Clarence Muse and David Arlen. ''Way Down South.''

Clarence Muse and David Arlen. ''Way Down South.'' Woodcuts by Blanding Sloan. First Edition. David Graham Fischer, Publisher, June, 1932, Hollywood, CA. Paperback, as is condition

Baker, David Graeme (South African/American, contemporary), Peonies, 2017, oil on panel, signed lower left, also signed, dated and titled on the reverse, 7.5 x 9.25 inches, in a wooden frame 14 x 16 i

1990; Acrylic on canvas; 53 1/2 x 99 inches; Provenance: Commissioned by David Cossey, Walkerville, South Australia; acquired in 1991; Richard Kelton Collection, Santa Monica

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: David MaassTitle: Movement South - Canada GeeseMedium: Oil Painting on Bo

Newcomb College Daffodil Vase, Alma Mason 1915long stemmed flowers on a mottled blue field, signed "NC/JM/179/A.M." 8 1/4 in. From the Collection of the late David Powell, Timmonsville, South Carolina

METAL: 18K gold. GEMSTONES: white pearls 11-11.2mm, grey pearls 11-11.3mm. MEASUREMENTS: bangle opening is 64mm in diameter, cable is 3mm wide. MARKED: D.Y. 750. WEIGHT" 37.6 grams.Gemstones have

David Boyd (Australian, 1924-2011) David Boyd (Australian, 1924-2011) 'From the Dream of a South Sea Whaler' signed 'David Boyd/1970' l.l., indistinctly inscribed with title verso, oil on canvas 86 x

Crafted in Platinum and 18k white gold. This David Webb ring consists of Carved Rock Crystal, Onyx, Diamonds and a South Sea Pearl. The pearl is 14mm and there are (26) round diamonds weighing approxi

(American, b. 1953). 1995, Signed "Loeb" lr, 58 1/4 x 56 1/4 in., framed

David 'Dave the Slave' Drake. (American/South Carolina, 1800-After 1870) High Gloss Alkaline Glaze Stoneware Two Handle Four Gallon Storage Jar. 1857. Signed in script "Lm" for Lewis Miles and dated "

Synthetic polymer on canvas; Provenance: 1990; David Cossey, Museum Art International, Hindmarsh, South Australia; acquired in 1991; Kelton Foundation, Santa Monica. Exhibited: ?Awake to the Dreamtime

David Bradley (b 1954) Chippewa. "On the Way to Navajo Fair" signed and dated '82. Provenance: Elaine Horwich Gallery.David Bradley grew up in Minnesota and is an enrolled member of the Minnesota Chip

(American/South Carolina, 1882-1931) Sketch of David after Antonin Mercie sculpture, signed lower edge "E A Harleston", charcoal on paper, site 24 x 12 in.; modern frame, 35-1/2 x 22-3/4 in. See lot 5

Edgefield, South Carolina, circa 1850 attributed to David Drake working at Stoney Bluff. The jar has a nice size with rich chocolate alkaline glazed and high handles on the ovoid body. The piece is in

18k diamond necklace 47.9 dwt. 16 inches long. Davids notes: a handmade woven gold necklace with six .10ct round VS1 G color diamonds. Workmanship appears South American.There is a makers mark, hard t

The Old Way, watercolor on paper, 5 1/4 x 7 1/8, signed lower right: Ronald Thomason

This table was made in the American South in the early 19th century, circa 1830. This table is faux-grain mahogany over yellow pine. This table features the original massive white marble slab top, han

Pair of Meissen centerpieces, c1880- chips Height: 13".One arm broken off half way down and restored at the shoulder.

A southern federal garden bench from a Charleston, South Carolina estate, circa 1760. This curved white oak seat sits on classical brackets with carved grooves and scrolls and would be a thoughtful ad

Great carved solid Carrara marble half body sculpture of Adonis. Probably carved in Florence Italy, circa mid-19th century. The three spots on the surface of torso are the way the 19th century Italian

Seymour Thomas (Am. 1868-1956), South Texas Landscape, oil on canvas 10 x 18. This painting was exhibited at the Witte Museum and the Panhandle Plains Historical Museum for the Texas Impressionism Exh

Set of 3 Russian plique a jour enamel(enamel that goes all the way through the piece, giving the effect when you hold it up to the light of appearing as a stained glass window, a difficult technique)

Doug Clark (Am. 20th Cent.), Leading the Way, Old Blue, Ed. 5/50, bronze 7 x 10 x 4, signed on sculptural base: DB Clark. 5/50

A late 18th century, French Provincial marquetry table finished all the way around, circa 1780, with four drawers and inlay featuring a bird with a cherry in its mouth. The marquetry on the top is mad