FROM THE RECTORS PIAZZA CHARLESTON ETCHING

Elizabeth O'Neill Verner Original drypoint etching titled, "From The Rectors Piazza Charleston." Pencil signed lower right and titled lower left. Framed and matted. In frame 13 1/4"x14 3/4"x1/2". Weig

(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, "From The Rectors Piazza Charleston." Pencil signed lower right and titled lower left. Very good condition throughout and nice

After Elizabeth O'Neill Verner (American/South Carolina, 1883-1979), "Mellowed by Time, Charleston", "From the Rector's Piazza, Charleston", "Southern Swamp, Environs of Charleston" and "St. Philips P

Alfred Heber Hutty (American/New York/South Carolina, 1877-1954). "In Magnolia Gardens" -1923, etching. Pencil signed lower right. Note: Catalogue number 20 in the catalogue raisonne of Hutty's prints

(American, 1883-1979), "Old Tavern Charleston" and "Close Neighbors", both signed, titled and numbered in the margin. Etching with drypoint. Some foxing and toning. Framed, not examined out of frames.

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Alfred Heber Hutty (NY/SC, 1877-1954), Old St. Michael's. Charleston, 1928, Etching, pencil signed lower right,

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Alfred Heber Hutty (South Carolina, 1877-1954), Old St. Michael's Charleston, 1928, Etching, pencil signed lower

Elizabeth Quale O'Neill Verner (American, 1883 - 1979) "Catfish Row, Charleston" etching, street view of Charleston, SC, pencil signed and titled, unframed, matted with hinge mount, slight toning, fox

Alfred Hutty (Charleston Renaissance, 1877-1954): Etching on Paper Signed on lower margin with snail; titled "Beverly Beeches" to label on back of frame, believed to be an edition of 75; matted and fr

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). Three etchings "Bedon's Alley", "High Battery", and "Sword Gate". Pencil signed and titled lower margin. Provenance: From the

Elizabeth O'Neill Verner (American, 1883-1979), The Unemployed, Charlestonetching, 1934, on wove paper with Vidalon watermark, pencil signed, titled, and numbered 27/80, unframed. Image 10 x 8 in.; Sh

Alfred Hutty (American, 1877-1954), Avenue of Live Oaks (Charleston)etching and drypoint, 1922, pencil signed, titled, and with Hutty's snail cypher at lower right, matted and framed. Frame dimensions

Elizabeth O'Neill Verner (American 1883-1979) St.Philip's Portico, Charleston, etching on paper, signed in pencil, lower right, numbered 21/80, titled, matted and framed. Dimensions: 10 x 9.7

Alfred Hutty (American 1877-1954)- ''The Old Smyth Gate, Charleston''- etching, 1927, signed in pencil with snail cypher. 7 5/8 x 8 7/8''

"House with Iron Balcony, Charleston", etching, pencil signed and titled, in black stick frame, matted and glazed, OS: 14" x 14 1/2", impression: 7" x 7 3/4", toned.Antoinette Rhett was a founding mem

Elizabeth O'Neill Verner South Carolina (1883-1979) "Ravenel Doorway, Charleston" etching, frame, signed & titled: lower margins, in pencil. Sight 5"x7". In frame 10 1/4"x12 1/2"x1". Weight 1 pd 10 oz

Alfred Hutty (American, 1877 - 1954)"The Garden Gate, Charleston"etching and drypoint on papersigned in pencil in the lower marginimage height 8 1/2 inches, width 5 1/2 inches

Elizabeth O'Neill Verner, American, 1883-1979, 2 Charleston Etchings, St. Philips Steeple and St. Michael's Steeple, each titled and pencil signed (2 pcs.)(NELS7004/2)(TC) Measurements:5.2" x 2 .2 ",

Alfred Heber Hutty (American/New York/South Carolina, 1877-1954). "My Charleston Studio" -1931, etching. Pencil signed lower right. Note: Catalogue number 111 in the catalogue raisonne of Hutty's prin

Spagna, image area approx. 15 1/4" X 22 1/2", sheet size 19 1/2" X 27", unframed....Biography from the Archives of askARTPhoto of Giovanni Battista PiranesiGiovanni Battista Piranesi (1720-1778)He was

Elizabeth O’Neill Verner (America/South Carolina 1883-1979), "Ravenel Doorway, Charleston", undated, etching - second state, architectural landscape print depicting the entrance to the Daniel R

After Luigi Kasimir (Austrian 1881-1962) Little Piazza, Venice, etching in color, estate signed in pencil lower center, matted and framed. Dimensions: 18 x 23.5 in. plate size, 26 x 32.5 in. as frame

Giovanni Battista Piranesi (Italian, 1720-1778) Veduta di Piazza Navona. Etching, 1751, from Veduta di Roma. Reference: Hind 16 IV/VI Sight: 16" x 21.5" Frame: 27.25" x 31.75"

Simes, A. (Early 20th Century British Printmaking School), The Bridge of Sighs, Cambridge and The Grand Piazza Venice, etching and aquatint, 8 x 6 inches, both pencil signed and titled along the lower