Dutch Ebonized Frame 21 3/4" x 26 1/4"

American, ca. 1930, in the Flemish style, maker's label verso. Overall 25 3/4" x 30 1/2", Rabbet 21 3/4" x 26 1/4", Molding 2 1/4".

Dutch 1900. Old label verso. Rabbet Size: 20 x 14.75 in. Overall Framed Size: 26 x 21 in. (87-601) (46) Provenance: The historic period frame collection of Eli Wilner. The collection previously includ

American, ca. 1890. Overall 23 1/2" x 27 1/2", Rabbet 17 1/4" x 21 3/4", Molding 3 1/4".

Handcolored lithograph, image 15 x 21.5 inches. Engraving by John C. McRrae, New York, 1860. Frame 21 ¼ x 26 ¾ inches. Provenance: Northeast Auctions, Portsmouth New Hampshire, August 17

SITE OF CANA OF GALILEE, 1839, hand-colored lithograph, signature, titled and dated on plate , sight 12 x 18 ½”, frame 21 ¼ x 26 ¾”; CALVARY JERUSALEM APRIL 10 TH , 18

DOMINE DIRIGE NOS (Lord Guide Us), motto of London, reverse painting on glass, 26 ¾ x 21 ¾”, frame 29 ½ x 24 ¼”.

1930s’ PACKARDS, oil painting on paper or board, signed lower right, sight 18 ¾ x 26 ¼” heavy frame 32 x 38 ¾” with glass, weight 23 lbs.

Lower Left Is Menton, Cote D’ Azur, 1954, Pastel On Paper, Signed, Titled, Dated Lower Right, Sight 14 x 19, Frame, 21.25 x 26 x 0.5 Inches. Ploughing Horse Team At Sunset, 1953, Oil Stick On Pa

S Sedgwick, Vintage Watercolor Painting Sunset Landscape with Cows Watering, Framed. size: 14 x 26 matte, 21.75 x 34.25 outside frame

Louis Icart (French, 1888–1950) lithograph, French couple, embossed lower left, signed lower right in pencil, edition on left 459/500, sight size 14 x 21 inches, overall frame 34 1/4 x 26 1/2 inches

CHOCOLATE KISSES, color aquatint etching, signed and numbered 19/30 in pencil, image 17 ½ x 20 ¾”, full margins, frame 26 ¼ x 34 ¾” with Plexiglas.

Ebonized frames with gilt trim. Multicolored striped fabric covering. 34 1/2" h x 27" w x 26" d. Seat height 21".

Ebonized frames with gilt trim. Multicolored striped fabric covering. 34 1/2" h x 27" w x 26" d. Seat height 21".

KING DAVID, 1965, oil painting on canvas, signed and dated upper left, 26 x 21 ¼”, artist’s address inscribed on back of frame 29 ½ x 25 ¾ x 2 ½”.

UNTITLED, 1976, color lithograph, signed and dated and inscribed lower left, sheet 29 ¾ x 22 ¼”, discardable frame 34 x 26 ¼”.

UNTITLED (Flowers in White Pot), 1989, oil painting on canvas, initialed and dated lower left, 20 x 25”, welded metal frame 21 ¾ x 26 ¾”.

[EQUESTRIAN]. Administrator. By Rysdyk’s Hambletonian. Boston: J. Mayer, [n.d.]. Color lithograph of the horse whose pedigree is listed in the title. 21 ¾ x 26 ¼”. Linen backed.

SACRED AND PROFANE LOVE, 1986, gouache on paper, initialed and dated lower right, 12 x 16”, frame 21 ¾ x 26 ¾” with Plexiglas.

VARIOUS, four watercolors on paper, each signed lower right, three unframed matted sheets 20 x 26”, one sight 16 x 20”, frame 21 ¾ x 26 ¾” with glass. (4)

Dutch, ca. 1850. Overall 19" x 24 1/4", Rabbet 13 3/4" x 19", Molding 3".

TWO SPACES, ONE CENTER, 1984, acrylic painting on paper, faintly signed lower right, 19 x 24”, frame 21 ¼ x 26 ¼” with Plexiglas. Provenance: Rosamund Felsen, Los Angeles. Fr

DARK CHANGE 5, 1970, color woodblock print, signed, dated, titled and numbered 1/60 in pencil, image 19 ½ x 14 ¾”, full margins, frame 21 ¾ x 17 ¼”.

19th cen windmill painting, Cornelius Antonius de Zeeuw(Dutch 1875-1935). Frame: 34.5" x 26.5" Painting: 26.5" x 18.5"

Oil on Artist Board, Painting of a ship at sea. Signed Ellery Thompson lower center. work measures 29" x 21" frame measures 34" x 26". surface losses in the field. Keywords: Nautical, Ocean, Sailing,