Fernando Olivera. Aquatint, Los Ojos De La Selva

Antonio Saura – Los Ojos de la Mora (The Eyes of the Moorish Woman), Plate 2 – An original lithograph from Saura’s “Los Ojos de la Mora” suite; published in 1983. Los Ojos de la Mora are two

Antonio Saura - Los Ojos de la Mora (The Eyes of the Moorish Woman), Plate 7 An original lithograph from Saura’s “Los Ojos de la Mora” suite; published in 1983. Los Ojos de la Mora are two orbit

Antonio Saura – Los Ojos de la Mora (The Eyes of the Moorish Woman), Plate 2 – An original lithograph from Saura’s “Los Ojos de la Mora” suite; Los Ojos de la Mora are two orbit-like craters

An original lithograph from Saura’s “The Eyes of the Moorish Woman” suite, plate 18; printed in 1983. Los Ojos de la Mora are two orbit-like craters that peer out of the landscape of Saura’s s

Spanish Colonial School, mid-17th/early 19th c ., "Santa Lucia", oil on copper, unsigned, titled and inscribed "Obogada de Los ojos y de la castidad" lower left, 11 1/4 in. x 8 1/4 in., framed

Fernando Olivera (1962-2018) Aquatint Etching on Paper Ed. 7/30 Dio de Mayo 2001. Titled "Dio de Mayo," 2001. Very good condition. Tape residue back top edge. Approx. 19 in. H x 12.5 in. (plate) 27 in

plate 77 from "Los Desastres de la Guerra"; etching and aquatint on wove paper matted, framed and glazed; with pencil inscription to verso of sheet "LD 196 IV (plate 77) / 1st Edition, 1863 / J.G.O. p

NO QUIEREN from the Los Desastres de la Guerra (Disasters of War), 1810-1815, plate 9, aquatint etching, plate 5 ½ x 7 ¼”, full margins, frame 14 ¾ x 16 ¾” with

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828). Etching, burnished aquatint and drypoint. "No Quieren" (They don't want to). Plate 9 from Los Desastres de la Guerra (The Disasters of War) series.

plate 59 (from Los Desastres de la Guerra), etching, drypoint, and aquatint, on wove paper, 1810-1820 but circa 1892, [Harris 179], 150 x 200 mm. (6 x 7 3/4 in).

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

GUILLERMO SILVA SANTAMARIA (COLOMBIAN, 1921-2007)La Nina de los Pajaros (The Girl of the Birds)Aquatint etching on paper, hand-signed, dated 1964, and titled (A-4) along lower edge. Whimsical and intr

Fernando Olivera (Mexican, 1962 - 2008) Una noche de mayo, 2010 Signed etching 30 cm x 49 cm Published by Taller Fernando Saldoval, Oaxaca Ships from Los Angeles, CA

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

Harold Joe Waldrum La Morada de Don Fernando de Taos 1988etching and aquatint in colors image: 16.75 h x 16.625 w in (43 x 42 cm) sheet: 24.875 h x 25.75 w in (63 x 65 cm) Signed and number

"Visitor with a 'Bourbon Nose' at Celestine's Home," 1968 (from Fernando de Rojas, "La Celestine." Editions de l'Atelier Crommelynck, Paris, 1971) Aquatint on paper, watermark: La Celestine, under Pl

FRANCISCO JOSÉ DE GOYA Los Proverbios: Additional Plates. Complete set of 4 aquatints with etching. Dos a Uno, Meten la Paja en el Culo * Bailando en una Cuerda Floja * Quien se pondrá el ca

PABLO PICASSOSpain/France, 1881-1973"La Celestine Act IX", 1968. One of 66 illustrations from La Celestine by Fernando de Rojas. Published by Galerie Beyelar Basel, Paris, 1971. Printed by Atelier Cro

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Pablo Picasso, Aquatint, La Celestine Acte i. From Certificate of Authenticity- copy, One of the 66 illustrious of the books La Celestine by Fernando DE Rojas, Picasso’s last illustrated and si

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe

Etching and aquatint 241 mm x 350 mm, framed cm 37 x cm 52 Additional series '' Los Proverbios '' first printed in Paris in 1877.

Etching and aquatint 215 mm x 150 mm, framed cm 37 x cm 27 Series '' Los Caprichos '' (1799), No. 36, antique edition.

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.