James McNeill Whistler - The Music Room (Second State)

James McNeill Whistler (American 1834-1903) The Music Room,1859 Etching and drypoint on laid paper. Kennedy 33 Provenance: Carl Sachs Collection (German-Jewish 1868-1943) Lugt 634a Collector stamps ve

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

Artist: James McNeill Whistler Title: Black Lion Wharf (Second State The Thames Set) Year: 1922 Dimensions: 14 3/4in. by 11 1/4in. Edition: From the Rare Limited Edition of 20

James Abbott McNeill Whistler (1834-1903)Maunders Fish Shop, ChelseaLithograph, 1890, a fine lifetime impression of the second state (of 2), signed with butterfly monogram in pencil in the lower margi

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "Fish Shop, Venice." Etching and drypoint, between the second and third states, (image 4.375 x 7.5). Frame: H: 12.5

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

Framed drypoint etching on paper, "Billingsgate," signed in plate Whistler (James Abbott McNeill Whistler, United States, 1834-1903), dated in plate 1859, from the Vincent Price collection for Sears R

etching, 1859, on laid paper, with margins, 143 x 215mm (5 5/8 x 8 1/2 in)

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching and drypoint titled "The Music Room". Kennedy 33, II/IIe. Pencil signature lower left, pencil titled lower center and pen

PENCIL SIGNED JAMES MCNEILL WHISTLER PRINT "THE DOORWAY" . FIRST STATE. 13" X 17" FRAMED, 12" X 8" SIGHT. PROPERTY FROM THE BENTLEY ESTATE

James Abbott McNeill Whistler (American 1834-1903). Fifth state etching, titled "Little Rag Gatherers". Signed and dated 1858 within the plate. Framed under glass. Matte opening: 6-1/4 x 3-3/4 in.

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

(American, 1834-1903) etching and drypoint, published by Hogarth and Son, 1878-1879, third and final state with faint artist's butterfly monogram above church tower Overall: 17-1/4"h x 21-3/8"w Sight:

Artist: James McNeill Whistler Title: Free Trade Wharf (Fifth State) Year: 1922 Dimensions: 14 3/4in. by 11 1/4in. Edition: From the Rare Limited Edition of 200 Pub

Plate XI "Long House-Dyer's -Amsterdam" 3rd State. From a proof in the Kupferstich-Kabinett, Dresden. Framed. 6 1/2" x 10 3/5" (work itself)

"The Music Room". James Abbott McNeil Whistler (American, 1834-1903). From a Holliston, MA collection. - Dimensions: Sight: 5.75" high x 8.5" wide

JAMES MCNEILL WHISTLER (American 1834-1903) "La Vieille aux Loques" Etching and drypoint on laid paper (later impression) fourth state of four. Plate: 8 1/4 x 5 3/4 inches; Sheet:10 x 7 5/8 inches; Fr

JAMES ABBOT MCNEILL WHISTLER (American 1834-1903) "Billingsgate" Etching (3rd state) Plate:6 x 9 inches; Sheet: 9 7/8 x 14 inches. Signed and dated in the plate lower right: Whistler 1859; titled and

James McNeill Whistler "Arrangement in Gray and Black #1" (Whistler's Mother) In 1891, it became the first American art work ever bought by the French state, and it remains the most important American

After James McNeill Whistler (American, 1834-1903), etching depicting people at work in a workshop, noted verso "One of the 'Twenty-Six Etchings' (Second Venice Set)", 6 1/2" x 8 1/4" sight, 14 3/4" x

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl