William Evans Linton (1878-c.1956) British. Shire

Title: Animal Painting Additional Information: Dust-jacket over grey cloth boards with black title. Full-page colour and b & w illustration. 'William Evans Linton was a painter of landscapes and anima

Frederick William Leist (1878-1945 British, Water color of a Landscape, large listed British artist. Measures 16" X 14" plus frame, note the glass broke during transit, signed lower right , property o

William Hyams (1878-1952) British, distant cattle grazing in a landscape, watercolour, signed, 8.5" x 11.5".

DESCRIPTION: A Sir William Reid Dick (British, 1878-1961) bronze sculpture titled "The Slingshot", also known as The Catapult Bronze. Depicts a modelled bronze figure of a young boy pulling the string

Possibly William Roos, British (1808 - 1878) Antique Oil on Canvas "Seated Child with Dog" Inscribed and Dated 1858 en Verso. London stamp marks on reverse side of the canvas. Measures 17" x 21", fram

William Callow (British, 1812-1908). The Bay of Naples, Early Morning. Antique engraving on wove paper after the original by master engraver Robert William Wallis (British, 1794-1878). Year: 1856. Sig

A late 19th century Bronze bust of a Victorian gentleman. Probably Henry William Ferdinand Bolckow, British, 1806-1878, a Victorian industrialist and Member of Parliament. Presented on a Bronze plinth

PERCY LANCASTER (BRITISH 1878-1951), OIL ON CANVAS, CATTLE GAZING BY STONE BRIDGE, SIGNED. 14 X 17"; FRAMED 19 X 22"

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

William J. Webb (British, fl. 1853-1878.) Christ weeping over Jerusalem. Ink wash painting on card, 7" x 4.5", signed lower right. Captioned in manuscript to back, quoting Matthew 23:37, "O Jerusalem

FRANCIS H. GRANT (BRITISH 1803-1878), OIL ON CANVAS, "HARVEST TIME", SIGNED. 19 X 16"; FRAMED 27 X 24"

Joseph Mallord William Turner (English, 1775-1851). The Shipwreck. Antique engraving on wove paper after the original by master engraver William Miller (British, 1796-1882). Year: 1878. Signed in the

Black Mountain (Lake George) Engraver: Robert William Wallis (British, 7 November 1794 – 23 November 1878) Artist: after William Henry Bartlett (1809 – 1854). Description: hand-coloured antique st

Joseph Mallord William Turner (English, 1775-1851). Bridport. Antique engraving on wove paper after the original by master engraver William Bernard Cooke (British, 1778-1855). Year: 1878. Reference Wi

Joseph Mallord William Turner (English, 1775-1851). Bridport. Antique engraving on wove paper after the original by master engraver William Bernard Cooke (British, 1778-1855). Year: 1878. Reference Wi

(British, 1827-1910) The Shadow of Death, 1878, engraved by Frederick Stacpoole (British, 1813-1907), engraving on Chine collé paper, 37-1/2 x 29 in.; fine original gilt wood and composition Goth

Joseph Mallord William Turner (English, 1775-1851). Aysgarth Force. Antique engraving on wove paper after the original by master engraver John Scott (British, 1774-1828). Year: 1878. Reference Wilton

Joseph Mallord William Turner (English, 1775-1851). Lulworth Castle. Antique engraving on wove paper after the original by master engraver George Cooke (British, 1781-1834). Year: 1878. Reference Wilt

Joseph Mallord William Turner (English, 1775-1851). Petworth Park. Antique engraving on wove paper after the original by master engraver John Cousen (British, 1804-1880). Year: 1878. Reference: Wilton

Joseph Mallord William Turner (English, 1775-1851). Michael's Mount, Cornwall. Antique engraving on wove paper after the original by master engraver John Cousen (British,1804-1880).Year: 1878. Signed

John Adams-Acton (British, 1830 - 1910). The Angel of the Resurrection. Antique engraving on wove paper after the original by master engraver William Roffe (active 1889-1893). 1878. Signed in the plat

(2) 19th Century British Caricatures: George Cruikshank (1792-1878), hand colored etching, "A visit to Cokney Farm", Published by Thomas McLean, August 1st 1835, measures 9 1/2" x 13 3/4" sight, 16" x

WILLIAM WILLOUGHBY (BRITISH, ACTIVE SECOND QUARTER 19TH CENTURY) VIEW OF BOSTON, LINCOLNSHIRE, oil on canvas, a fine panoramic scene taken from the marketplace featuring the iconic "Boston Stump" chur

WILLIAM HASKELL COFFIN (AMERICAN, 1878-1941) FARM SCENE, oil on panel, depicting the kitchen with cauldron cooking at the hearth, and with a broom leaned up against a fall-leaf table, signed and dated