Edmund Blampied The Cider Barrel. 1928-29. Dry point.

Blampied, Edmund (British 1886-1966), Morning Gossips, 1928 (Three Stable Hands), drypoint etching, pencil signed and numbered 91/100, 9 x 12 inches framed in a black print frame 16.5 x 19.5 inches

Edmund Blampied (British, 1886-1966), “Les Deux petits verres (Two Little Glasses)”, 1928, drypoint, depicts a cafe scene with older waiter standing with tray serving an older portly coupl

Dry point etching, signed in pencil and numbered 57/100. Frame: approx. 18" x 15". Sight: approx. 9 1/4" x 12 1/2".

Louis Icart Drypoint Etching - Swing. Copyright 1928. Hand signed with windmill blind stamp. Measures 18.75 in. high x 13 in. wide. Framed: 29 in. high x 22.75 in. wide. Weight: 9 lbs.

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

Nathan Oliveira (American, 1928-2010), "Dancer", 2004, drypoint with color aquatint, pencil-signed, dated, blind-stamped and inscribed "TPC" lower margin, "Crown Point Press, San Francisco, CA" label

Mauricio Lasansky (Argentine-American, 1914-2012) Sandro Study in Red, 1990 Color etching and drypoint on paper 29" x 20 1/4" (image) Pencil-signed, titled, and numbered (#37/ 70) to the

Nathan Oliveira (1928-2010) Angel Rocker, 2005 Aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 14/40 (there were also 6 artist's proofs), with the blindstamp of the

Salvador Dali pencil signed & labeled E.A. framed dry point etching with gold leaf from the series "Songs of Solomon" - 22 1/2" x 29 1/2" O.D.

The passion of Christ. Henri Creuzevault, 1954. Illustrated with twenty-one dry points by Bernard Buffet Paris. Copy n 29 of 140 in Hollande Van Gelder paper. The 21 dry-points, in text and hors-text,

An original drypoint etching by Louis Icart entitled Perfect Harmony (Accord Parfait). 25"h x 29"w

Sylvia Plimack Mangold Am. b. 1938 "Pin Oak" 1986 Etching, aquatint and dry point on paper, framed Signed and dated l.r., numbered "21/50" l.l. 20 7/8" x 25" sight, 29" x 33 5/16" framed Provenance: P

Original Dry Point Etching on paper with hand coloring "Open Cage (La Cage Ouverte)". Hand signed in pencil by Icart. Limited Edition of 250. Circa 1926. Overall framed 36" x 29 3/4".

Helen Frankenthaler(1928 - 2011)Broome Street at Night, 1987etching aquatint and drypoint, edition 40 of 68signed and dated lower right: frankenthaler 87editioned lower left: 40/6827 x 28 1/4 in. (68.

Salvador Dali Medusa (La Meduse) (from the Mythologie series) 1963heliogravure and drypoint on Arches image: 15.25 h × 19.25 w in (39 × 49 cm) sheet: 22 h × 29.875 w in (56 × 76 cm) Si

Pablo Picasso (Spanish, 1881-1973) La Danse Barbare, from 'La Suite des Saltimbanques' (Bloch 15; Baer 18.b1) Etching with drypoint, 1905, on Japan laid, from the rare edition of 27 or 29, printed by

Louis C. Rosenberg (American 1890-1983)- ''Terminal Tower Suite''- set of 22 drypoint etchings from the Cleveland Series, 1928-32, all signed in pencil, 6 have mat burn, otherwise all in very good con

Al Held (American, 1928-2005) Fly Away. Color aquatint dated to 1992; pencil signed en verso and numbered 9/50 and bearing the stamp of Crown Point Press 20.5" x 29.75" Frame: 35.75" x 45"

1973 Trajana and the Chimera of Horaci Limited Edition Dry Point Etching Hand signed and numbered Limited Edition Hand signed and numbered by the artist Salvador Dali. Approx size is 32x25 inches. Cus

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

Original drypoint etching by Pierre-Auguste Renoir. (1841 - 1919) I estimate that this is the Third Version of the plate based upon the direction that the girls are facing. The title of this etching i

Milton Avery (1885-1965) Signed and Framed Expressionist Dry Point Etching on Paper. Subject is men on horseback. Signed in pencil lower left. Frame measures 17 inches x 13.5 inches, art measures 4 in

Edmund Blampied (1886-1966) Jersey, 'Low tide, Jersey', oil on board, inscription verso in pencil, 24" x 20", (61x51cm).