Antique Vintage Etching Impressionist James Abbott McNeill Whistler England

Antique Vintage Etching Impressionist James Abbott McNeill Whistler England, "Early Morning Battersea",examined out of frame, the piece is laid down and is on thin laid paper, very strong impression,

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"La Mere Gerard". Etching, 4.5" x 3.5". Framed 13.25" x 11.25".

James Abbott McNeill Whistler, English, French, 1834 to 1903, a collection of four etchings on paper. The collection includes Plate VI San Giorgio, Plate VIII The Balcony, Plate IX Long Venice, Old Ba

James Abbott McNeill Whistler (1834 - 1903) French/English. Antique 19th Century etching of a musician holding a cello. In the style of Rembrandt or Renoir. Title: The Cello Player. Artwork depicts a

JAMES ABBOTT MCNEILL WHISTLER (active/lived in Massachusetts/England, France), AN ETCHING, AFTER 1910, "STREET AT SAVERNE," FROM TWELVE ETCHINGS FROM NATURE, THE FRENCH SET, ORIGINALLY PRINTED IN 1858

James Abbott McNeill Whistler (American, 1834-1903) etching titled 'Riault, the Engraver'. Signed and dated 1860 in the plate. Sheet measures 9 1/4" x 7 1/4".

James Abbott McNeill Whistler (American, 1834-1903) etching titled 'The Barrow, Brussels'. Signed in the plate lower right. Sheet measures 9 3/8" x 7 3/8".

(Massachusetts/England, 1834-1903)  The Barber's (K. 271), 1886-1888, signed in pencil on tab with butterfly cypher, etching and drypoint on laid paper, 6-1/2 x 9-3/8 in. (plate) 6-1/8 x 9-1/2 in

(Massachusetts/England, 1834-1903) Whistler with the White Lock (K.172), state I/I, 1876-1879, unsigned, one of an edition issued in 1889 by H. Wunderlich, etching on thin Japan paper, 4-5/8 x 3-1/8 i

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

(Massachusetts/England, 1834-1903) San Biago, 1879/80, state IX/IX (K. 197), from [Twenty-six Etchings], Messrs. Dowdswell and Dowdswell, Publisher, London, 1886, signed in pencil on tab with butterfl

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching and drypoint titled "The Music Room". Kennedy 33, II/IIe. Pencil signature lower left, pencil titled lower center and pen

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"Longshoremen", 1859. Glasgow's fourth state of four. A very good, richly-inked impression with strong contrasts. Glasgow

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903Chelsea Shops, 1888. On cream laid paper with the letters OWP & AOL watermark (Spink 219). William Weston Gallery Ltd. gallery label

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"The Model Resting", 1870. Eleventh state of 11. Indiscernible trimmed proprietary watermark.Drypoint on buff laid paper,

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"St. James Street", 1878. Published by Vanity Fair, London.Lithographic transfer in sepia ink printed on laid paper, sheet 12" x 7.5

Four (4) assorted prints by various artists, including Fletcher Martin (California, Colorado 1904-1979), after James Abbott McNeill Whistler (Massachusetts, England, France 1834-1903), and Francis D'A

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James A.M. Whistler, Thames Set etching #13, 1859, James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream la