Franciscus Carre (Antwerp circa 1630-1669 Leeuwarden or Amsterdam) A village kermesse

Franciscus Carre (Antwerp circa 1630-1669 Leeuwarden or Amsterdam) A village kermesse signed 'f carre' (lower left) oil on panel 60.9 x 88.4cm (24 x 34 13/16in). Footnotes: Provenance

Johannes Cloppenburg (fl. 1610-1644), America Noviter Delineata, Amsterdam, circa 1630-1676, engraving on laid paper with hand colored highlights, sight 7-5/8 x 10-1/8 in.; framed, 12-1/4 x 15 in. Pro

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and w

** Rembrandt van Rijn (1606-1669)Man in a Coat and Fur Cap Leaning Against a BankEtching, circa 1630, a well inked impression of New Hollstein's final state (of three), printing with plate tone on lai

WIT, Frederick de (1630-1706). [Composite Atlas]. Amsterdam: F. de Wit, [n.d. ma circa 1680]. Bellissimo atlante composito con oltre 117 mappe di cui la maggior parte a doppia pagina e colorate all'ep

AN ANTIQUE MAP, "Accuratissima Angliæ Regni et Walliæ Principatus," AMSTERDAM, CIRCA 1680, hand colored engraving on paper, published by Frederick de Wit (1630-1706), showing most of the British Isl

Jacob Grimmer (Antwerp circa 1525-1590) A View of Kiel on the Scheldt with Antwerp beyond bears signature '**** BRUEG***' (lower right) oil on panel 42.8 x 51.2cm (16 7/8 x 20 3/16in). Footnotes:

Studio of Pauwels Franck, called Paolo Fiammingo (Antwerp circa 1540-1596 Venice) Orpheus charming the animals oil on canvas 40.1 x 90.1cm (15 13/16 x 35 1/2in). Footnotes: A work of the same su

(Flemish, active 1675-1699) Hunting Party at a Watering Fountain, circa 1660, after a work by Simon Johannes van Douw (circa 1630-1677), unsigned, oil on canvas, 22-3/8 x 32-1/2 in.; 20th century gilt

Follower of Master of the Mansi Magdalene (Antwerp, active circa 1490-1530) Saint Mary Magdalene oil on panel 57.7 x 43.2cm (22 11/16 x 17in). Footnotes: The present work is based on the origina

Rare Modernist Philip & Kelvin LaVerne (American, 1907-1987, b. 1937) "Chan" Hexagonal Occasional Tables. Signed by artist. Depicting village scenes. Circa 1965, acid-etched and enameled patinated bra

Rare Modernist Philip & Kelvin LaVerne (American, 1907-1987, b. 1937) "Chan" Large Hexagonal Occasional Table. Signed by artist. Depicting village scenes. Circa 1965, acid-etched and enameled patinate

Beautifully engraved gold case, covered with stingray on exterior case, attached to an 18KG chatelaine marked Jan van Aken, Amsterdam 1781. A very rare pocket watch, 53 mm. in diameter.

(nessuna indicazione di trattamento termico) e 78 diamanti taglio brillante e taglio carrè, cts 2.88 totali circa Notes: (colore H/I purezza VS/SI). Con certificato gemmologico IGN numero 17703 del 1

MARC CHAGALL (Russian born worked in France 1887-1985) Le Village Bleu Lithograph printed in colors. circa 1972 Image: 15 x 12 1/4 inches. Signed lower right: Marc ChagallInscribed and numbered lower

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

American, Circa 1922-1923. Watercolor on paper in a gilt frame. View of buildings of various sizes perched on a hilltop. Signed on lower right. 17"h. 20"w. (image). Frame, 25"h. 28"w. Exhibited, The C

circa 1976 oil on board signed & dated upper left 26 x 39 inches

KAREL DUJARDIN (Amsterdam, 1622 - Venice 1678), ATTRIBUTED TO Great landscape with knights in the foreground and village in the background Oil on canvas, cm. 80x98. Framed PROVENANCE: Private collecti

Moise Kisling (French, 1891-1953) oil on canvas, circa 1930's.Vase of Flowers.Signed lower right.Provenance:Private collection, Paris 1930, a gift from the artist.Private collection, Amsterdam, Acquir

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Native Village beneath the Volcanic Cone of Mount Mayon in the Philippines, oil on academy board, circa 1890, signed lower right "V. Soriano", in a later simple gold frame, OS: 13 1/2" x 19 1/2", SS:

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an