Charles Jones Way (1834-1919) British. A Mountainous

CHARLES JONES WAY (British 1835-1919) A PAINTING, "Sunrise over the Water," watercolor on paper. 6" x 9" Provenance: Estate of the late Charles A. and Betti F. Saunders, Houston, Texas.

WAY, Charles Jones (1834/35-1919) "Venizia" Watercolor Signed and titled on the lower left: CJW 14x25cm - 5.5x9.75"

Herding the Sheep, Winchelsea Watercolour on paper Signed lower left Size: 21 x 15 in. (sight)

Charles Jones RBA-RCA (British, 1836-1892) oil painting on board titled, "A Rustic Corner, Wiltshire," 19th century. Pastoral scene with two figures walking along fence beneath trees. Signed with mono

Charles Frodsham (British, founded 1834) 8 day marine chronometer, circa 1870. Number 0041, silvered face, dial with up and down indicator, spotted plate with Earnshaw's spring detent, Kullberg's auxi

After Charles Edward Johnson, British, 1832-1919. A 19th century oil on board Hudson Valley landscape. A moonlit depiction of boats along the Hudson River with a figure and cottage at shore. Partial a

Influential German evolutionist, morphologist, and developmental biologist (1834-1919) remembered as a supporter and exponent of Charles Darwin's theories. ALS in German, one page on a 5.5 x 3.75

"L'AMI" coffee table designed by Charles Hollis Jones, model 505 made out of 2" thick Lucite. The table is just stunning, the way the Lucite is placed make the edges shine like diamonds when the light

Custom Built Monumental Modern Table Lamps in the Manner of Charles Hollis Jones. They have manufactures stamp from San Francisco. CA24 in.Hx6 in.Wx6 in.D each

"L'AMI" coffee table designed by Charles Hollis Jones, model 505 made out of 2" thick Lucite. The table is just stunning, the way the Lucite is placed make the edges shine like diamonds when the light

Thomas Stothard (British, 1755-1834)Devil confronts an angelwatercolor on cardindistinct inscription upper left3 x 2 1/4in (7.5 x 5.5cm) Provenance:With Denenberg Fine Arts Inc., W

ARTIST: Charles Clement Francis Perron (British, French, 1893 - 1958) NAME: Way to the Garden MEDIUM: oil on board CONDITION: Very good. No visible inpaint under UV light. SIGHT SIZE: 18 x 14 inches /

John Hoppner, R. A. (British, 1758-1810)Portrait of Mrs. Charles Dunscomewatercolor and pencil on paper9 x 7in (23 x 28 cm) Provenance:The collection of Mrs. Leverton Harris.With A

Charles A. Roollate 19th/early 20th centuryFigures on the bank of a stream in a mountainous wooded landscape, 1900oil on canvassigned lower left Charles A. Rool and dated.19 1/2 x 29 1/2in (49.5 x

Charles William Bartlett (British, 1860-1940), Entrance to Golden Temple, Amritsarwoodblock print in colors, 1919, signed and with artist's stamp at lower left, retains gallery labels to verso, matted

Thomas Stothard. (English, 1755 - 1834). The Bathers (Diana and her Nymphs Bathing). Antique Engraving on wove paper after the original oil on canvas by master engraver Charles Cousen (British, 1819 -

HOW ANIMALS TALK by William J Long Harper Bros. 1919 b&w and color illustrations by Charles Copeland, 303pp, author reflects on the various ways animals communicate within species and out of species,

Estate / Collection: Estate of Hedda Kleinfeld Schachter JONES, CHARLES (1866-1959) Three Flower Studies. Three gold-toned gelatin silver prints on printing-out paper, the largest 9 1/2 x 7 1/4 inche

'Milking Time'. Oil on canvas. Signed lower left. Note: Comes with 1901 letters pertaining to purchase of the work. Property of a Stamford, CT estate. Dimensions: 37.50" h x 34.50" w. Frame:

Charles Jones (1866-1959) Cucumber Ridge, c. 1900 Unique gold toned gelatin silver printing out paper, initialed and titled in pencil on the verso. 6 x 4 1/4in (15.2 x 10.8cm) Footnotes: Provenance

Charles Jones (1836-1892), Oil on board, Highland cattle in a Scottish landscape with mountains beyond. Approx. 32 1/2" x 39 1/4"

Lot 113 Edward Burne-Jones British (1833-1898) The Beguiling of Merlin stained glass window hand-painted stained and leaded glass panel, after the 1877 painting depicting Merlin spying on Nimue, the L

Mark Brazier-Jones (British, b. 1956) Pair of "Dolphin Tail" Chairs, England, 1996 Numbers 18 and 19 from an Edition of 200Patinated bronze, upholsteryEngraved signature and date: "Mark Brazier-Jones

Tunji Adeniyi-Jones (British, born 1992) Pattern Makers Screenprint in colours, 2020, on wove, signed and numbered 5/30 in pencil, published by Fort Makers, New York, with full margins, 508 x 406mm (2