DON SWANN ETCHINGS (3)

The Etching is Pencil Signed Lower right, and titled lower left. The impression size measures 3 7/8" x 3 3/8". The etching is in Good overall condition, as well as its frame. The Frame measures 10 3/4

Signed in Pencil Lower Right and Titled Lower Left. The Plate Size Measures 9 3/4" x 7 1/4". The Frame Measures 17 3/8" x 14 1/4". Third-Party Shipping or Personal Pickup Required.

PAUL CADMUS (1904-1999) Nudo #1, #2 and #3. Set of 3 etchings. Each 222x195 mm; 8¾x7 inches, full margins. Each in the second state (of 2). Each signed, titled, inscribed "second state" and numbe

All Three are Signed and Titled; Includes "Chicago Landmark", "Chicago Towers", "Winter"; Measures 23 1/8" H x 7.75" W in the frame; Each etching measures approx. 3.25" x 4.75"

5 etchings: (1) Winter Storm, ed. 17, 1955, etching 2 7/8 x 5, signed across bottom: Winter Storm, James Swann; (2) Valley Farm, ed. 100, 1941, etching 4 x 3, signed across bottom: Valley Farm, James

(5) James Swann aquatint and etchings. Along the Lake, Drenched, Winter, Winter in Lincoln Park, Wrigley Building. Titled and signed in pencil. Largest image: 4 1/8 x 5 3/8 inches. Framed.

CONDO, GEORGE. Ghost of Chance. By William Burroughs. Illustrated with 3 soft-ground etchings and tipped-in lithographs by Condo. Folio, 15 x 10 inches; 380 x 255 mm, publisher's black cloth, gilt-let

James Swann (American, 1905-1985) Two Etchings. Comprising "Christmas Eve" and "On the Avenue". Both are pencil signed and titled along the lower margins Christmas Eve: 5.25" x 3.25" Frame: 11.5" x 8.

The Goose. Etching, 1939. Signed and numbered 3/100 in pencil, lower margin. 300x232 mm; 11¾x9⅛ inches. Condition For inquiries or questions, please contact: Harold Porcher, Specialist: hpo

James Swann (American, 1905-1985) Christmas Eve. Etching and aquatint, 1950, pencil signed lower right and titled, from the edition of 100. Ref: Czestochowski 190 5" x 3.25" Frame: 13" x 11"

JOHN SLOAN Two etchings. The Show Case, 1905. 127x178 mm; 5x7 inches, wide margins. Third state (of 3). Edition of 75 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pe

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

JOHN SLOAN Snowstorm in the Village. Etching, 1925. 177x128 mm; 7x5 inches, full margins. Third state (of 3). Edition of 100. Signed, titled and inscribed "100 proofs" and signed by the printer, Ernes

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

JOHN SLOAN Reading in the Subway. Etching, 1926. 127x100 mm; 5x4 inches, full margins. Third state (of 3). Edition of 85 (from an intended edition of 100). Signed, titled, inscribed "100 proofs" and a

JOHN SLOAN Barber Shop. Etching and aquatint, 1915. 256x308 mm; 10x12 inches, full margins. Third state (of 3). Edition of only 35 (from an intended edition of 100). Signed, titled and inscribed "100

ANTONIO DA CANAL, IL CANALETTO An Imaginary View of Padua. Etching, circa 1740. 301x425 mm; 12x16¾ inches, wide margins. Second state (of 3). The letter A countermark (?) to an unidentified water

KARA WALKER (1969 - )Lil Patch of Woods.Etching and aquatint on Mulberry chine collé on Rives BFK paper, 1997. 298x229 mm; 11 3/4x9 inches, full margins. Signed, dated and numbered 2/35 in pencil,

REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching on thin, cream laid paper, circa 1640. 215x292 mm; 8½x11½ inches, narrow margins. Biörklund's third state (of 3)

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

REMBRANDT VAN RIJN Man Drawing from a Cast. Etching, circa 1641. 97x66 mm; 3¾x2½ inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's t

FÉLIX BUHOT La Dame aux Cygnes. Etching, aquatint and drypoint, 1879. 130x180 mm; 5x7 inches, full margins. Third state (of 3). With the artist's red ink stamp (Lugt 977, lower center recto). A v

REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3¼x2¼ inches, narrow margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's sec

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching and drypoint, 1866. 284x210 mm; 11¼x8¼ inches, full margins. Third state (of 3). A very good, dark, richly-inked impression. Delteil 6;