CARLO HAUNER (1927-1997) & MARTIN EISLER (1913-197…

Carlo Hauner (1927-1997)& Martin Eisler (1913-1977)CostelaPair of lounge chairsWood, lacquered metal, brass and fabricEdited by Forma di Brescia, ItalyModel created circa 1965H 83 × L 70 × W

MARTIN EISLER + CARLO HAUNER (Argentine, 1913–1977, Brazilian, 1927-1997)Armchair, ca. 1950Jacaranda, metal, sheepskin. Produced by Forma, Brazil.One leg with Brazilian export sticker stamp

Due poltrone, tondino di ferro smaltato, multistrato curvato lastronato in legno di noce, ottone, terssuto imbottito. Produzione Forma 1960 ca. Timbro del produttore cm 81x70x72 Domus, n. 362, gennaio

CARLO HAUNER, MARTIN EISLER, FORMA, 1959. Due poltrone. Ferro verniciato, compensato curvato impiallacciato in palissandro, imbottiture rivestite in tessuto. Altezza cm 85, larghezza 70, profondita' 8

CARLO HAUNER + MARTIN EISLERMagazine rack, ca. 1950Hammered copper, painted metal. Manufactured by Forma, Brazil.14.5" H × 20.5" W × 5" D

Forma Mompiano production armchair, 1959. Teak wood, painted metal and fabric.. Cm 80,00 x 82,00 x 70,00. Literature: Aric Chen, Brazil Modern: The Rediscovery of Twentieth-Century Brazilian Furniture

Fauteuil dit Costela Bois, métal, suédine 83 x 70 x 84 cm. Forma, circa 1959 Références : - Maria Cecilia Loschiavo dos Santos, Modern furniture in brazil, Olhares, 2015, p. 234. -

Martin Eisler and Carlo Hauner chaise lounges, pair FormaAustria/Italy / Brazil, c. 1955enameled steel, rattan25.5 w × 56 d × 34 h in (65 × 142 × 86 cm) Prov

CARLO HAUNER, MARTIN HEISLERCoppia di poltrone mod. CostelaStruttura in ferro laccato e legno massello. Prod. Forma 1950 ca. cm 70x70x84

Brazil, 1960s 19 x 22 x 18 in. (48.3 x 55.9 x 45.7 cm.) Provenance: Property from The Private Collection of International Architect and Designer Selma Cisic of the iconic Los Angeles store Adesso

Martin Eisler (1913-1977)CabinetCaviuna and rattanEdited by Forma S/AManufacturer’s labelModel created circa 1960H 81,5 × L 125 × W 42 cm

Martin Eisler (1913-1977)CabinetCaviuna and rattanEdited by Forma S/AManufacturer’s labelModel created circa 1960H 82 × L 125 × W 42 cm

Rare rosewood sofà with iron’s tube legs and original woven, for Forma Brescia 50’s. Literature; catalog Forma’s cover.. . Cm 265,00 x 62,00 x 70,00.

Poltrona in compensato curvato di teak e ferro verniciato.Prod. Forma anni '60cm 80x70x72

Costela sofa for Forma Mompiano Brescia . 1960. Teak wood and painted metal.. Cm 136,00 x 81,00 x 64,00. Literature: Domus n. 362, January 1960, p.20

Bench for Forma. Teak wood and painted metal.. Cm 200,00 x 30,00 x 35,00. 1950s.

Martin Eisler Style Pair of 'Costela' chairs, 2000s Chrome-plated steel, solid walnut. Undersides with manufacturer's metal roundel. Each: 36" H x 27.75" W x 30" D

Tappeto in pura lana vergine. Prod. Minorca, Italia, 1960 ca. cm 225x149

Carlo Hauner Daybed FormaItaly/Brazil, c. 1960mahogany, enameled iron 16.5 h x 35.25 w x 74.5 d in (42 x 90 x 189 cm) This work will ship from Lambertville, New Jersey.

Four chairs for Reguitti. Beech.. Cm 57,00 x 74,00 x 70,00. 1970s, manufacturing label.

LINE VAUTRIN (1913-1997) Miroir "Sequins" éclairant - Commande spéciale Important miroir circulaire en talosel beige, encadré d'une couronne de pastilles en miroirs nacré

LINE VAUTRIN (1913-1997) Miroir "Soleil à pointes n° 1", circa 1960. Structure circulaire en résine talosel guillochée présentant vers l'extérieur une double couronne de pointes anim

Line Vautrin (1913-1997) rectangular mirror France, 1960s silver foil, brass, talosel, silvered glass etched signature verso 15"w x 1"d x 23"h Literature: For a similar example, see: Mauriès, Pat

Line Vautrin(1913-1997)"La Reconnaissance est la Mèmoire du Coeur," circa 1950Brass and enamel cigarette case with cork liningUnmarkedReads "La reconnaissance est la mèmoire du coeur," which transla