Carriage Prints - 2

Advertising prints (2), D. H. Robey, Carriage, Wagon & Automobile Builder-Indianapolis, IN, Victorian ladies, minor creases on bottom, one w/water damage, o/wise both VG cond, 25.5"H x 13.5"W.

•L R Squirrell (1893-1979) The River Orwell at Ipswich, original artwork for LNER Carriage print c.1948 signed watercolour - 21 x 55 cm cm; together with a copy of the original print (2) Property of

•L R Squirrell (1893-1979) Sible Hedingham Essex, original artwork for LNER Carriage print signed watercolour and dated 1954 - 21 x 55 cm cm, together with a copy of the original print (2) Property

•F W Baldwin ( 1899-1984) Thaxted Near Elsenham Essex, original artwork for LNER Carriage print c.1948 signed watercolour - 21 x 57 cm, together with a copy of the original print (2) Property of the

•Kenneth Steel (1906-1970) Flatford Mill Suffolk, original artwork for LNER Carriage print c.1948 signed watercolour - 26 x 57 cm; together with a copy of the original print (2) Property of the late

TOSH MATSUMOTO (1920-2010)Alley with carriages. Silver print, the image measuring 9½x6 inches (24.1x16.2 cm.), the mount 14x11 inches (35.6x27.9 cm.), with Tosh's signature, in pencil, on mount

Cutting and Loading 16" x 10" (sheet) and 12" x 15 1/2" (sheet), both from a numbered edition of 100 and signed lower right 17" x 22" overall with the frame

JAPANESE COLOR WOODBLOCK PRINTS, C. 1900 TO 20TH C., 2, IMAGE: H 14", W 9 1/4", PAVILION & PAGODA IN THE SNOW:Each block signed by a different artist (unable to identify artists); each framed. Paper s

Jean Leon Jansen (French/American, 1920-2013) Untitled Prints, n.d. Two lithographs in colors on wove paper, each signed in pencil and numbered 83/100 and 74/100 respectively, with margins, each frame

TANYA AGUINIGA (Mexican / American, b. 1978)Two 'Gauze' prints, ca. 2010Color prints on Arches paper.    Each: 30" H x 22.25" W

Beckmann, Max Hofmaier, James Max Beckmann. Catalogue raisonné of his Prints. 2 Bde. Mit zahlr. tls. ganzseitigen Abbildungen. Bern, Gallery Kornfeld, 1990. 469 S., 2 Bll., S. 470-894. 4°. J

American Line, New York Southampton and Red Star Line, New York-Antwerp Sackell & Wilhelms Litho 23 1/2" x 33 1/2" overall with the frames

Angelo Testa Two framed textile design prints, 1950s Screenprint on paper. Overall framed 15" x 21" x 1" Dimensions: 11" H 17" W 1" D.

Two prints after Marc Chagall (Russian/French, 1887-1985) comprising one "Derriere Le Miroir" [Behind the Mirror] signed in plate lower right, and one "Le Cheval Brun" [The Sorrel Horse] print in colo

Johann Jacob Honegger (active in Zurich, 1820-1840) after Karl Bodmer (Swiss, 1809-1893) hand-colored stone lithographs after the originals from "Travels in the interior of North America, 1832-1834 "

Two fern prints, approx 16.5" x 19.5" OD. Also includes a vulture print by Thomas Kelly Rowin in 1829.

Gilles-Paul Cauvet (1731-1788), Pair of Architectural Interior Neoclassical Designs. Hand-colored Engravings, Paris, Late 18th C.. 21" x 10 1/4".

Still Life. Robert Robinson (British active 1674-1706) and Isaac Beckett. Mezzotint, With a matching reverse image mezzotint by Jacob Gole (Dutch, 1660-1737). C. 1700. 10"x 7 3/4".

There are two prints by Sister Corita Kent (American, 1918 - 1986) titled "Night in the Midst of Her Course" and "Wonderbread". Both measuring approx 14" x 10". They are both signed in graphite in the

Pair Volckamer citrus fruit botanical hand-colored engravings. German, early 18th Century. 14" x 9".

2pc Signed RC GORMAN Lithograph Prints. 2 Indian Women with blue sky, 178/200. Other print mother with shawl holding baby 118/200. Pencil signed dated 83 & 85-- Dimensions: H: 34 inches: W: 28 inches

Maria Sibylla Merian (1647-1717). Flowers, fruits, insects of Surinam. Pair of hand colored engravings. Amsterdam, 18th C. 12 1/2" x 16".

(1) Temple of Neptune, Planche X 671, some toning, 22" x 30"; (1) Castori Pol LVCI Dec S Fac TAVII, some toning; 17" x 23"; both matted and framed; G

Two botanical prints with hand-painted watercolor, one depicting clematis flowers, one depicting fruit, in the manner of Basilius Besler (German, 1561-1629), each housed under glass in gilt wood frame