Indonesian Rice Scythe

A wood and iron rice scythe with dragon handle, and metal band. Dimensions: 12" H; Weight: 9.5 oz. Provenance: Ex. Private collection, Pennsylvania. NOTE: This lot has a reserve.

A wood and iron rice scythe with dragon handle, and metal band. Dimensions: 12" H; Weight: 9.5 oz Provenance: Ex. Private collection, Pennsyvania. NOTE: This lot has a reserve.

Southeast Asia, Indonesia, ca. 20th century CE. A stunning hand-carved wooden visage, perhaps a puppet head, of the Indonesian Rice Goddess, Dewi Sri, atop an integral wooden handle with a tapered bot

Large Himalayan Rice Knife (Scythe), Nepal. Made From Wood And Steel. There are many cultural aspects of the Himalayas. For the Hindus, the Himalayas are personified as Himavath, the father of the god

Indonesian Lumpang Rice Pounding Mortar. Carved wood. Perfect for repurposing as a garden planter. Size: 10.5'' x 19'' x 16'' (27 x 48 x 41 cm).

Lucien 'Frits' Ohl, Palembang(Indonesia) 1904-1976 The Hague, Indonesian landscape with rice fields, oil on board, 100 x 70 cm.

Sony Santosa (Indonesian, 20th century), Rice Fields, oil on canvas, signed lower left, canvas: 29"h x 49"w, overall (with frame): 30.5"h x 50.25"w

Indonesian block print on rice paper, "Dancers", unsigned, not dated, in plastic frame. [Art: 16 x 12 1/4 inches; Frame: 20 x 16 1/2 inches].

Indonesian oil painting titled ‘Home from the Rice Paddy.’ The work depicts a figure walking along a remote path into their home village after working for the day. The figure is seen herd

Abulani Vintage Indonesian Watercolor Gouache Painting of Moonlight Rice Fields 18.5X16

A Pair of Indonesian Toba Batak Architectural Elements, Singa, classically carved, depicting the "Singa", a supernatural protective spirit. Likely once part of a Toba Batak house or rice granary. See

Three primitive carved wood plaques. Indonesian raised relief with seated man (19 3/4" x 12 3/4"), tall tribal carving (37 3/4" x 17"), and African tribal men with alligator (22 1/2" x 23").

Indonesian School landscape oil painting signed by the artist, Millie F. Togut. Image of a traditionally dressed woman within a background of rice paddies and a distant smoldering volcano. Circa 1930s

20th century oil on canvas landscape depicting the hanging rice fields of Bali, artist inscribed lower left "Made in Pugua, Panestanan Campuhan Ubud/Bali" en verso signed Iny Jemet Sayan, (Indonesian)

Description: Masked figures, warrior, maternal figure and child. Signed W. Kardana, Beneuyung, Ubud. History: Ubud is a town on the Indonesian island of Bali in Ubud District, located amongst rice pad

A FAMILLE-VERTE 'SERICULTURE AND RICE PRODUCTION' ROULEAU VASE Qing dynasty, 18th/19th century Extremely well painted with a large panel on either side, one depicting a scene of a stage of silk produc

Untitled, 1959 48" x 64 1/2" oil on canvas signed and dated versowith Catherine Viviano Gallery, NY, label verso

BURROUGHS, EDGAR RICE. 1875-1950. Tarzan of the Apes. Chicago: A.C. McClurg & Co., 1914. 8vo. Publisher's dark red cloth, spine lettered in gilt, upper cover lettered in gilt and ruled in blind, origi

Southeast Asia, Indonesia, Central Java, ca. 9th century CE. An enormous volcanic stone statue of Ganesh, the elephant-headed deity known as the "Remover of Obstacles," who sits atop a tiered lotus ba

Very Large 18th / 19th Century Chinese painting on rice paper scholar with calligraphy. From the Dewitt Rothman estate. Good condition w folds and wear. Measures approx. 54" x 168"

WALASSE TING (AMERICAN/CHINESE, 1929-2010), ACRYLIC ON RICE PAPER, H 70", W 31:Signed upper right; 70" x 30 3/4"; framed.

Enzo Mari, Scythe, 1989, H. 75 x 48.5 x 21.5 cm. Made by Danese, Milan. Iron, black, clear acrylic glass, oak wood. Marked: 1989 Enzo Mari 3/89 (handwritten, black).,

Bulul, also known as bul-ul or tinagtaggu, is a carved wooden figure used to guard the rice crop by the Ifugao peoples of northern Luzon. The sculptures are highly stylized representations of ancestor

This Silas Rice cherry three section desk and bookcase which retains most of its old brass and old, likely original, crusty finish has found it’s way back to us. ‘The pediment with carved