Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Venice Night Drypoint etching, ci...

Christopher Richard Wynne (C.R.W.) Nevinson (British, 1889-1946), lithograph on paper depicting a marching army, bayonets in the air, processing down a city street, signed in pencil l.r., 8 1/2" x 7"

Christopher R. W. Nevinson (British 1889-1946)- ''Quartier Latin''- drypoint, 1922, signed in pencil, edition of 40, very slightly light struck. 14 x 9 3/4''

September 13, 1918, St. Mihiel. [The Great Black Cloud]. Kerr Eby (1889-1946). Etching. circa 1939. Kerr Eby was a Canadian illustrator best known for his renderings of soldiers in combat in the First

Walter Richard Sickert A.R.A. (British, 1860-1942) Fete near Envermeu, Dieppe signed 'Sickert' (lower left) oil on canvas 46.2 x 38.1 cm. (18 1/8 x 15 in.) Painted circa 1920 Footnotes: Provenance<

John Craxton R.A. (British, 1922-2009) Night Ravine Etching with carborundum and aquatint, 1971, on wove, signed, titled, dated and inscribed 'artist's proof' in pencil, with wide margins, 475 x 230mm

(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid pap

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

RICHARD DIEBENKORN (American 1922-1993) "#38 from 41 Etchings Drypoints 1965" Drypoint etching. Image: 8 1/4 x 7 1/4 inches; Frame: 18 3/8 x 15 1/2 inches. Pencil signed initials and dated lower right

Richard Diebenkorn(1922-1993)&quot;#1&quot; from &quot;Nine Drypoints and Etchings,&quot; 1977Etching and drypoint on wove paperEdition: 24/25, aside from an edition of ten artist's proofsInitialed, d

circa 1965 drypoint etching initialed and dated lower right Provenance: with label verso from James Corcoran Gallery Condition: with crack to pane 8 1/3 x 11 1/2 inches, sight

Helen Frankenthaler(1928 - 2011)Broome Street at Night, 1987etching aquatint and drypoint, edition 40 of 68signed and dated lower right: frankenthaler 87editioned lower left: 40/6827 x 28 1/4 in. (68.

Richard Hamilton (British, b. 1922)Berlin Interior, 1979Photogravure, engra

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Drypoint, artist proofs; (1) "Age Old Rhythm", (1) "Song of Creation"; both signed lower right; matted and framed, 12" x 16", VG-EX

(British, 1922-2011) 1940 or 1953 Overall: 16-1/8"h x 12-1/2"w Sight: 9-1/2"h x 6-1/2"w Provenance: Galerie Herbert Meyer-Ellinger, Frankfurt; Property from the Estates of David and Laura Finn, Westch

Etching in color with engraving, aquatint, graveure, soft ground and drypoint on paper USA, 1986 Jim Dine (b. 1935) – American Pop artist Published by Pace Editions, New York Printed by Graphicstudi

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Pablo Picasso (Spanish, 1881-1973) Original 1968 Lithograph, "Untitled". Dated, en verso, May 1, 1968 / May 3, 1968. Pencil signed, "Picasso" and numbered 24/50. Drypoint etching was during his "347 S

Wayne Thiebaud (Born 1920) Meringue 1995 The drypoint etching with aquatint in colors on wove paper is signed by the artist in pencil and dated 1995 lower right, and numbered 39/50 below the image low

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8&#189;x11&#189; inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

circa 1963 mixed media, heliogravure, & drypoint etching; E.A. edition Provenance: Centaur Sculpture Galleries, Las Vegas A Las Vegas, Nevada Collection 19 x 21 inches

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower