"Road to the Cove" Print by James Sessions

Measures 24-1/2” in height by 30-1/2" in width with the sight image measuring 17" in height by 23-1/2” in width. All measurements are approximate..All sales are subject to Bremo Auctions T

Signed lower left, on plate. James Milton Sessions (American, 1882-1964). From a Larchmont, NY storage. - Dimensions: Sight: 17.5" high x 21" wide.

James Milton Sessions (AMERICAN, 1882 - 1962) print after an original watercolor depicting a man hunting quail with dog. Signed in the print to lower left. Mounted in a gold painted wooden frame with

James Sessions, Aquatint Print Fishing Boat at Docks. Signed Sessions in plate. Original framing. Size: inside of frame 17.5 h 25 w of 22.5 h 29 w. ASKart: James Milton Sessions (1882 - 1962) was acti

James Sessions American 1882-1962 - Nautical Marine Scene Print of a Ship on Rough Seas. Signed & Dated 19(31) in plate. 25" x 31" Framed Measurement.

-JAMES SESSIONS "A GOOD BREEZE" PRINT 33" -SIZE 33.5" X 27"JR 12/06

Signed in Print Lower Right. From a NYC Estate. - Dimensions: 19.5" x 26"; 29" x 35.5"

James Milton Sessions, American maritime artist....25 x 19 inches sight, good movement and colors...signed lower left...matted and framed* staining to matte,

Road Home, 2003 Toned gelatin silver print

James SessionsIllinois, (1882-1962)Battle Scenewatercolor on papersigned lower right, framed.24 x 33 1/2 inches

James Rizzi (American, b. 1940), "Smell the Flowers," 1985, 3D serigraph on paper, signed lower left, titled lower center, edition 144/150, overall (with frame): 16"h x 14.5"w. Provenance: Estate of S

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

Large book, "The Modern Japanese Print", James A. Michener, with 10 original prints, Charles Tuttle Company, Rutland Vermont, Tokyo Japan, with original wood sleeve, good condition.

James Rosenquist (American, 1933–2017), "Pale Lamps," 1978, etching in colors, pencil signed and dated lower right, titled lower left, edition 12/78, image: 17.5"h x 35.5"w, overall (with frame): 30

James Rosenquist (American, b. 1933), "Highway Trust," 1978, lithograph in colors, pencil signed lowe right and dated, titled lower left, edition 16/78, published by Multiples, Inc. (New York, NY), im

James Rizzi (American 1950-2011) ""A Toast to Love "" 1992 screenprint pencil signed and dated lower right edition number 18 overall (with frame): 16.5""h x 17.5""w

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

James Sessions (1882-1962) Sailing and Dock watercolor, 13.5 x 19.5 in., signed l.l.

ARTIST: James Milton Sessions (Illinois, 1882 - 1962) TITLE: Cityscape, Cape Breton, Nova Scotia MEDIUM: watercolor on paper CONDITION: Minor age toning. Framed under glass. ART SIZE: 16 x 20 inches /

James Abbott McNeil Whistler (American, 1834-1903), "The Long Balcony," 1894, lithograph, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, ref: Way 49; Levy 80, overall (with f

James Sessions (American, 1882-1962), "Mexican Street Scene", watercolor, signed lower left, sight: 18"h x 22"w, overall (with frame): 26"h x 30"w

James Rosenquist (American, 1933–2017), "Music School," 1971, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 35/70, sheet: 34.5"h x 30"w, overall (with frame):

James Ensor (Belgian, 1860–1949), "Roman Victory," 1889, etching, plate signed lower left, image: 7"h x 9"w, overall (with frame): 28.25"h x 23.25"w

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w