Bartholinus anatomy 1686 with 120 plates

Syria. The Holy Land & Asia Minor Illustrated…, by John Carne, printed by Peter Jackson at London, [1842]. Three volumes bound as one. One hundred and twenty plates as called for done by W H Bartlet

Pyne (William Henry) Microcosm: or, A Picturesque Delineation of the Arts, Agriculture, Manufactures, &c. of Great Britain, 2 vol. in 1, additional aquatint title to vol.1 and 120 plates printed in se

"L'Ornament Polychrome" vols. I-II, Albert Racinet, Librairie de Firmin Didot, Paris, 1869, 100 plates in Volume I, 120 plates in Volume II, depicting approximately 2000 motifs from the ancient, Asian

HOMAGE TO LINUS PAULING, color etching, singed in pencil, from the numbered edition 120, plate 20 x 14", full margins, framed with glass, colors possibly slightly attenuation, mild toning, otherwise i

Lot 87 Frederick Mershimer American (b. 1958) Above the Rush (2003) mezzotint in colors depicting the exterior of Grand Central Station signed lower right and editioned 60/120 plate: 11 5/8 x 17 1/2 i

Lot 207 Jack Levine American (1915-2010) Election Night / Gangsters Funeral (2 Works) (1965) etching each signed lower right, editioned 44/120 and 58/120 plate (each): 19 1/2 x 25 inches frame dimensi

Heading: Author: Carne, John Title: Syria, The Holy Land, Asia Minor, &c. Illustrated Place Published: London, Paris, & America Publisher:Fisher, Son & Co. Date Published: [c. 1838] De

Plus Hydraulics. Copper Plates Published 1789-91 by C. Cooke, London for "The New Royal Encyclopedia, Or, Complete Modern Universal Dictionary of Arts and Sciences..." by William Henry Hall and Publis

Artist: George Catlin Title: Plate 120 from The North American Indians Year: 1844 Dimensions: 10in. by 6 1/4in. Edition: From the Rare Limited Edition Publisher:

Falcinellus Igneus. With text. John Gould & H. C. Richter

Fine petite engraved cross. Chain is marked as gold filled, 1/20 of 12 karat.

Johann Wilhelm Weinmann, (4) botanical engravings, Johann Wilhelm Weinmann (German, 1683-1741), plates 120, 125, 126 and 127 from "Phytanthoza Iconographia", c. 1737, hand watercolored print on paper,

Album of Old Japanese Prints of the Ukiyo-ye School. Reproduced from the Collection of Ken-ichi Kawaura. Tokyo, Yoshizawa & Co, 1919. Folio. Pp. (iv), 6 "list of plates", 120 pages with 425 b/w illust

NO RESERVE Hart (D. Berry) Atlas of Female Pelvic Anatomy, 37 plates, previous owner's ink inscriptions and to title, ex-library with ink-stamp to title, occasional faint finger-soiling, cracked hinge

Late 19th / early 20th C. Meiji / Taisho period signed Japanese Kinkozan crackle glazed Satsuma pottery 10 1/2 " (length) plate, gilt Arabesque design border, floral designs in center of plate. [120]

Deep blue, rough pontil mark, c. 1815-1840; Coventry Glass Works, Coventry, CT; 2 3/8" dia., 1 9/16"H; good condition---Reference: AMERICAN GLASS, George S. and Helen McKearin, plate 120, figure 2 (In

AFTER J.J. AUDUBON, CHROMOLITHOGRAPH, HOUSE WREN, PLATE #120, BY J. BIEN, NY 1860. SHEET 25 1/2 X 19 3/8"

Original Victorian color lithograph entitled The Block Printed Table Cover from Sir Matthew Digby Wyatt's publication The Industrial Arts of the Nineteenth Century, Plate 120. Published by lithographe

Framed book plate of anatomy skeleton - 15 1/2"x12 1/2"

Meissen porcelain dinnerware service. German, 20th century. With 120 pieces, including: plates, bowls, teacups, saucers, serving pieces, a teapot, and other items (all pictured). All pieces having pai

[Engraving] Weinmann, Johann Wilhelm (German 1683-1741). Plates no.120 and no. 121 from Phytanthoza Iconographia c.1735-1740. Hand colored engraving on laid paper. Each sheet 9.5" x 15.25". Framed. 15

NO RESERVE Fine arts.- Lièvre (Édouard) and A. Sauzay. Musée Impérial du Louvre. Collection Sauvageot, plate vol. only, half-title, 120 mounted engraved plates on India paper, tiss

GUSTAVE BAUMANN(American 1881-1971)Indiana Red Gum Treeswoodcut in colorstitled lower left; signed Gustave Baumann in pencil lower right; inscribed No. 21 of 120 lower centerplate: 9 3/8 x 11

COUPLE, color aquatint, signed and numbered 116/120 in pencil, plate 16 ¼ x 20 ¾”, full margins, frame 28 x 31 ½” with glass.