Francisco de Goya (SPANISH, 1746-1828) Engraving/Et

"Portrait d'Alberto Foraster" by Francisco de Goya (Spanish, 1746-1828); Etching in black ink on fine watermarked laid paper. Hand pulled from the copper plate executed in Paris. Extremely rare. First

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco de Goya (Spanish, 1746-1828), "Ni Asi La Distingue," Plate 7, etching, plate mark: 7.75"h x 5.75"w, overall (with frame): 16.75"h x 15.75"w

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

Francisco de Goya (Spanish, 1746-1828) Etching from "Gazette de Beaux-Arts", "The Little Prisoner". Unsigned. Toning from age. Impression measures 4-1/4" x 3-1/4", frame measures 14-3/4" x 12-7/8". Sh

After Francisco de Goya (Spanish, 1746-1828), "Nadie Nos Ha Visto Engraving" plate 79 from Los Caprichos series. Together with a Francisco de Goya self portrait etching "Franco Goya y Lucientes Pintor

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

Francisco de Goya (Spanish, 1746-1828) 'Yo Lo Vi' Etching and Print Assortment (7) items including 1863, Francisco de Goya y Lucientes (Spanish, 1746-1828) 'Yo Lo Vi' etching and burnished aquatint on

Francisco De Goya (Spanish 1746-1828) Amarga Presencia (Bitter Presence) Engraving, Plate 13 from the Disasters of War. Measures 6.60"x8". In Frame 21.5"x17.50". Weight 4 pds. From the 4th Edition of

After Francisco de Goya (Spanish, 1746-1828), "Aquellos Polbos," etching, unsigned, Plate 23 of "Los Caprichos"; used condition, wear/worn, foxing, paper size measures 12 3/4" h x 8 1/4"w, plate size

Francisco De Goya (Spanish 1746-1828)- ''Tauromaquia - Pl. 37'' (Delteil 260)- engraving, 4th edition. 8 x 13''

Two etchings after Francisco de Goya (Spanish, 1746-1828): Felipe IV Rey de España; and Margarita de Austria, Reyna de España; executed 1778 but printed later, both likely 3rd st

Francisco de Goya (Spanish, 1746-1828) Engraving, Ya es Hora (It is the hour), Plate 80 of Los Caprichos. Measures 8 3/8"x 5 7/8". In Frame 21.50"x17.50"x1". Weight 5 pds. From the 7th Edition of 110

Francisco de Goya (Spanish, 1746-1828), "Farmers," etching, marked "2" in upper left corner, with embossed crest lower left, overall (with frame): 20.75"h x 17.75"w

After Francisco de Goya (Spanish, 1746-1828), "Bellos Consejos," etching, unsigned, Plate 15 from the "Los Caprichos series "; used condition, wear/worn, foxing, not examined outside of frame, frame s

Francisco de Goya (Spanish, 1746-1828), "La Filiacion" pl. 57 from Los Caprichos, etching, unsigned, overall (with frame): 16"h x 12.5"w

Francisco de Goya, etching, Francisco de Goya (Spanish, 1746-1828), "Donde va Mama", from Los Caprichios, etching, signed in plate lower left, 8"h x 6.5"w (to plate mark), unframed

after FRANCISCO DE GOYA (Spanish 1746-1828) AND EUGÈNE DELACROIX (French 1798–1863) A GROUP OF TWO PRINTS, Francisco De Goya, "Episodio del dos de Mayo 1808," etching on paper, 9 1/2" x 11 3

Four (4) Francisco de Goya Lucientes (Spanish, 1746-1828) etchings with aquatint from Los Caprichos, 19th century. All with deep, well-defined platemarks. 1st item: Etching with aquatint entitled Ni m

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

Two (2) posthumous etchings, Goya and Cezanne. 1st item: After Francisco de Goya Lucientes (Spanish, 1746-1828) etching and burin on laid paper titled "The Little Prisoner" or "Tan b·rbara la segur

Francisco de Goya, Los Caprichos etching, Francisco de Goya Lucientes (Spanish, 1746-1828), Plate 1, "Self Portrait", likely a later impression, on smooth wove paper, glued into mat along left edge of

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been