After James Pollard (British, 1792-1867) Four Plat

James Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.

AFTER JAMES POLLARD (British, 1792 - 1867). The Birmingham Tally-Ho! Coaches, 1828, Aquatint printed by G. Bentley depicting the stage coach passing the Crown Tea Garden, marked lower left corner "Pri

After James Pollard (British, 1792-1867), "A Celebrated Fox Hunt, Breaking Cover," 1817, hand colored aquatint, engraved by R. Havell and Son, overall (with frame): 25.25"h x 28.25"w

After James Pollard (British, 1792-1867), "Returning Home by Moonlight," 1817, hand colored aquatint, engraved by R. Havell and Son, published in London 1817, overall (with frame): 25.25"h x 28.25"w

James Pollard, London scene colored lithograph, After James Pollard (British, 1792-1867), "The Royal Mails Starting from The General Post Office, London", printed by R.G. Reeves, 12.75"h x 17.75"w (si

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

James Pollard Antique English Oil Painting. Oil painting on canvas, framed, with plaque. Measures 13.5 x 17.5 inches. James Pollard (1792 - 1867) was active/lived in United Kingdom, England. Estate In

Framed oil on canvas painting, The Stagecoach, signed lower right James Pollard (English, 1792-1867), relaid, sight: approx 15 5/8"h, 19.5"w, overall: approx 22"h, 25.75"w, 5.5lbs Start Price: $500.00

AFTER JAMES POLLARD (ENGLISH 1792-1867), LOT (2) LITHOGRAPHS INCLUDING THE NEW LONDON ROYAL MAIL, 1851, FRAMED AND GLAZED-24 X 30" AND THE BEDFORD TIMES, FRAMED AND GLAZED-22 X 25"

Hand-colored etching, after an original design by James Pollard, 1792 to 1867, an English artist who is known for his coach scenes. The artwork depicts the change of carriage horses. Titled underneath

"A Day's Hunting" portfolio, titled "Breaking Cover", "The Chase", "The Death", and "Returning Home by Moonlight". All etched and pencil by Robert Houston (British 1891 - 1942), and dated for 1929. Di

James Pollard, "Newman’s Patent Stage Coach", two coloured engravings, 11.25 x 17 each.

Roberts, attributed to James (British, 1791-1867), Actors in a French Interior, 1826, watercolor, heightened in white, on paper, signed J. Roberts and dated lower right, sheet 6.75 x 5.25 inches, fram

4 Framed after James Pollard Sporting Colored Etchings. All in matching frames. Each 20 1/4"x9"x1". Weight on all 5 pds 9 oz. James Pollard was a British painter and aquatint engraver known for his co

Benjamin West. (1738 - 1820). Christ Rejected. Antique Steel Engraving on wove paper after the original oil on canvas by master engraver James Henry Watt (British, 1799-1867). 1834. Signed in the plat

J. Pollard (British 19thc.) Pair of Coaching Scenes, "Four in Hand," and "The Edinburgh Express," hand colored lithographs, matted and framed. 14 x 17.5 in. image size 23 x 26 in. as framed Condition:

Four of the six hand colored aquatints from the series St. Albans Grand Steeple Chase, 1832. Dimensions: (Frame) H 22" x W 26" (Sight) H 14" x W 17.5" Condition: Toning to paper, tears to backing. Scr

Mail Coach, Engraved by Matthew Dubourg. London, 1824. The Grand Entrance to Hyde Park, after James Pollard, mid 19th Century engraving. Frames overall 21 1/2" x 23 1/2", the other 22" x 32 1/2".

George I Cruikshank (British, 1792-1878), Public Opinion, The Master Cook and Cupid Playing at Trap Ball, coloured prints, published 1820/23, with four other satirical colour prints including after Wi

James Stephanoff (British, 1788-1874) and Augustus Welby Northmore Pugin (British, 1812-1852), Four Hand-Colored Engravings of the Coronation of George IV, including: "The Coronation of His Majesty, G

Four (4) works. Large hand colored botanical. 24 3/4 x 20 inches; together with three other smaller antique botanical plates (engravers unknown).

Four (4) ornithological etchings by Prideaux John Selby (British, 1788-1867) comprising male and female sets of birds. Provenance: Phyllis Lucas Gallery, NYC. [Approx. 20" H x 25" W].

ARTIST: AFTER Joshua Reynolds (British, 1723 - 1792) NAME: Cymon and Iphigenia YEAR: circa 1842 MEDIUM: oil on canvas CONDITION: Restretched. Four punctures/small tears. Some paint losses. Some craque

James Hardy II (British, 1832-1889), Father and Son Hunting, 1867, watercolor, signed and dated lower right, sight: 18.5"h x 14.5"w, overall (with frame): 27"h x 23.25"w