Brian Scanlon (American), Marsh Behind Sullivan's Island

Brian Scanlon (American), Marsh Behind Sullivan's Islandoil on board, signed at lower left, retains gallery label to verso, presented in an ebonized frame with gilt liner. Frame dimensions 19 x 22 1/2

Arthur W. Dow (American 1857-1922)- ''Marsh Island''- woodcut in color, 1901, from the 'Ipswich Series', one light spot in paper in the margin, otherwise very good condition. 3 1/2 x 5 1/2''

"Sand Dunes Plum Island River" watercolor 10 x 14 inches. signed R. McKensie. 85. framed 16 1/2 x 20 1/2 inches (overall)

Augustus Peck (American, 1906 - 1975), Salt Marsh - Lieutenant Island, oil on board, signed faintly lower right "Augustus Peck", titled on the reverse, 26 1/2" x 36 1/2", (as is with areas of paint lo

Reginald Marsh (American 1898-1954)- ''Coney Island Beach'' (Sasowsky 153)- etching, 1934, numbered 33/100 in pencil, from the Whitney Museum edition printed in 1971, Museum blindstamp lower right, ve

Reginald Marsh (American 1898-1954)- ''Coney Island Beach #1'' (Sasowsky 191)- etching, 1939, initialed and dated in plate, ed. 19/100 in pencil with ''WM'' blindstamp lower margin, Whitney edition of

Charles F. Roberts (American, 1875-1936) Marshes Near Newport, Rhode Island, 1911 oil on artist board signed, titled and dated on the reverse 11 x 13 3/4 inches. Property from the Collection of Harry

Lot 150 Richard Chiriani American (b.1942) Behind Sippewissett Marsh (1990) gouache on paper labeled verso sheet: 10 x 27 1/4 inches frame: 36 x 18 1/2 inches Provenance: from The Collection o

J.S. Marsh, Louisiana watercolor, 1879, J.S. Marsh (American/Louisiana, 19th c.), Sunrise, Cap... Island..", watercolor on paper (possibly with crayon), signed and dated "J.S. Marsh, 1879" at lower ri

Primitive View of Two Longboats from Three Ships in the middle of a pod of whales, mountainous island behind, oil on thin pine panel, signed lower right, circa 1900, in later black stick frame, OS: 8

Etching. "Coney Island". 1936. From a Harrison, NY collection. - Dimensions: 9.25" high x 12.25" wide

Reginald Marsh (American, 1898-1954) Engraving on Paper, Ca. 1942, Coney Island Beach, H 8" W 10" | Signed in pencil lower right, from the edition of 12, (presumably from the posthumous printing, sign

Moonlight On The Long Island Marshes, Oil On Wood Board, Signed Lower Right. Signed, Titled And Dated 1909 Verso, Also Inscribed 1920 Purchased Directly From Julian Onderdonk. Sight 6 X 9 Inches, Late

RICHARD EVETT BISHOP (AMERICAN, 1887-1975)Etching on paper, signed in plate and dated 1945. A raft of ducks descends upon a marsh landscape, matted behind glass, painted wooden frame. Impression: 9" h

Framed color photograph, "Tidal marsh, Mount Desert Island, Maine" taken August 4, 1965, signed lower right Eliot Porter (American 1901-1990), label verso, image: 12"h, 16"w, overall: 21.5"h, 24.5"w,

Reginald Marsh (1898-1954) American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments s

WILLIAM TYNERAmerican, 1935-1987Landscape with Ducks in FlightWatercolor on paperSigned lower left. Autumn marsh landscape with ducks, matted behind glass, wooden frame.Sight: 20 1/2 x 29 in. (52.07 x

Walter Whitcomb Thompson (American/Florida, 1882-1948), "Bloody Marsh and the Little White Bridge, Saint Simons Island, Georgia", 1939, oil on board, signed lower right, signed, titled and dated en ve

Beautiful gouache on board study, measuring 4.5 x 7 inches. Framed in a beautiful white gold, water-gilded frame, behind museum glass. Colin Campbell Cooper (1856-1937) was one of America's most impor

Beautiful gouache on board study, measuring 4.75 x 7 inches. Framed in a beautiful white gold, water-gilded frame, behind museum glass. Colin Campbell Cooper (1856-1937) was one of America's most impo

Beautiful gouache on board study, measuring 3.75 x 6.5 inches. Framed in a beautiful white gold, water-gilded frame, behind museum glass. Colin Campbell Cooper (1856-1937) was one of America's most im

Charcoal on Paper measuring 23 x 19 in a custom wood frame and is protected behind museum glass. Ben Messick was well-known for his Regionalist scenes as well as Modernist paintings. He taught at LA's

Charcoal on Paper measuring 18.5 x 22 inches in a custom wood frame with color wash details, and protected behind museum glass. Ben Messick was well-known for his Regionalist scenes as well as Moderni

DESCRIPTION: An excellent WPA style oil on canvas by listed American artist Philip Myers. Myers studied at the Arts Students League under Reginald Marsh. He was associated with New York City. This wor