§ ALAN KING (SCOTTISH 1946-2003) WAITING FOR THE

Alan King (Scottish, 1946-2013), "Acrobat", 1996, oil and gold leaf on board, signed lower left, handwritten label with artist, title and date on backing board, "The Contemporary Art Gallery, Eton, En

Etching and chine coll‚, 2/12, signed, dated, titled and numbered in pencil to margin, published by Edinburgh Printmakers, with their blindstamp(the sheet 66cm x 50cm (26in x 19.75in), unframed)

7 pcs., plus 2 extra drummers (1-pc Officer, 6-pc Colour Party set), 54 mm, 2003, Collectors Club Golden Jubilee series. MIB.

#00129 - Pipes & Drums of the King's Own Scottish Borderers, 1999. #00130 - Pipes & Drums of the Cameroonians, 1999. Henry V, 2003. 5 pieces. Original boxes.

Richard MacDonald (American, b. 1946) bronze sculpture Butterfly no. 130/150. 22"h on marble base. Signed R. MacDonald 130/150 in casting. Further inscribed in marble base "To Richard from Alan R. Mac

§ JAMES FULLARTON (SCOTTISH 1946-) THE MARINA Signed, oil on canvas(75cm x 101cm (29.5in x 39.75in))

Signed upper left, signed and inscribed with title and dated verso, oil on canvas(76cm x 101.5cm (30in x 40in))Exhibited: The Scottish Gallery, Edinburgh, 2005

John Seerey-Lester (American, b. 1946) Waiting at the Den, 1992 oil on board signed Seerey-Lester and dated (lower right) 9 x 12 inches

Doug Hyde (Nez Perce/Chippewa/Assiniboine, b. 1946) Waiting at Summer Camp Utah Alabaster signed D. Hyde (lower right edge) height 21 x width 16 x depth 8 inches Property from a Private Collection Cur

Johnston, Alan (Scottish, b. 1945), Untitled, 1991, charcoal, gesso, beeswax on linen, 30 x 24 inches, signed on canvas reverse; Provenance: Jack Tilton Gallery, NY

Roseta Santiago(b. 1946)Waitingoil on linen on boardsigned lower left: Santiagoinscribed verso: "WAITING” 30x24 OIL ON LINEN ON BOARD / A PAINTING BY ROSETA SANTIAGO / OF AN IROQUOIS MAN CONTEMP

MICHAEL SCOTT (SCOTTISH 1946-2006) SMALL ANGEL Signed lower left, oil on board(19cm x 24cm (7.5in x 9.5in))

Hommik. 1991. Akrüül. Lõuend. 145 x 100 cm. Seisev akt pealetõmmatud hommikumantlis on maalitud kevadises sinirohelises gammas, mida P.Allik sel perioodil armastas. Vaba uljas

Alan Davie (Scottish, 1920-2014) Fisherman's Myth No. 11 (ochre), 1974 oil on board signed Alan Davie, titled and dated (verso) 40 x 48 inches. Provenance: Gimpel Fils Gallery, London

Spring Visit, 1968; Oil on board (framed); Signed; 9 7/8" x 12 7/8" (sight); Provenance: Gimpel Fils Gallery Ltd., London (label on verso); Private Collection (acquired from the above in 1968); Sotheb

JOSEPH HENDERSON R.S.W. (SCOTTISH 1832-1908) WAITING FOR THE FLEET Signed, oil on canvas(30cm x 46cm (12in x 18in))

RKO 1946 re-release 11 x 14 inches. (6) lobby cards. Starring Fay Wray, Robert Armstrong, Bruce Cabot. Good condition.

Untitled, 1988 Gesso and charcoal on linen Signed, initialed and dated verso: Alan Johnston / A.J. / 88 42" H x 33" W Provenance: Jack Tilton Gallery, New York, NY The Blake Byrne Collection

Robert Alan Hyde (American, born 1946). A mixed metal bronze and copper wire sculpture. Features a life sized otter modeled on a tree trunk. Artist signature and dated 2020 in wire to back. Dimensions

LOUIS SINCLAIR MCNALLY (SCOTTISH CONTEMPORARY) UNTITLED (WINTER) - 2003 Signed and dated '03 lower right, oil on board 29cm x 75cm (11.5in x 29.5in)

Signed and inscribed with date and title verso, oil on canvas(75cm x 95.5cm (29.5in x 37.5in))Note: This work is being sold on behalf of the charity Art in Healthcare to support their charitable aims.

Inscribed with title lower edge, signed and dated 2005 and inscribed with title verso, oil on canvas(122cm x 152.4cm (48in x 60in))Note: Few British artists of the 20th century are quite as intriguing

Gouache and watercolour on two conjoined pieces of paper(41cm x 103cm (16in x 40.5in))Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davi

Oil on wooden panel(48cm x 62cm (19in x 24.5in))Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ?scen