16TH C. ITALIAN BREAST PLATE ARMOUR

A suit of armour, the breast plate stamped with the town mark for Nuremberg circa 1520, the gauntlets stamped with the guild mark of Ulm, with later elements i.e. the cuisses, sabatons, etc. Measuring

Fine German Maximilian 16th C. Style Breast Plate & Articulated Skirt Cuirass Body Armor for a Knight, Fine Ribbed and Fluted Relief Patterns Throughout, A Beautiful and Highly Presentable Example. Fu

An antique Italian tin-glazed hand-painted ceramic plate. Majolica technique. Renaissance period, presumably early XVI century. The plate is decorated with a picture of the istoriato genre, a multi-fi

Old 20th century miniature suit of armour in the style of a 16th century suit of full plate armour. The mannequin of a porcelain construction and covered in worn fabric with the plates loosely fit to

European armour gorget plate lame or element of a close helm with lightly embossed detailing. 16th century period. Painted to the interior with white numerals "828" in gothic text. Appears to be a low

An engraving by Carlo Maratti (1625-1713). Italian. Features the tomb of Annibale Carracci, a 16th century Italian painter leading in the Baroque style. Plate measures approx 16 1/2" x 16 1/4&#34

Medieval knight's miniature suit of armor, the 16th century replica handcrafted after the original, comprising an armet (an early form of close-helmet), full arm defences, heavy breastplate, backplate

An Italian Majolica Plate Probably Pesaro, Mid-16th Century depicting Apollo as victor of the musical contest over Pan and Marsyas; unmarked. Diameter 10 5/8 inches. This lot is located in Chicago. Pr

Western/Southern Europe, northern Italy, perhaps Brescia or Milan, and Germany, ca. 1580s CE. A suit of steel-plate armor used for field duties. The close helmet features a roped vertical crest, a vis

16th c Renaissance Italian walnut two part cupboard. Upper section having double doors with ornate engraved lock plates, original iron and lock interiors. Lower section with 4 small drawers over two d

A large late 16th/early 17th C. Italian Majolica charger, depicting the Rape of the Sabines, with metal plate hanger attached.

Italian School, untitled, 16th/17th century, oil on canvas, portrait of a cardinal general, oval bust length painting depicting the sitter wearing a red biretta and cloak, armour, and holding a baton,

A set of antique iron English battle armor offers helmet, breast plates and tassels, raised on display stands, one with brass plaque which reads "English Armour 17th C." and second plate reads "French

Silver plate breast plate with crossed swords 2.75"H, Italian pewter knight on wood base 4"H, six metal swords on round stand, Italian resin knight with spear 7.5"H, metal and wood spittoon 7"H and st

carved and painted wood body, wearing a stamped sheet-brass suit of armour over underclothes, carrying a shield, scabbard on belt, lion mask on breastplate, shield, and arm guards. Lacking sword. Pres

NORTHERN ITALIAN SCHOOL OF THE SECOND HALF OF THE 16TH CENTURY. PORTRAIT OF A NOBLEMAN WITH ARMOUR Oil on copper. 5,8 x 4,4 cm (F. 6,1 x 4,5 cm) (high oval). Framed behind glass. Provenance: Internati

Italian/Florence School (18th century), Zechariah Writes John's Name, oil on copper, unsigned, plate (unframed): 11"h x 16.75"w. Note: These paintings are based on the 16th century frescoes of the Con

Italian/Florence School (18th century), Baptism of the Multitudes, oil on copper, unsigned, plate (unframed): 11"h x 13.25"w. Note: These paintings are based on the 16th century frescoes of the Confra

Italian/Florence School (18th century), The Capture of St. John the Baptist, oil on copper, unsigned, plate (unframed): 11"h x 13.25"w. Note: These paintings are based on the 16th century frescoes of

Italian/Florence School (18th century), The Arrest of St. John the Baptist, oil on copper, unsigned, plate (unframed): 11"h x 16.75"w. Note: These paintings are based on the 16th century frescoes of t

An engraving black and white panel depiction of the "Rape of the Sabines" in the 16th century style. Now with shrinkage into strips and with losses to the image. Framed by an important inset and Lapis

Italy, 15th to 16th century CE (possibly earlier). Huge hand hammered copper footed brazier. Wide foot with rolled edge, slightly tapered pedestal attached to bifurcated basin with three rivets, large

16th C. Italian Painting.- Madonna & ChildEarly to mid 16th century, a medium size oil on a now cradled wood panel, likely Tuscan.Eleven figures, seven in adoration, the seated Madonna with Child stan

An assembled collection of three pieces total, circa 16th Century, polychrome majolica decorated, to include 1) Handled jug with fruit and floral motifs, portrait in profile in reserve, 8.5" h. x 6.5"