Giovanni Domenico Cerrini, called Il Cavaliere Perugino

1972 Kirk Collection Sterling Flight into Egypt plate box and papers. From the original etching by Giovanni Domenico Tiepolo called The Flight to Egypt. This plate is 6.5 oz. and it measures apx. 8" d

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

Giovanni Francesco Barbieri, called Il Guercino (1591-1666)-follower, The Samian Sybil, oil on canvas, framed. Notes: Painting Dimensions: 112x91cm

After Giovanni Francesco Barbieri (called Il Guercino) (18th/19th Century) The Samian Sibyl oil on canvas 46 x 38 inches. Estimate $1,000-1,500

Circle of GIOVANNI FRANCESCO BARBIERI called IL GUERCINO (Italian 1591-1666) A DRAWING, "Portrait of a Man," pencil and chalk on paper. 7" x 6 1/2"

SCHOOL OF GIOVANNI FRANCESCO BARBIERI (CALLED 'IL GUERCINO') 1591 Cento - 1666 Bologna VIRGIN WITH CHILD Oil on canvas (old relined). 50 x 66 cm (F. 67 x 83 cm). Verso: On the stretcher with old Londo

ATTRIBUTED TO DOMENICO DI GIACOMO DI PACE BECCAFUMI ('Called: Il Mecherino') C. 1486 Montaperti (Siena) - 18 May 1551 Siena HOLY FAMILY WITH THE JOHN THE BAPTIST Oil on canvas lay down on plate. 77 x

Giovanni Battista Moroni. (also called Giambattista Moroni) (Italian, c. 1520/24-1579). The Tailor ('Il Tagliapanni'). Antique Etching on laid paper after the original oil on canvas by master etcher P

PETRARCA, FRANCESCO. 1304-1374. Il Petrarcha con la spositione di m. Giovanni Andrea Gesualdo. Venice: Domenico Giglio, 1553. FIRST ILLUSTRATED EDITION 2 parts in one volume. 4to: 6 by 8.5" (208 x 149

Giovanni Domenico Tiepolo (Venice 1727-1804) The Gathering of Manna signed 'D** Tiepolo' (lower centre) pencil, brown pen, ink and wash on paper 27.2 x 38.2cm (10 11/16 x 15 1/16in). Footnotes:<

CIRCLE OF JACQUES COURTOIS CALLED IL BORGOGNONE (ITALY/FRANCE 1621-1676), OIL ON CANVAS, BATTLE SCENE. 31 1/2 X 38 3/4" (RELINED); FRAMED 36 X 42"

Attributed to Gennaro Greco, called Il Mascacotta (Naples 1663-1714 Nola) An architectural capriccio with figures before a harbour oil on canvas 48.5 x 63.7cm (19 1/8 x 25 1/16in). Footnotes:

(Caresana, 1721 - Torino, 1793) Bozzetto raffigurante la Madonna in gloria con la Trinità e Santi Olio su tela, cm 86,5X61 Allievo di Carlo Francesco Beaumont presso l'Accademia del disegno a Torino,

Giovanni Domenico Campiglia (1692-1775): Italian Noblemen: Two Plates Two engravings in black on paper, c. 1750, with labels from James Papalia, NJ. Both 12 1/2 x 8 1/2 in. (sight), 21 1/4 x 17 1/4 in

Giovanni Domenico Campiglia. Antique Copper Engraving on laid paper, after the drawing, engraved by Cosmus Colombini (1700 - 1800). 1740 - 1768. Signed in the plate, in ink, lower left and right. Shee

Ten copperplate engravings from "Museum Florentinum," 1734 (all framed separately) Publisher: Antonio Francesco Gori 14" x 9" (sight, each)

(Austrian, 1664-1736) Older Woman Spinning, unsigned, 18th century, oil on canvas, 30-3/8 x 25-7/8 in.; carved and gilt wood frame, 36-3/4 x 32 x 2-1/4 in. Provenance: Purchased in Italy, 2011; The Es

Taro Elders - 10" x 8"

(6) contemporary, decorative reproduction prints after engravings by Giovanni Domenico Campiglia of Classical subjects. Framed by J. Pocker. Dimensions: (Frame) H 20" x W 15.25", (Sight) H 13.5" x W 9

Gennaro Greco, called il Mascacotta (Italian, 1663-1714), titled "An Architectural Capriccio with Classical Ruins and Figures," appears to be unsigned. Sight size: 8-1/8"h x 10-1/8"w Provenance: Anony

Framed oil on canvas painting, in the manner of Mattia Preti, called Il Cavalier Calabrese (Italian, 1613-1699), relined, sight: approx 39.5"h, 60.5"w, overall: approx 48.5"w, 70"w, 36.5lbs Start Pric

Bernardino Poccetti, called Il Poccetti (Italian,1542/48 - 1612) Study of heads of two men, in profile to the right. Red chalk hightened with white chalk. Provenance: Teodor de Wyzewa (L. 2471 Twice,

After Giovanni Domenico Tiepolo (Italian, 1727-1804) "Allegory of Justice" fresco in the Colleoni Chapel, Bergamo, Italy, 1913 oil on academy board signed lower right "F. Mancini" for Francesco Mancin