Armando Seguso: Evening Visitor. Oil on Board. 1950s

British lakeside painting EVENING STROLL signed by the artist, Charles Dreyer (British, 20th century). Framed oil on wood board signed lower right, Charles Dreyer. Circa 1950s. Dimensions: framed: 13

MAYNARD DIXON (American 1875 - 1946) November Evening Oil on board 10 x 14 inches / 25.4 x 35.56 cm Signed lower right: Maynard Dixon (illegibly dated under signature) Titled verso: November Evening P

DUTCH SCHOOL (Early 20th Century). The Visitors, Oil on board. Indecipherable signature lower right corner. Framed. - 11.5" x 6.75"; Frame 12" x 9.5"

Hanson Puthuff (American, 1875-1972), "Glow of Evening," oil on board, signed and titled verso, board: 16"h x 12"w, overall (with frame): 21"h x 17"w

Michael Workman (American, b. 1962) Still Evening Oil on board 13 x 21 (in) 15.5 x 23.5 x 2.25 (in) Framed Signed M. Workman, lower right Titled with artist's number #648 on tag, verso.

Morgan Coleman (American, b. 1970) October Evening Oil on board 12 x 16 (in) 21.5 x 25.75 x 2.75 (in) Framed Signed M Morgan Coleman, lower right Previous title was "Untitled Landscape." Provenance: A

Hugo Grenville (British, b. 1958) Resting Walkers, Coastal Path, Evening oil on board initialed HG and dated 04 (lower left) 14 x 18 inches. This lot is located in Palm Beach. Provenance: Wally Findla

Adolphus Knell (United Kingdom, 1860-1890), Eveningoil on board, signed at lower right, titled at nameplate, presented in an ornate giltwood frame. Board 8 1/2 x 6 in; Frame dimensions 13 1/2 x 11 in.

Frederick George Rees Cuming (1930- ) British. "Studio at Evening", Oil on Board, Signed, and Inscribed on a label on the reverse, 8" x 10.5". Provenance: The Estate of the Late Donald Mitchell.

JOSE WEISS (British, 1859-1919), "Firs on the Common," Evening, oil on board, (approximate dimensions - board: 10 x 15 inches), signed lower right; named and titled on frame recto, labels adhered on b

C. Harry Allis (American, 1870-1938) The Approach of Evening  Oil on Board C. Harry Allis lower right 20 x 24 inches Property from a Lifetime Collector

"AUTUMN EVENING" OIL ON BOARD. SIGNED LOWER RIGHT. IN CARVED GILT FRAME. GOOD OVERALL CONDITION, SOME DAMAGE TO FRAME. 30" x 22" IN FRAME.

LEMMERMEYER, Michael, (American, 1891-1970): 2 pc lot; 1) Green Evening Landscape, Oil/Board, 12.25" x 15", framed, 16.5" x 18.5"; 2) Autumn Foliage, Elizabethtown, NY, Old Mill Art School, Oil/Canvas

DOUGLAS C. SHAW - 1988 - "TAOS EVENING" - Oil on board - Framed - 24 x 36 in. (sight) - - -- Dimensions: ---

"No. 2 Evening" oil on board painting, 1903, by John Myline (Scottish), a gilt-framed Impressionist-style work depicting a river, figures and a settlement at dusk with the moon present, signed lower r

Kevin J. Shea (American), 'Evening Light', oil on board, depicting hay bales in a field during the evening, signed in the paint and en verso, framed in an ornate gilt frame. Approximate dimensions: si

NICHOLAS BOTT (Canada b. 1941) "Evening Light" Oil on board. 12 x 15 3/4 inches; Frame: 19 1/2 x 23 5/8 inches. Signed l/l.

Scott Christensen (American, b. 1962) Evening Cottonwoods oil on board signed Christensen (lower left) 17 x 30 inches

Jessica Garrett (American, b. 1983) Evening Light Oil on board 16 x 24 inches (40.6 x 61.0 cm) Signed lower left: Jessica Garrett PROVENANCE:

Alson Skinner Clark (American, 1876-1949), Evening Light, oil on board, signed lower right, board: 14.25"h x 12"w, overall (with frame): 19.5"h x 17.25"w

Gerald McCann (1916-1995 Connecticut) ''The Unwelcome Visitor'' 1975 Oil on Board 20''x30'' Image. An interior western composition of a robbery. Signed and dated l.l. Ornate framing 33''x43''. Excelle

L LEMAITRE "An Autumn Evening" Oil Painting on Board. Landscape with Building. Signed.-- Dimensions: Image Size: H: 20 inches: W: 16.5 inches ---

Hanson Puthuff (American 1875-1972), "July Evening," oil on canvas board, signed lower right, titled verso, board: 12"h x 16"w, overall (with frame): 20"h x 24"w

Willempje "Willy" Noordam Dutch (1922-1970) Autumn Landscape Oil on board, c. 1950s Noordam's work is typical of the Postwar style of landscape painting, with gestural brushwork that evokes a mood as