Arthur Kampf (1864-1950), Konvolut von 10 Radierungen

ARTHUR KAMPF 1864 Aachen - 1950 Castrop-Rauxel Portrait study Oil on canvas. 45.5 x 34 cm (F. 57.5 x 44 cm). Signed lower right 'A. Kampf'. Min. soiled, damaged, rest. Frame. Provenance: Sale Van Ham

ARTHUR KAMPF 1864 Aachen - 1950 Castrop-Rauxel FIVE FIGURATIVE STUDIES FÜNF FIGURENSTUDIEN Charcoal drawing, ink resp. brush drawing, lithograph on different papers. Different visible sizes: min.

Arthur Kampf 1864 Aachen - 1950 Castrop-Rauxel Frederick the Great before the battle Gouache on paper; H 475 mm, W 645 mm; signed lower right ''A. Kampf''; verso estate stamp on the rearward cardboard

Arthur Kampf German (1864-1950) Study of a Young Man sanguine figure study Signed lower left. Biography from Auctionata: Arthur Kampf studied at the art academy in Düsseldorf under Peter Janssen th

Arthur Kampf 1864 Aachen - 1950 Castrop-Rauxel Man with cylinder Charcoal and sanguine drawing on paper; H 380 mm, W 317 mm; signed and dated ''A. Kampf. 97''

Arthur Kampf 1864 Aachen - 1950 Castrop-Rauxel Frederick the Great, pondering Pencil on paper; H 432 mm, W 333 mm (mount dimension); signed lower left ''A. Kampf''

Reigen, 10 Radierungen zu Arthur Schnitzlers Dialogen von Stefan Eggeler. Vienna: Frisch & co., 1921. Portfolio with ten etchings by Stefan Eggeler, accompanying the play "Reigen" by Arthur Schnitzler

The design by Arthur von Frankenberg (1889 - 1950) for Frankart initially a working clock, the original textured plate glass dial with elongated hour reference marks embossed in polished glass flanked

The Machine Age design by Arthur von Frankenberg (1889-1950) incorporates an upward rising skyscraper motif custard glass shade embossed with rising spires within a stepped outline; the multi-layer pl

Konvolut von 13 prähistorischen Steinwerkzeugen Neolithikum. Meist Feuerstein. Sieben Steingeräte und sechs kleine Beilköpfe. L 4,5–10 cm.

Franz A. (Arthur) Bischoff (1864-1929), watercolor, Marin Hills, signed "F.A. Bischoff" lower right. Image appx 10 3/4" x 15 1/2" viewed, frame appx 23" x 26 3/4". Very good original condition.

Marquardt, SvenKonvolut aus 8 Porträts von Menschen aus der DDR-Subkulturszene. Vorwiegend S/W Vintage Silbergelantineabzug auf Photopapier. Blattmaße von 15 x 10 cm bis 18 x 24 cm. Vorwiege

FRANZ ARTHUR BISCHOFF (American 1864-1929) "Coastal Scene" Oil on canvas board. 6 3/4 x 10 inches; Frame: 9 3/4 x 13 inches. Signed l/r. CONDITION: Would benefit from a cleaning.

Weegee (Arthur Fellig) (American, 1899-1968) Distortion, circa 1950 gelatin silver print artist stamp verso 10" x 7" Provenance: Stamped Photo by WEEGEE from the collection of Suzanne and Hugh Johnsto

4-TEILIGES KONVOLUT ZUM 300. GEBURTSTAG VON JOHANN GREGORIUS HROLDT Deutsch, Meissen, 1996, limitierte Auflage (100 Exemplare) Porzellan, polychrome Malerei, Goldstaffage. H. 10 cm (Teedose). Untergla

Arthur Wardle RI (British, 1864-1949) A set of five prints of various dog breeds chromolithograph each 25.5 x 20.5cm (10 1/16 x 8 1/16in). (5)

KONVOLUT AUS 10 LANDKARTEN UND STADTANSICHTEN U.a. von Jansonius, Hondius, Sanson, Blaeu, Homann-Erben, 16.-19. Jh. Kupferstich, z.T. koloriert, Holzschnitt, Stahlstich, auf unterschiedl. Papieren. Ma

Frankreich, um 1950. Floralmotiv mit neun Diamant-Navetten von zus. ca. 7.70 ct (ca. 0.70–1.10 ct) und 17 Diamant-Baguetten von zus. ca. 2.80 ct. J/K-vvs/vs. 5x4,5 cm, 16,4 g. Broschierung mit

Estate / Collection: From the collection of T. Eugene Worrell British, 1864-1949 Springer Spaniels Signed Arthur Wardle (lr) Pastel on light brown paper laid down on board 15 3/8 x 10 1/4 inches (39 x

Arthur Espenet Carpenter Bowl USA, c. 1950Honduran mahogany 4 h x 11.5 dia in (10 x 29 cm) Incised signature to underside '865 Espenet Honduras mahogany'. This work will sh

ARTHUR CLIFTON GOODWINMassachusetts/New York, 1864-1929Autumn landscape with pond. Signed in pencil lower left "A.C. Goodwin".Pastel on paper, 13.5" x 10.5" sight. Framed 22"

Arthur Fitzwilliam Tait (American, 1819-1905), Chicks Hatching, 1864, oil on canvas, signed and dated lower right, board: 8.75"h x 10.25"w, overall (with frame): 13.25"h x 14.75"w

American, early 20th century, circa 1930, green enamel on zinc, Model #L215, “Spirit of Modernism”, impressed marks “FrankArt Copyright 28” at base, lacking patent number, orig

Klinger, Max Eine Liebe. Opus X. Mappe mit Titelblatt und 10 Radierungen auf Kupferdruckkarton unter Passepartout. Berlin, Felsing für Amsler & Ruthardt, 1920. 58,5 x 40 cm. In OHLwd.-Mappe mit D