![AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to: AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to the Boarding School", Pair of colored engravings engraved by William Ward (1766–1826) and publ](https://p1.liveauctioneers.com/182/271294/142142913_1_x.jpg?height=310&quality=70&version=1670281734)
George Morland Price Results
![AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to: AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to the Boarding School", Pair of colored engravings engraved by William Ward (1766–1826) and publ](https://p1.liveauctioneers.com/182/271294/142142913_1_x.jpg?height=310&quality=70&version=1670281734)
![George Morland Going to the Fair 1886 etching: George Morland. (English, 1763-1804). "Going to the Fair". Hand Pulled copper plate etching on laid paper after the original by master engraver, Leon Richeton (English, 1854-1934). 1886. Signed in the](https://p1.liveauctioneers.com/2294/270231/141364092_1_x.jpg?height=310&quality=70&version=1669508460)
![George Morland Inside of a Stable 1885 etching: George Morland. (English, 1763 - 1804). Inside of a Stable. Antique Copper plate etching on thick wove paper after the original oil on canvas by Charles Oliver Murray (Scottish, 1842-1923). 1885. Exce](https://p1.liveauctioneers.com/2294/268622/140357096_1_x.jpg?height=310&quality=70&version=1668224884)
![GEORGE MORLAND (BRITISH 1763-1804), SHEEP RESTING BENEATH THE TREES: GEORGE MORLAND (BRITISH 1763-1804)SHEEP RESTING BENEATH THE TREES Pencil and red chalk Signed (lower right)35.5 x 48cm (13¾ x 18¾ in.)Provenance:Sale, Christie's, London, 8 June 2000, lot 12](https://p1.liveauctioneers.com/1688/266399/139076735_1_x.jpg?height=310&quality=70&version=1666786075)
![George Morland The Storm 1873 lithograph: George Morland. (English, 1763-1804). The Storm. Antique stone lithograph on wove paper after the original by master engraver Edward Mitchell (British, 1797 - 1845; fl. c.). 1873. Excellent. Image Siz](https://p1.liveauctioneers.com/2294/267640/139890772_1_x.jpg?height=310&quality=70&version=1667692559)
![GEORGE MORLAND (England, 1763-1804) "Stable". Oil on canvas, relined. Signed in the lower right: GEORGE MORLAND (England, 1763-1804) "Stable". Oil on canvas, re-coloured. Signed in the lower right corner. Needs cleaning and restoration. Measurements: 49 x 59 cm; 73 x 83 cm (frame). Typical repres](https://p1.liveauctioneers.com/7653/266639/139231147_1_x.jpg?height=310&quality=70&version=1666946745)
![After George Morland (1763-1804), Colour engraving, The Check, A landscape fox hunting scene with: After George Morland (1763-1804), Colour engraving, The Check, A landscape fox hunting scene with figures on horseback, hounds / dogs, etc. Titled to verre eglomise frame. Approx. 19 1/2" x 24 3/4"](https://p1.liveauctioneers.com/1605/265296/138571621_1_x.jpg?height=310&quality=70&version=1666111706)
![George Morland, Gypsy Encampment: George Morland Gypsy Encampment late 18th centuryoil on canvas 49.75 h × 39.125 w × 1 d in (126 × 99 × 3 cm) This work will ship from Chicago, Illinois.](https://p1.liveauctioneers.com/6206/264180/137770197_1_x.jpg?height=310&quality=70&version=1665157333)
![Style of George Morland Oil on Canvas C.1900 H 11” W 14” Horses in Stable: STYLE OF GEORGE MORLAND OIL ON CANVAS C.1900 H 11" W 14" HORSES IN STABLE No signature seen. Frame 15" x 18". Provenance: a Farmington Hills, MI collector.](https://p1.liveauctioneers.com/359/262896/137046100_1_x.jpg?height=310&quality=70&version=1664059874)
![Style and Period of George Morland (British 1763-1804) Oil on Cradle Panel, H 12”, W 16”: STYLE AND PERIOD OF GEORGE MORLAND (BRITISH 1763-1804) OIL ON CRADLE PANEL, H 12", W 16", SEA SCENE Illegibly signed lower right. Framed H 18", W 22". Provenance: property from a Rochester Hills, MI p](https://p1.liveauctioneers.com/359/262896/137045926_1_x.jpg?height=310&quality=70&version=1664059874)
![Morland, George C1790 Folio Mezzotint. Snipe Shooting (Faults): Folio Mezzotint Published C1790, London. Unknown Engraver after George Morland. Part of a Rare set of 4. Paper Size: 14.5 x 11 inch (37 x 29cm) Faults present. Margins trimmed to image. Many closed ed](https://p1.liveauctioneers.com/3952/263650/137350443_1_x.jpg?height=310&quality=70&version=1664550821)
![18th C. George Morland Signed Oil on Canvas "Farm Scene": 18th C. George Morland Signed Oil on Canvas "Farm Scene". The frame measures 31 1/2" x 36 1/2" and the canvas measures 30 1/4" x 24 1/4"](https://p1.liveauctioneers.com/6631/261478/136170440_1_x.jpg?height=310&quality=70&version=1663026169)
![Pair of George Morland (1763 - 1804): Pair of George Morland (UK, 1763 - 1804) colored engravings. Sight Sizes: 16 x 19.5 in. Overall Framed Sizes: 22.5 x 26.5 in. Both Framed behind glass.](https://p1.liveauctioneers.com/6261/261867/136457228_1_x.jpg?height=310&quality=70&version=1663340986)
![George Morland (English, 1763-1804), Landscape with Horses in a Storm: George Morland(English, 1763-1804)Landscape with Horses in a Stormoil on canvassigned "G. Morland (?)" (lower left)13 1/2 x 16 1/2 inches (sight)19 1/2 x 22 1/2 inches (frame)](https://p1.liveauctioneers.com/1044/260238/135545583_1_x.jpg?height=310&quality=70&version=1662048166)
![Morland, George C1790 Folio Mezzotint. Snipe Shooting (Faults): Folio Mezzotint Published C1790, London. Unknown Engraver after George Morland. Part of a Rare set of 4. Paper Size: 14.5 x 11 inch (37 x 29cm) Faults present. Margins trimmed to image. Many closed ed](https://p1.liveauctioneers.com/3952/261852/136451333_1_x.jpg?height=310&quality=70&version=1663331046)
![Attributed to George Morland (1763-1804): Figures conversing by a cottage gate signed or inscribed and dated 'G Morland/ 1792' (lower right) oil on canvas 29.5 x 41cmThe painting is executed in oil on a canvas support which appears to be line](https://p1.liveauctioneers.com/503/260704/135793538_1_x.jpg?height=310&quality=70&version=1662474746)
![Attributed to George Morland (1763-1804): Three pigs in a sty, a young man looking on signed or inscribed with initials (lower left) oil on canvas laid to panel 24 x 29cmThe painting is executed in oil on a thick card or paper support which h](https://p1.liveauctioneers.com/503/260704/135793539_1_x.jpg?height=310&quality=70&version=1662474746)
![Morland, George C1790 Folio Mezzotint. Snipe Shooting (Faults): Folio Mezzotint Published C1790, London. Unknown Engraver after George Morland. Part of a Rare set of 4. Paper Size: 14.5 x 11 inch (37 x 29cm) Faults present. Margins trimmed to image. Many closed ed](https://p1.liveauctioneers.com/3952/260427/135636844_1_x.jpg?height=310&quality=70&version=1662120193)
![George Morland Inside of a Stable 1885 etching: George Morland. (English, 1763 - 1804). Inside of a Stable. Antique Copper plate etching on thick wove paper after the original oil on canvas by Charles Oliver Murray (Scottish, 1842-1923). 1885. Exce](https://p1.liveauctioneers.com/2294/259595/135108792_1_x.jpg?height=310&quality=70&version=1661645969)
![William Ward (1766-1826), series o: William Ward (1766-1826), series of four horse scenes, coloured mezzotints after George Morland, 56 x 44 cm, framed behind passepartout and glass (one missing) 68 x 78 cm](https://p1.liveauctioneers.com/609/256542/133416902_1_x.jpg?height=310&quality=70&version=1659101285)
![WILLIAM WARD AFTER GEORGE MORLAND, THE EFFECTS OF EXTRAVAGANCE AND IDLENESS; THE FRUITS OF INDUSTRY](https://p1.liveauctioneers.com/1688/258925/134785442_1_x.jpg?height=310&quality=70&version=1661184039)
![18th C. George Morland Signed Oil on Canvas "Farm Scene": 18th C. George Morland Signed Oil on Canvas "Farm Scene". The frame measures 31 1/2" x 36 1/2" and the canvas measures 30 1/4" x 24 1/4"](https://p1.liveauctioneers.com/6631/257392/133848406_1_x.jpg?height=310&quality=70&version=1659834714)
![AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to: AFTER GEORGE MORLAND (British, 1763 - 1804). A Pair: "Visit to the Child at Nurse" and "A Visit to the Boarding School", Pair of colored engravings engraved by William Ward (1766–1826) and publ](https://p1.liveauctioneers.com/182/255293/132816264_1_x.jpg?height=310&quality=70&version=1658197945)
![George Morland The Storm 1873 lithograph: George Morland. (English, 1763-1804). The Storm. Antique stone lithograph on wove paper after the original by master engraver Edward Mitchell (British, 1797 - 1845; fl. c.). 1873. Excellent. Image Siz](https://p1.liveauctioneers.com/2294/253080/131582866_1_x.jpg?height=310&quality=70&version=1656195255)
News about george morland
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Kaminski auction features vampire slaying kit May 21-22
BEVERLY, Mass. – Kaminski Auctions will present a spring estate auction May 21-22. The first day features ephemera formerly from the collection of Eleonora Randolph Sears of Prides Crossing, Beverly, Massachusetts.
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Bass estate poised to scale Heritage Auctions heights
DALLAS – A museum’s-worth of personal paintings, furniture and special objects belonging to adventurist Richard “Dick” Bass, the famous Texas oil baron and first man to climb the “Seven Summits,” the tallest mountain peaks on each continent, highlights Heritage Auctions’ Fine & Decorative Arts, including Estates, Auction Feb. 20-21.
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Important pottery discovery leads Case’s July 19 auction
KNOXVILLE, Tenn.— An exceptionally rare Southern pottery ring bottle discovered at a local appraisal fair leads a lineup of more than 800 lots of fine art and antiques at the Summer Case Antiques Auction, set for July 19 at the company’s gallery in Knoxville. Internet live bidding will be available through LiveAuctioneers. The copper oxide […]
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Midwest to auction collection of Anthony Orlando, Nov 16-17
OXFORD, Mich. – Midwest Auction Galleries will conduct a two-day sale Nov. 16-17. Saturday’s sale will begin at 10 a.m. Eastern and consist of nearly 700 lots. Sunday’s session will begin at 11 a.m. and will have more than 650 lots. LiveAuctioneers.com will provide Internet live bidding. A well-known restorer of Americana and primitives, Anthony […]