Josef Albers - Fenced, 1944

JOSEF ALBERS (1888-1976) Fenced, 1944 Offset Lithograph 12" x 15"

JOSEF ALBERS - ( 1888-1976) Fenced Colored offset lithograph Printed in 1973 6" x 7 1/4"(Image Size)

Josef Albers (German, 1888-1976). Titled "Fenced", a pivotal linocut on paper, signed, dated 44, numbered 14/30 and titled l.l., and dedicated (as were many from this series of 30) to "Connie, New Yea

Josef Albers (German/American, 1888,1976), "Contra", woodcut print, 1944, signed L/R in pencil, editioned 5/25, 9 1/4" x 13", framed 15" x 18". Provenance: Collection of Elizabeth Gurrier.

PIET MONRDIAN (1872-1944) Foxtrot A Screenprint in colors 17" x 17" Estate of Sewell Sillman (publisher for Josef Albers and many other artists)

PIET MONRDIAN (1872-1944) Foxtrot A Screenprint in colors 17" x 17" Estate of Sewell Sillman (publisher for Josef Albers and many other artists)

Josef Albers (German/ American, 1888-1976) Structural Constellation, circa 1970 Etched glass, aluminum encasement, light 14 3/4" x 15 1/4" x 4" A rare and exceptional light sculpture by t

Josef Albers (American/German, 1888-1976) Formulation Articulation I and II, 1972 complete set of 127 color screenprints on 66 sheets of folded wove paper, all contained in two original linen-covered

Josef Albers White Line Square XV (from White Line Squares (Series II)) 1966lithograph in three colors on Arches Cover image: 15.625 h × 15.625 w in (40 × 40 cm) sheet: 20.625 h × 20.625 w

Albers, Josef, (America/ Germany, 1888-1976), Mitered Squares (D.299) portfolio. Included are 12 screenprints in verigated colors. Each is signed, titled, and numbered in pencil: l.l "Mitered Squares,

Albers, Josef (German/American, 1888-1976). The complete portfolio Homage to the Square: ten screenprints in colors by Josef Albers, 1962 (Damilowitz 156). Edition of 250, Identified and numbered 3 in

Josef Albers (German, 1888-1976) SP IV (from Homage to the Square) 1967, pencil signed and dated bottom right 'A '67,' numbered 32/125 bottom left, Domberger, Stuttgart for Gallery der Spiegel, Cologn

Josef Albers (American/German, 1888-1976) White Line Square XV, 1966 lithograph signed, titled, dated, and numbered 76/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scottsd

Josef Albers White Line Square I (from White Line Squares (Series I)) 19663-color lithograph on Arches Cover image: 15.75 h × 15.75 w in (40 × 40 cm) sheet: 22.75 h × 22.75 w in (58 ×

Josef Albers (German, 1888-1976) SP XII (from Homage to the Square) 1967, pencil signed and dated bottom right 'A '67,' numbered 32/125 bottom left, Domberger, Stuttgart for Gallery der Spiegel, Colog

Josef Albers EK Id (from Homage to the Square series) 1970screenprint in colors on Hahnemuhle Buttenboard image: 13.75 h × 13.75 w in (35 × 35 cm) sheet: 21.5 h × 21.5 w in (55 &

Josef Albers White Line Square X (from White Line Squares (Series II)) 1966lithograph in three colors on Arches Cover image: 15.625 h × 15.625 w in (40 × 40 cm) sheet: 20.625 h × 20.75 w i

Josef Albers (American/German, 1888-1976) White Line Square XII, 1966 lithograph signed, titled, dated, and numbered 80/125 in pencil 15 3/4 x 15 3/4 inches. Property from a Private Collection, Scotts

Josef Albers (1888-1976) Formulation: Articulation I & II (see Danilowitz appendix C) The double portfolio comprising the complete set of 127 screenprints in colours, 1972, numbered in black ink on th

Josef Albers (1888-1976): I-S LXXI a Screenprint in colors on wove paper, 1971, signed with initials, titled, dated and numbered 11/125 in pencil, inscribed ' For Tom Levine/November 1982' and signed

Josef Albers Midnight + Noon VI 1964zinc and aluminum plate lithograph image: 15.75 h x 15.75 w in (40 x 40 cm) sight: 16.75 h x 16.75 w in (43 x 43 cm) Signed, titled, dated and numbered t

Josef Albers (American/German, 1888-1976) White Embossing on Gray: I-X (complete series), 1971 1-color linecuts with embossing on Roleaf paper each signed, titled, dated, and numbered 73/125 in pencil

Josef Albers "JHM-I". Josef Albers Honors The Hirshhorn Museum and Sculpture Garden. This Portfolio was commissioned to commemorate the opening of The Hirshhorn Museum and Sculpture Garden, The Smiths

Albers, Josef (German/American, 1888-1976), Interaction of Color, 1963, complete with 80 folders containing color prints, plus the text and commentary volumes, all housed in the original cloth slipcas