Daniel F. Wentworth (1850-1934), New England Farm by a River

Daniel F. Wentworth (1850-1934) New England Farm by a River, 1885 signed and dated "D.F. Wentworth 1885" lower left oil on canvas, 19 by 28 1/2 in. Provenance: Acquired from Phillips, Americana, Janua

American, 1850-1934 Cows Watering Signed D.F. Wentworth (ll) Oil on canvas Sight 9 3/4 x 13 7/8 inches (24.8 x 35.2 cm) Frame dimensions: 19 1/4 x 23 1/4 inches

Daniel F. Wentworth (1850-1934) oil on canvas Fall Sunset Landscape, signed lower left D. F. Wentworth, 16" x 20".

DANIEL F. WENTWORTH (American, 1850-1934). Watering Hole, circa 1890, Oil on canvas. Signed lower left hand corner. Framed. - 21 x 27 inches; frame: 35 x 39 inches

Daniel F. Wentworth (American, 1850-1934). The Boardman Homestead, 1887, charcoal, signed lower left "D.T. Wentworth 1887." (15.5 in. x 22.875 in.). Frame: H: 27.125 in., W: 34.875 in.

Daniel F. Wentworth, Conn./ Maine (1850-1934), Oil on canvas painting of a country bridge leading to a homestead, signed lower right "DF Wentworth, 1885", mounted in original wide gold molded frame, o

ARTIST: Daniel F Wentworth (Connecticut, Maine, Norwegian, 1850 - 1934) TITLE: Winter Landscape YEAR: 1889 MEDIUM: oil on canvas CONDITION: Few small paint losses. Very minor craquelure. Few minor inp

Daniel Wentworth, Pastel Painting Cows at Stream Signed: D F Wentworth. Well listed artist. Framed. size: 20x16 image, 25.5x21.5 outside frame. ASKart: Daniel Wentworth (1850 - 1934)Daniel F. Wentwort

LARGE O/C ON BOARD STREAM W/ CATTLE SIGNED D.F. WENTWORTH (DANIEL F., 1850-1934, CT,ME) 19TH C., 24" X 32"

American, (1850-1934) Signed l.l. 11 1/2"h x 15 3/4"w

Daniel Wentworth (1850 - 1934) American, oil on canvas painting of cows in a field. Signed lower right and dated 1892. Work measures 26 1/2" x 21 1/2". Housed in frame measuring 37 1/2" x 32 1/2". Goo

Daniel Wentworth (American 1850 - 1934) oil on board, Landscape, 12 x 16 inches

DANIEL WENTWORTH Am. 1850-1934 Autumn View with Drystack Stone Wall Oil on canvas, framed Signed l.r. 20" x 24 1/4" actual, 27 7/16" x 31 3/8" framed Provenance: Private Collection Michigan

THOMAS HART BENTON (1889-1975) New England Farm Print in black and white (c. 1950's-1960's) 6 1/2" x 10 1/2" image, mounted to board Signed lower side in pencil Please note this work is a signed vinta

(Massachusetts, born 1880) New England Farm, 1939, signed lower left "Edith F. Marsden", inscribed pencil verso "April 30, 1939", oil on canvas, 9 x 12 in.; modern gilt wood frame, 14 x 17 in.

F.B. Norton and Co. Four gallon churn with parrot. Worcester, Massachusetts, circa 1850. Condition: Excellent condition, no damage or repair noted. H 16-1/2". Copy and paste this link for high-res ima

F. B. Norton & CO. Four gallon stoneware crock with basket. Massachusetts. Circa 1850. H 11-1/4". Condition: Excellent condition. Copy and paste link for high-res images. https://www.dropbox.com/scl/f

Griswold, F. Gray.Observations on a Salmon River * Fish Facts and Fancies. 2 volumes. Together 3 volumes. Illustrated. 8vo, gilt-decorated red cloth, top-edges gilt; light wear.New York, Circa 1922-25

Oil on canvas, colorful summer time landscape with farm house on a hillside with wildflowers. Salmagundi Club label on reverse, signed l/r H.R. MacGinnis and dated 1933. Image 25”H x 30.5”

New England Farm; lithograph, from edition of 300, commissioned and circulated by the Friends of Art of Kansas State University, Manhattan, KS; under glass and matted in wood frame with black finish a

On original canvas and well executed with Newcomb Macklin frame. Canvas: 20” x 24”. Frame: 27 1/2” x 31 1/2”

Thomas Hart Benton (1889-1975) New England Farm 1951 The Martha's Vineyard farm of fellow painter and cartoonist Denys Wortman was the subject of this lithograph commissioned and circulated by the Fri

A French patinated bronze figure: À la terre!after a model by Alfred Boucher (1850-1934)F. Barbedienne foundry, Parislate 19th centuryIncised A. BOUCHER and F. BARBEDIENNE.FONDEUR.height 26 3/4in

American (New England, attributed to Hudson River Valley), late 18th – early 19th Century. Pine scraped down to old, possibly original, blue over red paint; the molded cornice above an open ste