Giuseppe Maggiolini (1738-1814)-attributed, Small

Italian marquetry commode, 20th c., in the manner of Giuseppe Maggiolini (Italian, 1738-1814), having matched veneer walnut case with rectangular top, over two half drawers, two full drawers, ornament

Italian Neoclassical walnut commode, in the manner of Giuseppe Maggiolini (Italian, 1738-1814), 19th c., contrasting scrolling foliate marquetry, two half drawers over two long drawers, rising on tape

Italian Neoclassical style inlaid secretary bureau, in the manner of Giuseppe Maggiolini (Italy, 1738-1814), 20th c., with contrasting floral marquetry, the slant front opening to a writing surface an

Italian Neoclassical marquetry commode, late 20th c., in the manner of Giuseppe Maggiolini (Italy, 1738-1814), the rectangular case profuse with string inlay and contrasting banding, scrolling foliate

Italian Neoclassical style inlaid commode, 20thc., in the manner of Giuseppe Maggiolini (Italy, 1738-1814), the rectangular top with string inlay, over two floral marquetry doors, one opening to spaci

(lot of 2) Italian Neoclassical style inlaid bedside cabinets, 20th c., in the manner of Giuseppe Maggiolini (Italy, 1738-1814), having floral marquetry throughout, fitted with single drawer, above me

Italian Neoclassical side table, in the manner of Giuseppe Maggiolini (Italian, 1738-1814), 20th c., round top, with concentric parquetry bands, centering acanthus motif, rising on tapered legs with f

Italian marquetry two drawer bombe commode, 20th c., in the manner of Giuseppe Maggiolini (Italy, 1738-1814), the case featuring burlwood reserves inlaid with colorful overflowing floral urns and foli

Italian polychrome marquetry bed, 20th c., in the manner of Giuseppe Maggiolini (Italy, 1738-1814), open carved crest to headboard, having inset burled panels, scrolling foliate carving to frame, all

Italian Neoclassical style inlaid mahogany chair, in the manner of Giuseppe Maggiolini (Italy, 1738-1814), 20th c., having foliate marquetry to top rail, side supports, splat, and legs, blue upholster

A BISQUE GROUP OF SATYR BACCHANTE AND PUTTO ATTRIBUTED TO CLODION (FRENCH 1738-1814) a bisque porcelain sculpture of a satyr seated rock next to a female bacchante, holding a basket of grapes, the chi

Attributed to Claude Michel Clodion (FRENCH, 1738-1814) bronze Bacchanal group sculpture depicting women and putti. Signed "Clodion" to bronze base. Mounted on black lacquer veneer base with figural d

ATTRIBUTED TO MICHEL CLAUDE CLODIONFrance, 1738-1814Bacchanal scene. Inscribed in pencil lower right “Clodion”. Partial oval ink stamp verso.Pen and ink and wash on cream wove paper, 7.75&

(French, 1738-1814) Cherubs Competing for the Heart, signed on base "Clodion", marble, 16-1/2 in. embedded grime, losses to wings, a finger, small chips to base

Attributed to Giuseppe Bessi (Italian, 1857-1922) Marble Bust of a Maiden with base, inscribed annotation on the back of base with inventory number on the bottom {Height 8 1/4 inches, width of base 7

Early Italian neoclassical commodino or commode having the characteristics of Giuseppe Maggiolini workshop. Satinwood with other mixed hardwoods, having an inset marble top over two dovetailed drawers

DESCRIPTION: Pair of mirrored bronze sculptures after Claude Michel Clodion (French, 1738-1814). Sculptures each depict a woman in neoclassical garb with braided hair holding a torch aloft; one torch

After Claude Michel Clodion (French 1738-1814) Fine pair of gilt and patinated bronze on marble figural tazze or compotes with Bacchic putti, 19th century Unmarked Approx. height 13.75", width 11.5" (

Nice North Italian Neoclassic inlaid secretary, 18th/19th c., likely Turin or Milan, in the manner of Giuseppe Maggiolini, the case decorated with mixed-wood parquetry rondels depicting Neoclassical r

Pair of Antique 19th Century monumental palace size Tiffany & Company silvered bronze vessel ewers, after Claude Michel ("Clodion," 1738-1814). Encircling relief scenes of putti cherubs, hounds, and r

Pair of monumental Tiffany & Company silver plate ewers, after Claude Michel ("Clodion," 1738-1814). Encircling relief scenes of putti cherubs, hounds, and rams, with profuse relief floral forms throu

French physician and politician (1738-1814) whose name became synonymous with the 'humane' instrument of execution whose use he proposed to the government during the French Revolution. Manuscr

A PATINATED BRONZE GROUP OF BACCHANTES AND A BABY SATYR After Claude Michel Clodion (French, 1738-1814) Signed Clodion 1769. height overall 31in (79cm); width 14in (36cm)

London: Caesar Ward and Richard Chandler, 1738. Small 4to, contemporary calf, early ownership signature to front free-endpaper and a few notes to title-page in an early hand, some very slight dust-soi