* Attributed to Antonio Cifrondi, (Italian, 1657-1730),

Zanchi, Attributed to Antonio (Italian 1631 - 1722), The Death of The Roman General Varus by His Own Hand Upon Losing the Battle of Teutoburg, red chalk or pencil on cream paper, 10 x 14 inches, Prove

Antonio Pandiani (attrib.), bronze sculpture, Attributed to Antonio Pandiani (Italian, 1838-1928), Panther, dark patinated cast bronze, stamp signed "A. Pandiani Milano" to base, 9"h x 12"l x 7"w

Attributed to Antonio Pandiani (Italian, 1838-1928), "Putto Taming Lion", bronze and gilt bronze on silver metal and velvet covered wood base, apparently unmarked, wood base with label to underside "A

Novelli, Attributed to Pietro Antonio (Italian, 1729 - 1804), Man Speaking, pen and ink, 4.75 x 4 inches, beautifully rendered drawing framed measuring 11 x 10.25 inches, Provenance: Rifkin-Young Fine

Attributed to Antonio Guidotti (Italian, 1881 - 1958). Figures, buildings, waterways. Signed (illegibly) lower left. (LATO4052)(JP) Dimensions: sight 11" x 18.25 framed 14 x 21.25

Attributed to Francesco Antonio Simonini (Italian, 1686-1753) Battle Scene ink and wash 8 1/4 x 13 inches. Property from the Estate of Stephen B. Contro, Bassando del Grappa, Italy and Chicago, Illino

ATTRIBUTED TO ZORAN ANTONIO MUSIC (ITALIAN/SLOVENIA 1909- 2005) OIL ON CANVAS, HORSES, SIGNED. 5 X 7"; FRAMED 6 1/2 X 8 1/2"

attributed SPOLVERINI, Ilario Mercanti, (Italian, 1657-1734): 17th/18th Century old master depiction between the Turkish and Christian cavalry, Oil/Canvas, no visible signature, several older labels v

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

Antonio, Attributed to Carlo (Italian, 19th Century), Two Hand Colored Exotic Bird Engravings, image: 10.5 x 13.5 inches, gold finished red wood frame: 20.5 x 23.5 x 1 inches

(attributed to) Antonio Torrielli (20th Century/ Italian). Seashore Oil on Canvas. Unsigned. Measures 41" x 28 1/2". Good Condition.

Attributed to or After Marco Ricci (Italian, 1676-1730) Figures in a Formal Garden oil on canvas 15 x 19 inches.

Old Italian master drawing, attributed to Antonio Allegri dit il Correggio (1494-1534), 7.75" by 6.5". Please refer to images for general condition issues.note, feedback from prospective bidders have

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

Oil on canvas, showing a view of the Castel and Ponte Sant'Angelo from the Tiber river, attributed to Antonio Dali and dated 1778 on verso, 16 3/4 x 32 1/2 in., framed; Estate of Dr. William M. King,

1730 Italian Literature Medici Virgil Popes Ariosto Muratori Della Perfetta Poesia Ludovico Antonio Muratori was an Italian historian active during the early 18th-century. He is remembered for his col

Antonio Da Ros (Italian, 1936-2012) attributed Murano art glass animalier statue sculpture depicting a ram, in red glass encased in clear yellow glass, apparently unsigned. 10" H x 9" W x 5.25" D.

Murano Cenedese Vetri; Large Italian blown art glass sculpture in figural bird form. Designer attributed to Antonio Da Ros, known for his bird forms. Signed Cenedese to base. Measures approx. 15" tall

(E) A stunning mid-century modern sideboard buffet cabinet marked "Fabbrico Angelo de Baggis." Design attributed to Ico Parisi. The sideboard exterior is rosewood with blonde wood on the interior of t

19th Century Landscape Oil Painting attributed to the highly acclaimed Italian born Brazilian artist Nicolau Antonio Facchinetti (Treviso, Italy 1824 – Rio de Janeiro 1900) | Oil on Canvas | Ho

Italian Baroque maple and walnut commode circa 1730, having a shaped and inlaid top, above the three drawer case, and rising on bracket feet, 29.5"h x 28.25"w x 18.75"d. Provenance: Antonio's, San Fra

Italian Baroque maple and walnut commode circa 1730, having a shaped and inlaid top, above the three drawer case, and rising on bracket feet, 29.5"h x 28.25"w x 18.75"d. Provenance: Antonio's, San Fra

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

Attributed to Antonio Gionima (Venice 1697-1732 Bologna) Extremely fine and rare old master drawing attributed to Antonio Gionima. pen and ink with wash.some old repair.With early inscriptions from fo