Charles Emile Jonchery Nouveau Terracotta Fin de Reve

Art Nouveau painted terracotta figure sculpture by French artist Charles Emile Jonchery (1873-1937) titled Fin de Reve, 22" high.

Charles Emile Jonchery, French (1873-1937) Fine French Bronze Art Nouveau 3 Light Sconce. Fully Signed. Condition: Generally Very Good. Losses to Gilt Decorations Due to Use and Age. Dimensions: H- 18

Dish with Cupid. Signed on base. Charles Jonchery, France (1873-1937). Approx. 19 1/2" H.

de Specht, Wilhelm Emile Charles Adolphe (French, 1843 - ?) 'Dr. Wolfe in his Study' Watercolour on paper Painted in Paris, 1885 Signed and dated: Paris, 1885 Property of Stephanie Hoppen Dimensions:

Charles Auguste Emile Carolus Duran French, 1837-1917 Bouquet de Fleurs (diptych), 1877 Signed Carolus-Duran and dated Montgeron 13 Août / 1877 (lc) Oil on canvas 21 1/4 x 55 5/8 inches (54 x 141

Provenance: Le modèle de ce candélabre a été conçu juste après la fin de la première guerre mondiale - une période très riche où une abondance d'arge

Charles Emile Jacque (French, 1813-1894) , "Retour du Troupeau au Clair de Lune", oil on panel, signed lower right, pencil-inscribed and "Cambridge Art Gallery, Santa Monica, CA" label with inventory

An antique Art Nouveau Escalier de Cristal (Crystal Staircase) glass vase by Emile Galle (French, 1846-1904). Amphora shape vessel in an amber glass, decorated with encircling enameling enhanced with

BEAUTIFULL ANTIQUE ART NOUVEAU BUST BY CHARLES HENNECKE.POSSIBLY TERRACOTTA.PAINTED SOME SMALL CHIPS AND SURFACE WARE. The statue stands at approximately 23 inches tall

CHARLES DE TEMPLE: 'ALL THE TIME IN THE WORLD' RING, CIRCA 1965 The bicoloured openwork ring in polished and textured finish, forming the words 'All the time in the world' to both the interior and ext

Important CACHE POT à décor de fleurs de lotus et rinceaux stylisé La bordure soulignée d'une frise de leiwen et de lingzhi Porcelaine et bleu sous couvertes H. 46 cm - D. 60 cm Qu

Charles de Temple - A late 20th century cultured pearl and diamond 'Wrapped' necklace, the necklace consisting of forty five cultured pearls, each spaced by two claw set round brilliant cut diamonds,

Charles de Chatillon (French 1777 - 1844) Napoleon Oil on canvas. Signed with monogram lower left. Inscription in German and flag (Flag of Elba?) inscribed on verso of canvas. 29" x 23"; framed 34" x

AN EMERALD NECKLACE, CHARLES DE TEMPLE 1973 formed of a fringe of graduated textured gold links, the central three set with oval cabochon emeralds, on a similarly textured fancy link necklace, signed

Charles-Emile Jacque (French, 1813-1894) "Bergere au Repos avec Son Troupeau" oil on canvas signed lower left. Framed. 19" x 31-1/2", framed 32" x 44-1/2" Provenance: Atelier Charles-Emile Jacque, Par

Designed as a repousse coiled snake within an 18k yellow gold circle pin measuring approximately 40.5 mm (1.60 in). French marks. Gross weight: 13.2 grams.

Charles de Temple - A pearl and diamond 'Wrapped' bracelet, together with a matching single earring, first, the bracelet with three rows of eight cultured pearls, each seperated by two claw set round

DIANA HOLDING AN ARROW, oil painting on canvas, 54 x 39”, frame 57 x 42 ½ x 2 ½”. Provenance: Sotheby’s New York, sale 6423, lot 0295, Old Masters Paintings May 1993, sold

Charles-Emile Jacque (French, 1813-1894) Barbizon Landscape oil on canvas laid to board signed Ch. Jacque (lower left) 14 x 20 inches.

bucolic barn yard scene of a French shepherdess and her flock. Signed on the lower left as “Ch. Jacque”. Wonderful contrasting darks in this painting. Canvas 32”H x 25.5”W Fram

CHARLES DE TEMPLE - a 1960s 18ct gold diamond and emerald brooch and associated earrings. The brooch designed as a series of overlapping, openwork and partially textured panels, with emerald cabochon

Le Hay, Jacques (c. 1645-1713) & Charles de Ferriol (1652-1722) Recueil de Cent Estampes Representant Differentes Nations du Levant. Paris: Jacques Collombat, 1715.Oversized folio, a3, A-F2, G1; engra

Sèvres Manufactory, designed by Alexandre Sandier (1843-1916) Art Nouveau Pâte Nouvelle de Chevilly vase France, circa 1900 crystalline glazed hard-paste porcelain partial incised signature,

Monumental French Fin de Siecle Parcel-Gilt and Ebonized Mirror fourth quarter 19th century, the crest with a bust of Marie Antoinette in an oval frame, flanked by putti and framed with lush sprays of