BETTINA RHEIMS - Ceremonie VI, Les Yeux Fermes, Paris

Artist: Bettina Rheims Title: Ceremonie VI, Les Yeux Fermes, Fevrier 1999, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.3x9" Description: Heat Wax Mounted on 11x14" Conservation Board Artist B

Artist: Bettina Rheims Title: Ceremoni VI, Les Yeux Fermes, Fevrier 1999, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.3x9" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bi

Artist: Bettina Rheims Title: Ceremonie II, Fevrier 1999, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.3x9.05" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Bettina Ca

Artist: Bettina Rheims Title: Pour Les Collants, Well, Mars 1995, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.2x9.05" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Be

Bettina Rheims, b.1952 CLAUDE, SE MAQUILLANT LES LEVRES 1989. PARIS. Printed 1990. Gelatin Silver print, image size, 545 x 365 mm. Signed, titled, dated (negative and print) and numbered in ink, photo

Artist: Bettina Rheims Title: Ceremonte VI, eyes wide open, February 1996, Los Angeles Medium: Photo Litho, 2017, Italy Dimensions: 8.2x10.65" Description: Heat Wax Mounted on 11x14" Conservation Boar

Heading: Author: Rheims, Bettina and Serge Bramly Title: Rose, C'est Paris Place Published: Köln Publisher:Taschen Date Published: 2010 Description: 336 pp. Illustrated thr

Artist: Bettina Rheims Title: 21 Avril, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.1x7.1" Heat Wax Mounted on 11x14" Conservation Board Bettina Caroline Germaine Rheims is a French photograp

Artist: Bettina Rheims Title: Portrait of Sylvie, Paris, 1985 Medium: Photo Litho, 1995, Italy Dimensions: 10.35x13.4" Description: Heat Wax Mounted on 12x16" Conservation Board Artist Bio: Bettina Ca

Artist: Bettina Rheims Title: Cermonie II, Fevrier 1999, Paris Medium: Photo Litho, 2004, Italy Dimensions: 7.3x9.05" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Bettina Car

Artist: BETTINA RHEIMS Title: Lenny Kravitz III, June 1991, Paris Medium: Photo Litho, 2017, Italy Dimensions: 8.25x10.7" Description: Heat Wax Mounted on 11x14" Conservation Board Artist Bio: Bettina

LAGRANGE, Giuseppe Luigi. De la Résolution des Equations Numériques de tous les Dégrés. Paris, Duprat, An VI [1798]4to, mm. 250x180; Contemporary full calf binding, title and ornaments in gold on

Paul Eluard, Illustrated by Picasso. Paris, GLM (Guy Levis Mano) 1936. One of 1240 numbered copies on Alfa teinte’ paper. With a portraits of Paul Eluard and 4 illustrations in full page by Picasso,

BROCHE TROIS CANARDS, Elle est en or jaune 18K texturé représentant trois canards en vol, les yeux sertis de petits cabochons de saphirs. Signée Hermès Paris, numérotée e

Heading: (Bidermanas, Izis, photographer) Author: Charlet, Gaston G. Title: Les Yeux de L'Ame. Interpretations poetiques de photographies d'Izis Bidermanas Place Published: Paris Publisher:Rougerie Ed

1671 HISTOIRE GENERALE DES VOYAGES ET CONQUESTES des Castillans dans les Isles et Terre-ferme des Indes Occidentales by HERRERA, Antonio de Paris: Nicolas de La Coste; 1671 First edition. The first Sp

Medium: original etching. Catalogue reference: Delteil 98 v/vi. Published in Paris by Gazette des Beaux-Arts in 1871 and printed by Delâtre. Printed on chine-collé paper, the image measures 3 3/

1924 R. Lalique for For vil Les Yeux Noirs (Dark Eyes) clear glass perfume bottle and stopper, cord sealed, label. Lalique mark. 2 1/4 in.

Henri Matisse (1869-1954): Espagnole au peigne, les yeux baissés Drypoint in black on wove paper, signed with initials in pencil, signed and numbered 4/7 in ink. 12 5/8 x 9 7/8 in. (sheet), unfra

CÉRAMIQUE NOIRE, RUBIS ET DIAMANTS, ILLARIO le corps en écailles en céramique noire, la tête et une partie de la queue pavées de diamants, les yeux sertis de deux gouttes en r

TRAVAIL FRANÇAIS - ANNÉES 1860 BRACELET SERPENT Il est formé de quatre enroulements souples à décor d'écailles stylisées. Les yeux sertis de diamants taillés en

Important appui-nuque réceptacle. Le couvercle forme le cintre et évoque un visage anthropozoomorphe stylisé, peut être les yeux d'un animal nocturne. Ecorce, bois, fibres végétales tressées. A

MASQUE FÉMININ DE NÔ DE TYPE YASE-ONNA en bois sculpté, le visage laqué blanc crème rehaussé de brun pour les cheveux, les yeux et les dents, les lèvres teintée

"Les Yeux Noirs, 1913", lithograph on japon paper, initialed lower right and numbered 43/50, in black stick frame, matted and glazed, OS: 27" x 20", SS: 19 1/2" x 13", toned. Photograph enhanced for p