AMERICAN DIMINUTIVE COUNTRY CLASSICAL MAHOGANY WALL

AMERICAN DIMINUTIVE COUNTRY CLASSICAL MAHOGANY WALL MIRROR, two-part form having projecting molded cornice fitted with acorn drops over a veneered frieze above likely original reverse-painted tablet o

AMERICAN COUNTRY CLASSICAL TIGER MAPLE WALL MIRROR, a diminutive example with applied split-baluster half columns, corner blocks, and reverse-painted upper tablet featuring dancing lady with garland.

with two drawers over a hinged mirrored door concealing two drawers, on an outset base with a single frieze drawer Provenance: The Estate of Judith Krantz, Bel Air 6 3/4 inches wide; 4 3/4 inches deep

American Late Classical Diminutive Mahogany Dressing Chest, c. 1840-1850, Boston, oval mirror with Gothicized supports, case with four drawers, compressed ball feet, h. 53 1/2 in., w. 28 1/2 in., d. 1

AMERICAN / BRITISH CHIPPENDALE MAHOGANY DIMINUTIVE WALL MIRROR, molded frame with applied cut-out scrollwork, original mirror plate and backing board. Retains an old black-painted surface. Late 18th c

American, c. 1830. 9-1/2"h x 15-1/4"w x 7-1/2"d

AMERICAN COUNTRY ACCESSORIES, LOT OF TWO, comprising a paint-decorated foot stool, and a mahogany looking glass / wall mirror with likely original mirror plate. 19th century. Mirror 20 3/4" HOA, 12 3/

Late Classical Wall Mirror, late classical mahogany grain painted and gesso gilt wall mirror, American, C. 1850, 39" = h (max.). CONDITION: Minor and sporadic scratches to grain painted surfaces; spor

A matched set of 4 brass American classical wall sconces, each 3 light, circa 1950 - all in very good condition. Each measures 12 3/4"W x 8 1/2"D x 15 1/2"H.

American Late Classical Mahogany Secretary Bookcase second quarter 19th century, probably New York, the form typically associated with the manufacturing firm of Joseph Meeks & Sons, of diminutive prop

AN ANSONIA CLOCK COMPANY MAHOGANY WALL CLOCK, AMERICAN, EARLY 20TH CENTURY, the arched top with three finials and a metal Classical maiden mask above a glazed door flanked by four attached wooden pila

Circa 1840, possibly Thomas Day. The set has a fine flame mahogany back rest with a lyre form atop nicely caned seats in good sturdy shape and with a woven country fabric cushion on nicely shaped legs

Rare American Classical Mahogany Lyre Form Music Cabinetattributed to Philadelphia, circa 1820, mahogany veneers, white pine secondary, diminutive one piece form, five vertical mahogany dividers, pane

AMERICAN CLASSICAL PAINT-DECORATED WALL MIRROR, featuring applied half columns and cornerblocks flanking reverse-painted upper tablet which displays a country church. Retaining original surface and pi

AMERICAN CLASSICAL PAINT-DECORATED WALL MIRROR, featuring applied half columns and corner blocks flanking reverse-painted upper tablet which displays a country church. Retaining original surface and p

AMERICAN COUNTRY PAINTED DOMESTIC ARTICLES, LOT OF THREE, comprising a divided carrier, a two-tier wall box with shaped crest, and a diminutive match safe with scrolled profile. Each retaining early,

Pair of American Classical Carved and Stenciled Mahogany Pier Tables , c. 1830, Philadelphia, carrara marble top, cove-molded frieze, robustly scrolled supports mounted with silk-covered ornaments, mi

Fine American Classical Mahogany Sideboard early 19th century, school of Joseph Barry, Philadelphia, the King of Prussia stone top with a paneled backboard and brass edge gallery, the case with a proj

American Classical Mahogany Sofa ca. 1825, of scroll form with dolphin-carved arms, the turned crest rail with foliate-carved scroll ends, the apron with panels above cornucopia-carved paw feet, uphol

19th C. American Classical center table, with black and white veined marble top, on mahogany pedestal base, with three carved foliate feet. 28”H x 39.25” dia.

American Classical Parcel-Gilt and Stenciled Mahogany Pier Table New York, probably by J. & J. W. Meeks, second quarter 19th century, the marble top over a frieze centered by fruit- and foliate-stenci

American Classical Bronze-Mounted Mahogany Pier Table ca. 1825, the marble top over a figured frieze with inlaid brass stringing, raised on columns with bronze capitals and bases, on a figured concave

American, Philadelphia, Classical or Empire mahogany and mahogany veneer sofa in the manner of Anthony Gabriel Quervelle (French/American Philadelphia 1789-1856), circa 1830, having a carved back with

American Classical Brass Inlaid and Bronze-Mounted Mahogany Sideboard, early 19th c., School of Duncan Phyfe, New York, blocked, molded top, conforming case, central fall-front compartment enclosing s