 7 1/2 x 11 1/4''; 7 3/4 x 11 5/8''

John Martin (British 1789-1854)- ''Fall of The Walls of Jericho''; ''Belshazzar's Feast''; ''Moses Breaketh the Tables''- 3 mezzotints. 7 1/2 x 11 3/8'' ea. (2); 7 1/2 x 11 1/4''

John Martin (British, 1789–1854) - Belthazzar's Feast, Hand Colored Etching. 33x50cm.

the first: John Taylor Arms (American, 1887-1953), Notre Dame de Laòn, etching, 1929, pencil signed and marked as third state lower margin; the second: John Martin (British, 1789-1854), The Approac

After John Martin (1789-1854) British. 'The Third Temptation' Mezzotint, Unframed, 2.75" x 4.25", together with a quantity of other Mezzotints. Quantity (Q).

John Martin British 1833 Engraving and Mezzotint, "Destruction of Pharoah's Host", 7 1/2 x 11 1/4" Image size, 14 3/4 x 18" overall.John Martin (19 July 1789 – 17 February 1854) was an Engli

John Martin (1789-1854) Sadak in Search of the Waters of Oblivion, mezzotint, publ. A. Martin 1841, 50 x 37cm (plate; slight foxing); The Last Man, mezzotint by Alfred Martin, on wove, originally publ

John Martin (English 1789 - 1854) mezzotint: Paradise Lost 'The Creation of Light', Book VII Line 339. Framed and matted. Measures: 5" x 7" sight, 12" x 13 1/2" overall.

Martin, John (Britain, 1789-1854). Paradise: Approach of the Archangel, published in the second set of Paradise Lost. 1824. Mezzotint. Framed. Approx., Image: 14.3 x 21.2 cm.

Steel Engraved Map Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Drawn & Engraved by John Rapkin. Cen

Steel Engraved Map Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Drawn & Engraved by John Rapkin. Cen

"A Walk Through a Grande Landscape" watercolor 16 x 19 1/2 inches. signed A. S. Denis and dated 1789. unframed. The Postar Collection

Steel Engravings Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Paper Size: 11 x 7 inch (28 x 18cm) Ve

Steel Engraving Published 1854-55 by John Tallis, London for "The British Colonies; Their History, Extent, Condition and Resources" by Robert Montgomery Martin. Paper Size: 11 x 7 inch (28 x 18cm) Goo

Royal Worcester (English, founded 1751), John Stinton (British, 1854-1956), Leighton Maybury (British, 1930-2013), dating to 1953. A set of twelve "Wild Game" dinner plates including "Wild Duck", "Qua

John Fullwood (British, 1854-1931), "The Wood Gatherer's," oil on canvas, signed lower right, overall (with frame): 49.5"h x 59.25"w. Provenance: Previously sold at Bonhams California, 8/24/14 (lot 30

An English Royal Worcester small porcelain double-handled amphora vase decorated a painting depicting bison and landscape view by John Stinton (British, 1854-1956). Signed by the artist on the front.

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

School of John Constable (British, 1776–1837) Sailboats, A Pair Each dated '1812' bottom left, pair of white chalk and pastel on blue paperTop, sheet size: 5 11/16 x 6 5/8 in. (14.4 x 16.8cm)Bot

School Of John Constable (British, 1776-1837) View In Suffolk. Oil on panel Panel: 13.5" x 11.75" Frame: 16.5" x 14.5"

A RICHARD MARTIN & EBENEZER HALL (British est. 1854) VICTORIAN PERIOD GILT WASHED STERLING SILVER CLARET JUG MOUNT, FOR MARTIN, HALL & CO., SHEFFIELD, ENGLAND, 1868, the mount with dome shaped hinged